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Only the Best of Milt Jackson
Milt Jackson
első megjelenés éve: 2009
(2009)

5 x CD
9.460 Ft 

 

IMPORT!
Kosaramba teszem
1. CD tartalma:
1.  So In Love
2.  These Foolish Things
3.  Solitude
4.  The Song Ended
5.  They Didn't Believe Me
6.  How High The Moon
7.  Gerry's Blues
8.  Bright Blues
9.  Bags' New Groove
10.  Sandy
11.  Midget Rod
12.  I'm Afraid The Masquerade Is Over
13.  Ghana
14.  Sweet And Lovely
15.  Connie's Blues
 
2. CD tartalma:
1.  The Cylinder
2.  Makin' Whoopee
3.  Alone Together
4.  Tenderly
5.  Don't Worry 'Bout Me
6.  Nuages
7.  Deep In A Dream
8.  I'm A Fool To Want You
9.  The Midnight Sun Will Never Set
10.  Tomorrow
11.  Darbin & The Redd Fox
12.  Algo Bueno
13.  Mallets Toward None
14.  Blue Jubilee
15.  Vibrations
16.  Let Me Hear The Blues
17.  Melancholy Blues
18.  Sweet Georgia Brown
 
3. CD tartalma:
1.  Au Private
2.  Good Bait
3.  Woody 'N You
4.  Now's The Time
5.  Ornithology
6.  Groovin' High
7.  Birks' Works
8.  Salt Peanuts
 
4. CD tartalma:
1.  Plenty, Plenty Soul
2.  Love On My Mind
3.  Bags' New Groove
4.  So In Love
5.  Stuffy
6.  Sandra's Blues
7.  The Cylinder
8.  Three Little Words
9.  The Night We Called It A Day
10.  Ghana
11.  The Midnight Sun Will Never Set
12.  How High The Moon
13.  How Long, How Long Blues
14.  Vibrations
 
5. CD tartalma:
1.  Soul Brothers
2.  How Long Blues
3.  Cosmic Ray
4.  Blue Funk
5.  Deed I Do
Jazz



Milt Jackson

Active Decades: '40s, '50s, '60s, '70s, '80s and '90s
Born: Jan 01, 1923 in Detroit, MI
Died: Oct 09, 1999 in New York, NY
Genre: Jazz
Styles: Big Band, Chamber Jazz, Bop, Ballads, Post-Bop, Hard Bop, Modern Big Band, Third Stream, Mainstream Jazz, Standards

Before Milt Jackson, there were only two major vibraphonists: Lionel Hampton and Red Norvo. Jackson soon surpassed both of them in significance and, despite the rise of other players (including Bobby Hutcherson and Gary Burton), still won the popularity polls throughout the decades. Jackson (or "Bags" as he was long called) was at the top of his field for 50 years, playing bop, blues, and ballads with equal skill and sensitivity.
Milt Jackson started on guitar when he was seven, and piano at 11; a few years later, he switched to vibes. He actually made his professional debut singing in a touring gospel quartet. After Dizzy Gillespie discovered him playing in Detroit, he offered him a job with his sextet and (shortly after) his innovative big band (1946). Jackson recorded with Gillespie, and was soon in great demand. During 1948-1949, he worked with Charlie Parker, Thelonious Monk, Howard McGhee, and the Woody Herman Orchestra. After playing with Gillespie's sextet (1950-1952), which at one point included John Coltrane, Jackson recorded with a quartet comprised of John Lewis, Percy Heath, and Kenny Clarke (1952), which soon became a regular group called the Modern Jazz Quartet. Although he recorded regularly as a leader (including dates in the 1950s with Miles Davis and/or Thelonious Monk, Coleman Hawkins, John Coltrane, and Ray Charles), Milt Jackson stayed with the MJQ through 1974, becoming an indispensable part of their sound. By the mid-'50s, Lewis became the musical director and some felt that Bags was restricted by the format, but it actually served him well, giving him some challenging settings. And he always had an opportunity to jam on some blues numbers, including his "Bags' Groove." However, in 1974, Jackson felt frustrated by the MJQ (particularly financially) and broke up the group. He recorded frequently for Pablo in many all-star settings in the 1970s, and after a seven-year vacation, the MJQ came back in 1981. In addition to the MJQ recordings, Milt Jackson cut records as a leader throughout his career for many labels including Savoy, Blue Note (1952), Prestige, Atlantic, United Artists, Impulse, Riverside, Limelight, Verve, CTI, Pablo, Music Masters, and Qwest. He died of liver cancer on October 9, 1999, at the age of 76.
---Scott Yanow, All Music Guide

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