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Show Must Go on [Japan version]
The Pasadena Roof Orchestra
japán
első megjelenés éve: 2005
(2005)   [ LIMITED ]

CD
8.803 Ft 

 

IMPORT!
Kosaramba teszem
1.  The Lullaby of Broadway
2.  Don't Be That Way
3.  Honey Pie
4.  I'm on the Crest of a Wave
5.  The Duke Steps Out
6.  The Show Must Go On
7.  She's a Latin from Manhattan
8.  Josephine Baker (Introducing Josephine's Charleston)
9.  What Is This Thing Called Love
10.  Sing, Sing, Sing
11.  As Time Goes By
12.  Skokiaan
Jazz / Classic Jazz

Bob Renvoize Group Member, Trombone
Derek Jones Drums, Group Member
Digby Fairweather Cornet, Guest Appearance
Frank Anthone White Group Member, Clarinet (Bass), Sax (Bass), Sax (Tenor), Flute, Sax (Baritone), Sax (Soprano), Clarinet
Gero Von Gerlach Engineer
Herb Geller Sax (Tenor), Guest Appearance
John Arthy Group Member, String Bass, Sousaphone
John Barron Guitar, Banjo, Group Member
Keith Nichols Director, Piano, Arranger, Guest Appearance, Accordion
Kevin Daly Mixing
Mack White Group Member, Sax (Alto), Sax (Soprano), Clarinet, Sax (Baritone)
Martin Haskell Engineer
Peter Franken Drums, Percussion, Guest Appearance
Rolf Enoch Producer
Thomas Kuckuck Engineer
Walter Quintus Engineer



Pasadena Roof Orchestra

Active Decades: '80s, '90s and '00s
Born: 1969
Genre: Jazz
Styles: Classic Jazz

The Pasadena Roof Orchestra was formed in Nov. 1969 by Johnny Arthy, a lover of 1920's jazz who sought to lead a dance-oriented jazz-influenced big band specializing in music from the 1923-37 period. The British band gained its name because Arthy liked the obscure song "Pasadena." The orchestra had its first gig in April 1970 and soon Arthy came across a windfall, 1, 500 original arrangements from the 1920's practically given away by an elderly lady whose father had been musical director of a dance band in the twenties. The P.R.O. started out playing once a week but, after the success of their first album in 1974, they turned professional and began working much more often. A European tour in 1975 added to the group's momentum and since then they have worked constantly and recorded fairly regularly (in the early days for Transatlantic and later on mostly for their own P.R.O. label). No famous soloists are among their alumni since the Pasadena Roof Orchestra is very much a dance band, but the group has long featured colorful ensembles, period vocals and brief individual spots, very much in the early pre-swing style which they treat with great respect.
---Scott Yanow, All Music Guide

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