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| 3.855 Ft
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| 1. | What is this thing called love
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| 2. | C-Jam blues
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| 3. | Sister Suzie
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| 4. | This is all I ask
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| 5. | Love for sale
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| 6. | Blowin' in the wind
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| 7. | Satin doll
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| 8. | Days of wine and roses
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| 9. | Blue azure (Azure Te)
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| 10. | All the young ladies
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| 11. | Cold turkey
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| 12. | Shake a lady
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| 13. | Favela
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| 14. | Chicago serenade
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| 15. | Congolese children
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| 16. | Blues march
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| 17. | O morro
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| 18. | Mandece
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| 19. | Sometime ago
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| 20. | Slip-up
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| 21. | Hello Dolly
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| 22. | I wish you love
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Jazz
Tracks 1-10: "Live at Basin Street East"
Recorded live at Basin Street East, New York, 1963
#11-22:"Cold Turkey"
Studio recording, New York, 1964
Ray Bryant (p)
Jimmy Rowser (b)
Ben Riley (d)
This issue comprises two LPs by the outstanding Ray Bryant trio featuring bassist Jimmy Rowser and drummer Ben Riley (permanent member of the Thelonious Monk Quartet for many years):
All tracks have been digitally remastered to obtain the best possible sound quality.
Ray Bryant
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Dec 24, 1931 in Philadelphia, PA
Genre: Jazz
Styles: Bop, Soul-Jazz, Jazz Blues, Mainstream Jazz
Although he could always play bop, Ray Bryant's playing combines together older elements (including blues, boogie-woogie, gospel, and even stride) into a distinctive, soulful, and swinging style; no one plays "After Hours" quite like him.
The younger brother of bassist Tommy Bryant and the uncle of Kevin and Robin Eubanks (his sister is their mother), Bryant started his career playing with Tiny Grimes in the late '40s. He became the house pianist at the Blue Note in Philadelphia in 1953, where he backed classic jazz greats (including Charlie Parker, Miles Davis, and Lester Young) and made important contacts. He accompanied Carmen McRae (1956-1957), recorded with Coleman Hawkins and Roy Eldridge at the 1957 Newport Jazz Festival (taking a brilliant solo on an exciting version of "I Can't Believe That You're in Love With Me"), and played with Jo Jones' trio (1958). Bryant settled in New York in 1959; played with Sonny Rollins, Charlie Shavers, and Curtis Fuller; and soon had his own trio. He had a few funky commercial hits (including "Little Susie" and "Cubano Chant") which kept him working for decades. Bryant recorded often throughout his career (most notably for Epic, Prestige, Columbia, Sue, Cadet, Atlantic, Pablo, and Emarcy), and even his dates on electric piano in the '70s are generally rewarding. However, Ray Bryant is heard at his best when playing the blues on unaccompanied acoustic piano.
--- Scott Yanow, All Music Guide |
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