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| 1. | Red 1
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| 2. | Black 1
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| 3. | White 1
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| 4. | Gray 1
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| 5. | Blue 1
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| 6. | Yellow 1
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| 7. | Red 2
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| 8. | Black 2
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| 9. | White 2
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| 10. | Gray 2
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| 11. | Blue 2
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Jazz / Post-Bop
David Liebman - Solo Tenor Saxophone
This incredible solo saxophone recording is another courageous foray into previously uncharted territories, showcasing David Liebman's inventiveness, artistry and virtuosity.
--- Michael Brecker
So let's enjoy David Liebman’s personal artistry. I know that I do each and every time I hear his passionate solo unaccompanied as expression and meditation. He is truly one of the masters of all time in this beautiful world of music we live in.
---Joe Lovano
I think of this recording as a complement to a soprano solo CD titled The Tree (Soul Note) recorded in the early 1990s.
--- David Liebman
Joe Lovano Liner Notes
Louise Murray Cover Photo
Michael Brecker Liner Notes
Peter Pfister Mastering
Reid Kruger Engineer
The David Liebman Group Sax (Tenor), Soloist, Producer
Werner X. Uehlinger Executive Producer
Dave Liebman excels at concept albums; in a sense, they form his niche, and he revels in exploiting the medium. This one is strictly about colors, as each piece is a free improvisation loosely related to a particular color. Or is it? This is not the first album to interpret the visual spectrum, with paintings the usual objects of inspiration. Strictly speaking, the association is always suspect -- not that the musician does not earnestly interpret the representation, but rarely could the association be made in reverse. It would be nearly impossible, for example, to assign colors to Liebman's improvisations without knowing in advance which ones they apply to. Does "green" have a special sound? How about "blue"? Perhaps they do, subjectively. Which probably begs the question: What is important is not whether Liebman fairly translates the essence of "brown" into notes, which is, frankly, a silly exercise, but whether, as is mostly the case here, he uses the color as a source to create something of value. Each of these short (all but one under five minutes) explorations stands on its own, and represents Liebman's response, at the moment, to the color. Liebman's hefty discography and experience have taken him on a wealth of trips, through Miles Davis and beyond, much of which he pours into these fascinating vignettes, which go far beyond showmanship. Liebman is too experienced to be snared by the temptation of lesser performers to pack in all his technique on each solo to show the listener what he can do. Each improvisation stands on its own, and whether it is a color or another source of inspiration, the point is that it is inspired. Which, frankly, is one of the biggest obstacles to overcome in any solo horn album. Liebman enjoys the solo recording; unlike some of his other ventures, he sticks strictly to one horn and does not engage in any manipulations of sound. ~ Steven Loewy, All Music Guide
David Liebman
Active Decades: '60s, '70s, '80s, '90s and '00s
Born: Sep 04, 1946 in New York, NY
Genre: Jazz
Styles: Modern Creative, Progressive Jazz
Dave Liebman has developed through time to become one of the top soprano saxophonists in jazz. A highly individual and explorative (yet versatile) improviser who can stretch from bop to free, Liebman studied early on with Lennie Tristano and Charles Lloyd. He gained important experience playing with Ten Wheel Drive (1970), Elvin Jones (1971-1973), and Miles Davis' fusion group (1973-1974). Liebman formed Lookout Farm in 1974, the first of several groups (including Quest in the 1980s) that teamed his reeds with pianist Richie Beirach. By the late '80s, he had largely dropped the tenor to concentrate on soprano and occasionally flute, although he made a rare recording on tenor for Double-Time in 1995. Dave Liebman, who is very active in jazz education and has written several books, has recorded for a countless number of labels through the years as a leader, including PM, ECM, Horizon, Timeless, Palo Alto, Impulse, Soul Note, Heads Up, Storyville, Owl, CMP, Red, and Candid.
---Scott Yanow, All Music Guide |
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