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| 3.855 Ft
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| 1. | Cheek To Cheek
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| 2. | It's Too Late Now
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| 3. | I Only Have Eyes For You
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| 4. | Then I'll Be Tired Of You
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| 5. | All The Things You Are
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| 6. | But Not For Me
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| 7. | You Don't Know What Love Is
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| 8. | Satin Doll
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| 9. | More Than You Know
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| 10. | Between The Devil And The Deep Blue Sea
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| 11. | The London House
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| 12. | It Might As Well Be Spring
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| 13. | Gone With The Wind
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| 14. | Love Is Here To Stay
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| 15. | Midnight Piano
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| 16. | I Cover The Waterfront
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| 17. | Stella By Starlight
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Jazz
Digitally remastered two-fer from the Jazz great contains two complete consecutive albums by the Billy Taylor Trio featuring the same personnel and both recorded in January of 1956. Neither Evergreens or At The London House have appeared on CD before!
Billy Taylor
Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: Jul 24, 1921 in Greenville, NC
Genre: Jazz
Styles: Bop, Ballads, Hard Bop, Mainstream Jazz, Standards
Billy Taylor has been such an articulate spokesman for jazz, and his profiles on CBS' Sunday Morning television program (where he has been a regular since 1981) are so successful at introducing jazz to a wider audience, that sometimes one can forget how talented a pianist he has been for the past half-century. While not an innovator, Taylor has been flexible enough to play swing, bop, and more advanced styles while always retaining his own musical personality. After graduating from Virginia State College in 1942, he moved to New York and played with such major musicians as Ben Webster, Eddie South, Stuff Smith (with whom he recorded in 1944), and Slam Stewart, among others. In 1951, he was the house pianist at Birdland and soon afterward Taylor formed his first of many trios. He helped found the Jazzmobile in 1965; in 1969, became the first black band director for a network television series (The David Frost Show); in 1975, he earned his doctorate at the University of Massachusetts; and he both founded and served as director for the popular radio program Jazz Alive. But despite his activities in jazz education, Taylor has rarely gone long between performances and recordings, always keeping his bop-based style consistently swinging and fresh.
---Scott Yanow, All Music Guide |
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