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| 1. | The Blues Is Everybody's Buisness, Pt.1
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| 2. | The Blues Is Everybody's Buisness, Pt.2
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| 3. | The Blues Is Everybody's Buisness, Pt.3
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| 4. | The Blues Is Everybody's Buisness, Pt.4
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| 5. | Zanzy [*]
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| 6. | Ida Bridges Falling Down [*]
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| 7. | Close Cover Before Striking [*]
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| 8. | It Looks Like Rain in Cherry Blossom Lane [*]
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| 9. | The Flat Cap [*]
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| 10. | The Sonn Also Rises [*]
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| 11. | Lemon Twist [*]
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| 12. | Zanzy [*]
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| 13. | Ida Bridges Falling Down [*]
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Jazz / Cool
Manny Albam
Art Farmer, Bob Brookmeyer, Al Cohn, Phil Woods, Eddie Costa
Featuring Art Farmer, Nick Travis, Larry Sonn, Bob Brookmeyer, Urbie Green, Frank Socolow, Gene Quill, Al Cohn, Phil Woods, Billy Bauer, John Williams, Milt Hinton and Eddie Costa! the Legendary Album "blues is Everybody's Business" is Widely Regarded as the Definitive Work of One of the Finest Modern Jazz Arrangers off all Time, the Great Manny Albam. Recorded in September and October, 1957 the Album features an All-star 19-piece Band Performing Albam's Masterful Charts. This Edition also Includes Seven Bonus Tracks all of which Are Featured Here for the First Time Ever on CD. The First Five Tracks Pertain to all of Albam's Charts Recorded on Larry Sonn's LP "the Sound of Sonn" Recorded Between 1955 and 1956 and featuring Another All-star 19-piece Band. The Final Two Tracks Are Live Versions of Albam's Charts "zanzy" and "ida Bridges Falling Down", Recorded by Larry Sonn's Big Band in a Concert Produced and Emceed by Al "jazzbo" Collins.
Bill Crow Author
Bob Brookmeyer Author
Nat Hentoff Liner Notes
Manny Albam
Active Decades: '30s, '40s, '50s, '60s and '70s
Born: Jun 24, 1922 in Samana, Dominican Republic
Died: Oct 02, 2001 in New York, NY
Genre: Jazz
Styles: Bop, Progressive Big Band, Cool, West Coast Jazz, Progressive Jazz
During a career that spanned seven decades, composer and arranger Manny Albam collaborated with a who's who of jazz greats including Count Basie, Dizzy Gillespie, and Stan Getz. He also developed successive generations of new talent as co-founder and musical director of the BMI Jazz Composers Workshop. Albam was born June 24, 1922. His parents were en route from their native Russia to their new home in New York City, and his mother went into labor while their ship was outside of the Dominican Republic port of Samana. At the age of seven Albam discovered jazz after hearing a Bix Beiderbecke record, and soon after began playing the alto saxophone; at 16 he dropped out of school following an invitation to join Muggsy Spanier's Dixieland combo, and later played with Georgie Auld, an experience that also afforded Albam his first shot at arranging under the tutelage of bandmate Budd Johnson. Albam next gigged behind Charlie Barnet, from there signing on with Charlie Spivak. During his two years with Spivak, his arranging skills flourished, and he generated an average of two arrangements per week. After serving in the U.S. Army during World War II, Albam returned to the Barnet stable, and as his interest in writing and arranging grew, he effectively retired from performing in 1950, a decision that coincided with the last gasps of the big band era.
Albam quickly emerged as a sought-after freelancer, composing and arranging material for many of the bop era's brightest talents. His tight, brisk arrangements favored subtlety over flash, while his writing exhibited a wry sense of humor. Albam eventually signed to headline his own LPs for labels including Mercury, RCA Victor, and Dot, bringing together musicians including Phil Woods, Al Cohn, and Bob Brookmeyer for acclaimed easy listening efforts including The Blues Is Everybody's Business and The Drum Suite. His 1957 jazz arrangement of Leonard Bernstein's score to West Side Story so impressed Bernstein that the maestro invited Albam to write for the New York Philharmonic. The offer prompted Albam to study classical composition under Tibor Serly, later yielding such works as the luminous "Concerto for Trombone and Strings." Albam also wrote for feature films, television, and even advertising jingles, and in 1964 signed on as musical director for Sonny Lester's fledgling Solid State label, which two years later issued his jazz suite The Soul of the City. By that time Albam was increasingly channeling his energies into teaching, however. After stints with the Eastman School of Music, Glassboro State College, and the Manhattan School of Music, in 1988 he co-founded the BMI Jazz Composers Workshop, assuming the title of musical director from Brookmeyer three years later. Albam died of cancer on October 2, 2001.
---Jason Ankeny, All Music Guide |
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