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4 x CD |
Kérjen
árajánlatot! |
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| 1. CD tartalma: |
| 1. | One Bass Hit, Pt. 1
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| 2. | Oop Bop Sh'bam
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| 3. | That's Earl, Brother
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| 4. | Bebop in Pastel
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| 5. | Fool's Fancy
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| 6. | Bombay
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| 7. | Ray's Idea
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| 8. | Serenade to a Square
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| 9. | Good Kick
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| 10. | Seven Up
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| 11. | Blues in Bebop
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| 12. | Epistrophy
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| 13. | 52nd Street Theme
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| 14. | Oop-Bop-Sh'bam
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| 15. | Royal Roost
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| 16. | Boppin' a Riff
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| 17. | Fat Boy
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| 18. | Everything's Cool
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| 19. | Webb City
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| 20. | Stardust
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| 21. | Third Song
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| 22. | Body and Soul
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| 23. | Ratio and Proportion
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| 2. CD tartalma: |
| 1. | Red Shoes
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| 2. | Be Bop Blues
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| 3. | Royal Wedding
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| 4. | Fine and Dandy
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| 5. | Scamparoo
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| 6. | Suede Jacquet
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| 7. | Lion's Roar
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| 8. | Relaxin'
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| 9. | Afternoon in Paris
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| 10. | Elora
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| 11. | Teapot
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| 12. | Blue Mode
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| 13. | Blue Mode [Alternate Take]
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| 14. | All God's Chillun Got Rhythm
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| 15. | Sonnyside
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| 16. | Bud's Blues
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| 17. | Sunset
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| 18. | Move
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| 19. | Hot House
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| 20. | Strike Up the Band
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| 21. | I Want to Be Happy
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| 22. | Taking a Chance on Love
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| 23. | Fine and Dandy
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| 24. | Fine and Dandy [Alternate Take]
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| 3. CD tartalma: |
| 1. | Avalon
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| 2. | Later
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| 3. | Ain't Misbehavin'
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| 4. | Mean to Me
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| 5. | Stairway to the Stars
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| 6. | Touch of the Blues
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| 7. | Bye Bye
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| 8. | Blues Up and Down
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| 9. | You Can Depend on Me [Take 1]
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| 10. | You Can Depend on Me [Take 2]
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| 11. | Chabootie
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| 12. | Count Every Star
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| 13. | Nice Work If You Can Get It
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| 14. | There Will Never Be Another You
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| 15. | Blazin'
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| 16. | Seven Eleven
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| 17. | To Think You've Chosen Me
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| 18. | After You've Gone
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| 19. | Our Very Own
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| 20. | 'S Wonderful
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| 21. | Stringin' the Jug
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| 4. CD tartalma: |
| 1. | Nevertheless
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| 2. | Jeepers Creepers
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| 3. | Imagination
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| 4. | Cherokee
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| 5. | Liza (All the Clouds'll Roll Away)
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| 6. | Can't We Be Friends?
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| 7. | New Blues Up and Down, Pts. 1-3
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| 8. | The Thrill of Your Kiss
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| 9. | If the Moon Turns Green
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| 10. | P.S. I Love You
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| 11. | This Can't Be Love
