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2 x CD |
| 7.260 Ft
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| 1. CD tartalma: |
| 1. | A mile down the highway
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| 2. | he can come back anytime
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| 3. | Do it again
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| 4. | Four mothers
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| 5. | Didi
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| 6. | Sam and the Lady
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| 7. | Popo
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| 8. | Over the rainbow
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| 9. | Apropos
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| 10. | Pirouette
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| 11. | Bunny
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| 12. | Powder puff
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| 13. | The pesky serpent
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| 14. | Diablo's dance
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| 15. | Indian Club
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| 16. | Morpo
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| 17. | Mambo del crow
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| 18. | Coup de Graas
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| 19. | Infinity promenade
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| 20. | Short stop
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| 2. CD tartalma: |
| 1. | Hot blood (The wild one)
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| 2. | Blues for Brando
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| 3. | Windswept
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| 4. | Chino
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| 5. | Topsy
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| 6. | It's sand, man
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| 7. | Basie eyes
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| 8. | Doggin' around
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| 9. | Jump for me
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| 10. | Over and out
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| 11. | Down for trouble
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| 12. | Swingin' the blues
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| 13. | H & J
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| 14. | Tickletoe
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| 15. | Taps Miller
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| 16. | Walk, don't run
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| 17. | Audition
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| 18. | Pay the piper
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| 19. | At home with Sweets
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| 20. | Pink Squirrel
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Jazz / Cool, West Coast Jazz
CD1, #1-3:
Recorded: Hollywood, August 28, 1950
Shorty Rogers (tp), John Graas (frh), Gene Englund (tuba), Art Pepper (as), Bob Cooper (ts), Bob Gioga (bs), Claude Williamson (p), Don Bagley (b), Shelly Manne (d), June Christy (vcl)
CD1, #4-9:
Recorded: Hollywood, July 1, 1951
Shorty Rogers (tp), John Graas (frh), Gene Englund (tuba), Art Pepper (as), Jimmy Giuffre (ts), Hampton Hawes (p), Don Bagley (b), Shelly Manne (d)
CD1, #10-17:
Recorded: Hollywood, January 12 & 15, 1953
Shorty Rogers (tp), John Graas (frh), Gene Englund (tuba), Milt Bernhardt (tb), Art Pepper (as), Jimmy Giuffre (ts), Hampton Hawes (p), Joe Mondragon (b), Shelly Manne (d)
CD1, #18-20:
Recorded: Hollywood, March 26 & April 2, 1953
Shorty Rogers, Conrad Gozzo, Maynard Ferguson, Tom Reeves, John Howell (tp), Harry Betts, Milt Bernhardt (tb), John Haliburton (btb), John Graas (frh), Gene Englund (tuba), Art Pepper (as, ts), Bud Shank (as, bs), Jimmy Giuffre (cl, ts, bs), Bob Cooper (ts, bs), Marty Paich (p), Curtis Counce (b), Shelly Manne (d)
CD2, #1-4:
Recorded: Hollywood, July 14, 1953
