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2 x CD |
| 6.773 Ft
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| 1. CD tartalma: |
| 1. | Doin' That Thing
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| 2. | With These Hands
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| 3. | Burnin' Coal
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| 4. | Benjamin
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| 5. | Love for Sale
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| 6. | Roberta
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| 2. CD tartalma: |
| 1. | The Catbird Seat
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| 2. | Street of Dreams
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| 3. | So in Love
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| 4. | Con Alma
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| 5. | Gypsy in My Soul
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| 6. | I'll Remember April
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Jazz / Soul-Jazz, Hard Bop
Les McCann
The Mitchell-Ruff Duo
The Mitchell-Ruff Trio
Dwike Mitchell Piano
Willie Ruff Bass
Charlie Smith Drums
Disc 1: Les McCann: Much Les
Disc 2: The Mitchell-Ruff Trio featuring Charlie Smith: The Catbird Seat [live]
A reissue of two separate Atlantic recordings on one CD, the first is early period Les McCann in a half-and-half mix of straight soul-jazz tracks rivaling Ramsey Lewis, alternating with string and vocal infused ballads. The Dwike Mitchell-Willie Ruff trio sides (sans Ruff's French Horn) are all straight piano-bass-drums, mostly lighter cocktail-like fare, a bit of bop, and low-key ballads. They provide a stark contrast to differing points of views in early-'60s jazz. ~ Michael G. Nastos, All Music Guide
Les McCann
Active Decades: '60s, '70s, '80s, '90s and '00s
Born: Sep 23, 1935 in Lexington, KY
Genre: Jazz
Styles: Hard Bop, Jazz-Funk, Post-Bop, Soul-Jazz
Les McCann reached the peak of his career at the 1968 Montreux Jazz Festival, recording "Compared to What" and "Cold Duck Time" for Atlantic (Swiss Movement) with Eddie Harris and Benny Bailey. Although he has done some worthwhile work since then, much of it has been anti-climactic.
McCann first gained some fame in 1956 when he won a talent contest in the Navy as a singer that resulted in an appearance on television on The Ed Sullivan Show. After being discharged, he formed a trio in Los Angeles. McCann turned down an invitation to join the Cannonball Adderley Quintet so he could work on his own music. He signed a contract with Pacific Jazz and in 1960 gained some fame with his albums Les McCann Plays the Truth and The Shout. His soulful, funk style on piano was influential and McCann's singing was largely secondary until the mid-'60s. He recorded many albums for Pacific Jazz during 1960-1964, mostly with his trio but also featuring Ben Webster, Richard "Groove" Holmes, Blue Mitchell, Stanley Turrentine, Joe Pass, the Jazz Crusaders, and the Gerald Wilson Orchestra. McCann switched to Limelight during 1965-1967 and then signed with Atlantic in 1968. After the success of Swiss Movement, McCann emphasized his singing at the expense of his playing and he began to utilize electric keyboards, notably on 1972's Layers. His recordings became less interesting to traditional jazz fans from that point on, and after his Atlantic contract ran out in 1976, McCann appeared on records much less often. However, he stayed popular and a 1994 reunion tour with Eddie Harris was quite successful. A mid-'90s stroke put him out of action for a time and weakened his keyboard playing (his band began carrying an additional keyboardist) but Les McCann returned to a more active schedule during 1996 and was still a powerful singer. His comeback was solidified by 2002's Pump It Up, a guest-heavy celebration of funk and jazz released on ESC Records.
---Scott Yanow, All Music Guide |
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