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Live! In Chicago [ ÉLŐ ]
Gene Ammons
első megjelenés éve: 1961
40 perc
(2006)

CD
3.884 Ft 

 

IMPORT!
Kosaramba teszem
1.  Scrapple from the Apple
2.  Falling in Love With Love
3.  Please Send Me Someone to Love
4.  Sweet Georgia Brown
5.  It Could Happen to You
6.  Foot Tappin'
7.  Jug's Blue Blues
8.  Fast Track
9.  C Jam Blues [*]
10.  But Not for Me [*]
Jazz / Soul-Jazz, Hard Bop

Gene Ammons - Sax (Tenor)
Bob Porter Liner Notes
Eddie Buster Organ
Gerald Donovan Drums
Phil DeLancie Digital Remastering, Mastering

The tenor-saxophonist is heard in a surprisingly sparse setting for this live set, in a trio with organist Eddie Buster and drummer Gerald Donovan, two Chicago-based musicians. Ammons performs standards, blues and ballads, sounding at his best on an emotional "Please Send Me Someone to Love" and a hard-charging "Sweet Georgia Brown." This is one of many Gene Ammons recordings from the 1961-62 period; virtually all are worth getting. The CD reissue adds two previously unreleased selections to the original program. ~ Scott Yanow, All Music Guide



Gene Ammons

Active Decades: '40s, '50s, '60s and '70s
Born: Apr 14, 1925 in Chicago, IL
Died: Aug 06, 1974 in Chicago, IL
Genre: Jazz
Styles: Bop, Soul-Jazz, Hard Bop

Gene Ammons, who had a huge and immediately recognizable tone on tenor, was a very flexible player who could play bebop with the best (always battling his friend Sonny Stitt to a tie) yet was an influence on the R&B world. Some of his ballad renditions became hits and, despite two unfortunate interruptions in his career, Ammons remained a popular attraction for 25 years.
Son of the great boogie-woogie pianist Albert Ammons, Gene Ammons (who was nicknamed "Jug") left Chicago at age 18 to work with King Kolax's band. He originally came to fame as a key soloist with Billy Eckstine's orchestra during 1944-1947, trading off with Dexter Gordon on the famous Eckstine record Blowing the Blues Away. Other than a notable stint with Woody Herman's Third Herd in 1949 and an attempt at co-leading a two tenor group in the early '50s with Sonny Stitt, Ammons worked as a single throughout his career, recording frequently (most notably for Prestige) in settings ranging from quartets and organ combos to all-star jam sessions. Drug problems kept him in prison during much of 1958-1960 and, due to a particularly stiff sentence, 1962-1969. When Ammons returned to the scene in 1969, he opened up his style a bit, including some of the emotional cries of the avant-garde while utilizing funky rhythm sections, but he was still able to battle Sonny Stitt on his own terms. Ironically the last song that he ever recorded (just a short time before he was diagnosed with terminal cancer) was "Goodbye."
---Scott Yanow, All Music Guide

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