Shorty Rogers, Conrad Gozzo, Maynard Ferguson, Tom Reeves, Ray Linn (tp), John Graas (frh), Paul Sarmento (tuba), Jimmy Knepper, Harry Betts (tb), Bob Enevoldsen (btb), Bud Shank, Herb Geller (as), Bill Holman, Bill Perkins (ts), Jimmy Giuffre , Bob Cooper (bs), Russ Freeman (p), Joe Mondragon (b), Shelly Manne (d)
CD2, #5-8:
Recorded: Hollywood, February 2, 1954
Shorty Rogers, Conrad Gozzo, Harry Edison, Clyde Reasinger, Maynard Ferguson (tp), Harry Betts, Milt Bernhardt (tb), Bob Enevoldsen (vtb), John Graas (frh), Paul Sarmento (tuba), Bud Shank, Herb Geller (as), Zoot Sims, Bob Cooper (ts), Jimmy Giuffre (cl, ts, bs), Marty Paich (p), Curtis Counce (b), Shelly Manne (d)
CD2, #9-12:
Recorded: Hollywood, February 9, 1954
Shorty Rogers, Conrad Gozzo, Harry Edison, Pete Candoli, Maynard Ferguson (tp), Harry Betts, Milt Bernhardt (tb), Bob Enevoldsen (vtb), John Graas (frh), Paul Sarmento (tuba), Bud Shank, Herb Geller (as), Bill Holman (ts), Jimmy Giuffre (cl, ts), Bob Gordon (bs), Marty Paich (p), Curtis Counce (b), Shelly Manne (d)
CD2, #13-16:
Recorded: Hollywood, March 3, 1954
Same as above but Zoot Sims (ts) and Bob Cooper (bs) replace Holman and Gordon
CD2, #17:
Recorded: Hollywood, December 15, 1955
Shorty Rogers (fh), Conte Candoli, Pete Candoli, Buddy Childers (tp), Milt Bernhardt, Frank Rosolino, George Roberts (tb), Bud Shank (as), Bob Cooper, Jack Montrose (ts), Jimmy Giuffre (bs), Pete Jolly (p), Ralph Peña (b), Shelly Manne (d)
CD2, #18-20:
Recorded: Hollywood, July 5, 1956
Shorty Rogers (fh), Conte Candoli, Pete Candoli, Harry Edison, Maynard Ferguson (tp), Milt Bernhardt, Frank Rosolino (tb), Bob Enevoldsen (vtb), George Roberts (btb), John Graas (frh), Paul Sarmento (tuba), Charlie Mariano, Art Pepper (as), Bill Holman, Jack Montrose (ts), Jimmy Giuffre (bs), Lou Levy (p), Ralph Peña (b), Stan Levey (d)
Superb digipack edition with fully illustrated 24-page booklet (rare & unpublished photos).
For Shorty Roger's fans.
Contains 5 albums and one EP on two CDs:
- Modern Sounds by Shorty Rogers and his Giants
- Shorty Rogers and his Giants (RCA)
- Cool and Crazy (RCA)
- EP Hot Blood (RCA)
- Shorty Rogers Courts the Count (RCA)
- The Big Shorty Rogers Express (RCA)
This 2-CD set truly demonstrates what was defined as the "West Coast style of jazz" but, in fact, was the Shorty Rogers style. We can hear arrangements of a loose variety, played by the most outstanding group of musicians of the Los Angeles jazz scene. The music presented here is a major example of Shorty Rogers' great talent, and a milestone in the orchestral idiom of modern jazz. Shorty's writing and playing were a pretty honest reflection of his own personality. If there was ever an individual to be selected as the head of the West Coast school, it definitely would have been Shorty Rogers.
Shorty Rogers
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Apr 14, 1924 in Great Barrington, MA
Died: Nov 07, 1994 in Van Nuys, CA
Genre: Jazz
Styles: Big Band, Bop, Cool, Swing, Bossa Nova, West Coast Jazz, Afro-Cuban Jazz
A fine middle-register trumpeter whose style seemed to practically define "cool jazz," Shorty Rogers was actually more significant for his arranging, both in jazz and in the movie studios. After gaining early experience with Will Bradley and Red Norvo and serving in the military, Rogers rose to fame as a member of Woody Herman's First and Second Herds (1945-1946 and 1947-1949), and somehow he managed to bring some swing to the Stan Kenton Innovations Orchestra (1950-1951), clearly enjoying writing for the stratospheric flights of Maynard Ferguson. After that association ran its course, Rogers settled in Los Angeles where he led his Giants (which ranged from a quintet to a nonet and a big band) on a series of rewarding West Coast jazz-styled recordings and wrote for the studios, helping greatly to bring jazz into the movies; his scores for The Wild One and The Man With the Golden Arm are particularly memorable. After 1962, Rogers stuck almost exclusively to writing for television and films, but in 1982 he began a comeback in jazz. Rogers reorganized and headed the Lighthouse All-Stars and, although his own playing was not quite as strong as previously, he remained a welcome presence both in clubs and recordings.
---Scott Yanow, All Music Guide |
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