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| 5.424 Ft
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| 1. | Relaxin' at Camarillo
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| 2. | One Note Samba [Duo]
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| 3. | Kiwi Bird
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| 4. | You'd Be So Nice to Come Home To [Duo]
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| 5. | Some Time Ago [Trio]
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| 6. | Perdido [Duo]
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| 7. | When I Fall in Love [Trio]
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| 8. | Carninhos Cruzados [Duo]
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| 9. | Voyage
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| 10. | There Will Never Be Another You [Duo]
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| 11. | Move [Duo]
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| 12. | Give Me the Simple Life
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| 13. | In the Wee Small Hours of the Morning
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| 14. | Broadway [Duo]
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Jazz / Post-Bop, Hard Bop
Jack Wilkins - Guitar, Producer
Chris Burden Liner Notes, Producer
Jimmy Bruno Guitar
Mike Bonwick Engineer
Paul Gilchrist Engineer, Mixing, Mastering
Phil France Bass
The U.K.'s String Jazz caught Jack Wilkins and Jimmy Bruno in England at the same time and decided to record them under the mantle of a quartet led by Wilkins. That's misleading because Bruno is as prominent as Wilkins, and the settings range from solo performances to quartet. Whatever, the outcome is an album to be enjoyed by jazz guitar fans in particular and jazz lovers in general. This is not the only time these two have performed together. In 1997, they were together at the Benedetto Concert on Long Island, NY, named in honor of master guitar builder Robert Benedetto. The synergy they developed then is even more highly honed here. "Voyage" is high-energy stuff with Patrick Illingworth's drums calling the shots on rhythm. Wilkins' clean guitar lines contrast with Bruno's fondness for chords and octave playing as the latter's adherence to the big-toned electric tradition is evident here and elsewhere. This burner is tempered by cooler playing on such sweeter cuts as "Give Me the Simple Life," where this time Bruno kicks off the melody with Wilkins taking a later chorus with matters concluding with friendly chord trading. One of the more startling cuts on the album, "You'd Be So Nice to Come Home To," starts off as if it were from the pen of Telemann, Vivaldi, or some other baroque composer, before seguing into a medium tempo where each shows dazzling technique and speed. There are times on this cut where one wonders whether a third guitarist was snuck into the studio. Their respective bop upbringing come to the fore in Denzil Best's classic "Move." This album captures two veteran jazz guitarists at the top of their form, both completely confident of their mastery of the instrument and the music they have chosen to play on it. Recommended. ~ Dave Nathan, All Music Guide
Jack Wilkins
Active Decades: '70s, '80s, '90s and '00s
Born: Jun 03, 1944
Genre: Jazz
Styles: Post-Bop, Hard Bop
A superior, slightly underrated improviser, Jack Wilkins has proven on his infrequent recordings as a leader that he ranks near the top. Wilkins, who studied with John Mehegan early on, learned vibes, piano, and classical guitar, but has stuck to jazz guitar throughout his career. He gained a strong reputation during his long association with Buddy Rich. Since then, he has recorded as a sideman with Jack DeJohnette, Eddie Gomez, Phil Woods, Harvie Swartz, and the Brecker Brothers, among others. But it is his own recordings for Mainstream, Music Masters, CTI, and especially his pair of essential Chiaroscuro albums in 1977 (the single CD Merge reissued all of the music except one song) that allow one to hear what a talented player Jack Wilkins has always been.
---Scott Yanow, All Music Guide |
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