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| 12. | I Cover the Waterfront
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| 13. | Don't Worry 'Bout Me
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| 14. | Down with It
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| 15. | For the Fat Man
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| 16. | Splinter
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| 17. | I'm Confessin'
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| 18. | Cool Mambo
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| 19. | Sonny Sounds
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| 20. | Blue Mambo
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| 21. | Stitt's It
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| 22. | Sancho Panza
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| 23. | Hooke's Tours
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| 24. | Opus 202
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| 25. | Loose Walk
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| 26. | Pink Satin
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Jazz / Bop
Sonny Stitt - Sax (Baritone), Sax (Alto), Sax (Tenor), Trombone
Al Haig Piano
Al Hall Bass
Al Lucas Bass
Al Outcalt Trombone
Al Williams Piano
Art Blakey Drums
Bennie Green Trombone
Bill Davis Piano
Bill Massey Trumpet
Bud Powell Piano
Charles Bateman Piano
Charles Mingus Bass
Clarence "Sleepy" Anderson Piano
Curly Russell Bass
Dave Heard Drums
Dizzy Gillespie Trumpet, Vocals
Don Elliott Mellophonium
Don Lamond Drums
Duke Jordan Piano
Earl May Bass
Eddie de Verteuill Sax (Baritone)
Eph Greenlea Trombone
Ernie Shepard Bass
Fats Navarro Trumpet
Gene Ammons Sax (Baritone), Sax (Tenor)
Gene Wright Bass
George Berg Sax (Tenor)
Gil Fuller Arranger, Vocals
Horace Silver Piano
Humberto Morales Timbales, Conga
J.J. Johnson Trombone
Jerry Sanfino Flute
Jim Glover Bass
Jo Jones Drums, Bongos
Joe Newman Quartet Trumpet
John Collins Guitar
John Houston Piano
John Paul Hunt Trumpet
John Richard Lewis Piano
Johnny Richards Conductor, Arranger
Joop Visser Compilation, Liner Notes, Producer
Junior Mance Piano
Kai Winding Trombone
Kenny Clarke Drums
Kenny Dorham Trumpet
Larry Townsend Vocals
Leo Parker Sax (Baritone)
Matthew Gee Trombone, Sax (Tenor)
Max Roach Drums
Miles Davis Trumpet
Milt Jackson Vibraphone
Morris Lane Sax (Tenor)
Nelson Boyd Bass
Peter Rynston Digital Remastering
Ray Abrams Sax (Tenor)
Ray Brown Bass
Russell Jacquet Trumpet
Serge Chaloff Sax (Baritone)
Shadow Wilson Drums
Sid Cooper Piccolo, Flute, Sax (Tenor)
Sir Charles Thompson Piano
Teddy Stewart Drums
Teddy Williams Vocals
Tommy Potter Bass
Wallace Bishop Drums
Wesley Landers Drums
Willie Wells Trumpet
UK exclusive box-set for one of the greatest sax players to emerge in the post bebop era, originally known as a disciple of Charlie Parker. Includes 40 page booklet with discography. Standard jewel cases housed in a slipcase.
One of the Greatest Sax Players to Emerge in the Post-bebop Era, this Four CD Set is a Comprehensive Guide to his Early Years. The Set Includes a Booklet with Full Discography, Rare Photographs and Full Liner Notes.
The four-disc, 94-track Sax o' Bebop combines in one package the four single-disc Sonny Stitt collections that Proper released in 2003, Everything's Cool, Sonnyside, Blues Up and Down, and Stitt's It. Together these four sets trace the tenor saxophonist's earliest recordings (he does some alto playing here, too), beginning with a 1946 session with Dizzy Gillespie, his 1949 and 1950 sessions with Bud Powell, and his early 78s with fellow saxophonist Gene Ammons, and ending with his 1952 sessions with Johnny Richards. The best Stitt was still in the future, and this box is probably more than all but the most dedicated Sonny Stitt fan will ever need, but it's nice to have these early 78s all together in one place. ~ Steve Leggett, All Music Guide
Sonny Stitt
Active Decades: '40s, '50s, '60s, '70s and '80s
Born: Feb 02, 1924 in Boston, MA
Died: Jul 22, 1982 in Washington, D.C.
Genre: Jazz
Styles: Bop, Hard Bop, Mainstream Jazz, Soul-Jazz, Standards
Charlie Parker has had many admirers and his influence can be detected in numerous styles, but few have been as avid a disciple as Sonny Sitt. There was almost note-for-note imitation in several early Stitt solos, and the closeness remained until Stitt began de-emphasizing the alto in favor of the tenor, on which he artfully combined the influences of Parker and Lester Young. Stitt gradually developed his own sound and style, though he was never far from Parker on any alto solo. A wonderful blues and ballad player whose approach influenced John Coltrane, Stitt could rip through an up-tempo bebop stanza, then turn around and play a shivering, captivating ballad. He was an alto saxophonist in Tiny Bradshaw's band during the early '40s, then joined Billy Eckstine's seminal big band in 1945, playing alongside other emerging bebop stars like Gene Ammons and Dexter Gordon. Stitt later played in Dizzy Gillespie's big band and sextet. He began on tenor and baritone in 1949, and at times was in a two-tenor unit with Ammons. He recorded with Bud Powell and J.J. Johnson for Prestige in 1949, then did several albums on Prestige, Argo, and Verve in the '50s and '60s. Stitt led many combos in the '50s, and re-joined Gillespie for a short period in the late '50s. After a brief stint with Miles Davis in 1960, he reunited with Ammons and for a while was in a three-tenor lineup with James Moody. During the '60s, Stitt also recorded for Atlantic, cutting the transcendent Stitt Plays Bird, which finally addressed the Parker question in epic fashion. He continued heading bands, though he joined the Giants of Jazz in the early '70s. This group included Gillespie, Art Blakey, Kai Winding, Thelonious Monk, and Al McKibbon. Stitt did more sessions in the '70s for Cobblestone, Muse, and others, among them another definitive date, Tune Up. He continued playing and recording in the early '80s, recording for Muse, Sonet, and Who's Who in Jazz. He suffered a heart attack and died in 1982.
---Ron Wynn and Bob Porter, All Music Guide |
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