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The Gene Ammons Story: The 78 Era |
Gene Ammons |
első megjelenés éve: 1950 77 perc |
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(1992)
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 CD |
3.884 Ft
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1. | Bye Bye
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2. | Chabootie
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3. | Walkin'
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4. | Easy Glide
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5. | I Can't Give You Anything But Love
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6. | Back In Your Own Backyard
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7. | Sweet Jennie Lou
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8. | Seven Eleven
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9. | When I Dream Of You
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10. | A Lover Is Blue
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11. | 'Round About 1 A.M.
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12. | Jug
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13. | Wow
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14. | Blue And Sentimental
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15. | Ammons Boogie
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16. | Echo Chamber Blues
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17. | Hot Stuff
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18. | Them There Eyes
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19. | When The Saints Go Marching In
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20. | Archie
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21. | Undecided
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22. | (It Will Have To Do) Until The Real Thing Comes Along
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23. | Sock
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24. | What I Say
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25. | This Is Always
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26. | Blue Roller
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27. | Love Is Here To Stay
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Jazz
Recorded between 1950 and 1955
Gene Ammons - Sax (Tenor) Art Blakey - Drums Ben Stuberville - Bass Bennie Green - Trombone Bill Massey - Trumpet Bob Porter Reissue Producer Bob Weinstock Producer Charles Bateman - Piano Clarence "Sleepy" Anderson - Piano Duke Jordan - Piano Earl Coleman Vocals Earl May - Bass Eli Dabney Trombone Gene Brown Drums Gene Easton - Sax (Baritone) Gene Wright - Bass Henderson Chambers Trombone Jo Jones Drums John Houston - Piano Junior Mance - Piano Kirk Felton Audio Restoration, Remastering Matthew Gee - Trombone Nate Woodyard - Trumpet Rudy Williams - Sax (Baritone) Sonny Stitt - Sax (Baritone) Teddy Stewart Drums Tommy Potter - Bass Wesley Landers Drums
This CD contains 26 of the 30 selections included on the two-LP set of the same name (and catalog number). Although mostly cut during an era when Ammons co-led a two-tenor group with Sonny Stitt, the focus is almost entirely on Ammons. All but the final five titles are from the 1950-51 period and these concise performances were originally on 78s. Even at this early stage Ammons's tone was quite distinctive and he was able to combine the innovations of bop with the simplicity of R&B in his forceful and direct solos; also, few could play ballads with the passion he possessed. This CD is recommended to listeners who do not already own the two-fer. ~ Scott Yanow, All Music Guide
Gene Ammons
Active Decades: '40s, '50s, '60s and '70s Born: Apr 14, 1925 in Chicago, IL Died: Aug 06, 1974 in Chicago, IL Genre: Jazz Styles: Bop, Soul-Jazz, Hard Bop
Gene Ammons, who had a huge and immediately recognizable tone on tenor, was a very flexible player who could play bebop with the best (always battling his friend Sonny Stitt to a tie) yet was an influence on the R&B world. Some of his ballad renditions became hits and, despite two unfortunate interruptions in his career, Ammons remained a popular attraction for 25 years. Son of the great boogie-woogie pianist Albert Ammons, Gene Ammons (who was nicknamed "Jug") left Chicago at age 18 to work with King Kolax's band. He originally came to fame as a key soloist with Billy Eckstine's orchestra during 1944-1947, trading off with Dexter Gordon on the famous Eckstine record Blowing the Blues Away. Other than a notable stint with Woody Herman's Third Herd in 1949 and an attempt at co-leading a two tenor group in the early '50s with Sonny Stitt, Ammons worked as a single throughout his career, recording frequently (most notably for Prestige) in settings ranging from quartets and organ combos to all-star jam sessions. Drug problems kept him in prison during much of 1958-1960 and, due to a particularly stiff sentence, 1962-1969. When Ammons returned to the scene in 1969, he opened up his style a bit, including some of the emotional cries of the avant-garde while utilizing funky rhythm sections, but he was still able to battle Sonny Stitt on his own terms. Ironically the last song that he ever recorded (just a short time before he was diagnosed with terminal cancer) was "Goodbye." ---Scott Yanow, All Music Guide |
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