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| 3.950 Ft
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| 1. | Introduction
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| 2. | One Note Samba
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| 3. | Lady Be Good
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| 4. | Carolina in the Morning
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| 5. | Chung King
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| 6. | Introduction
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| 7. | St. Louis Blues
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| 8. | Someone to Light Up My Life
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| 9. | Danço No. 5
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| 10. | Take Care of Yourself
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| 11. | Introduction
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| 12. | Things Ain't What They Used to Be
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| 13. | Willow Weep for Me
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| 14. | Só Danço Samba [Jazz Samba]
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| 15. | Sweet Georgia Brown
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| 16. | Introduction
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| 17. | Limehouse Blues
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| 18. | When Your Lover Has Gone
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| 19. | It Don't Mean a Thing If It Ain't Got That Swing
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| 20. | Bluesette
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Jazz / Swing, Mainstream Jazz
Many fine guitarists have emerged onto the American jazz scene but amongst the finest are Herb Ellis and Charlie Byrd. This group has been called their trio but I think the term quartet would better apply as also featured are virtuoso bassist Keeter Betts and drummer par excellence Buddy Deppenschmidt and with tracks like One Note Samba, Jazz Samba and Danco No. 5 leans towards a cool latin feel. These recordings are from four live Navy Swings shows in 1957.
Herb Ellis
Active Decades: '40s, '50s, '60s, '70s, '80s and '90s
Born: Aug 04, 1921 in Farmersville, TX
Genre: Jazz
Styles: Bop, Cool, Swing, West Coast Jazz, Mainstream Jazz
An excellent bop-based guitarist with a slight country twang to his sound, Herb Ellis became famous playing with the Oscar Peterson Trio during 1953-1958. Prior to that, he had attended North Texas State University and played with the Casa Loma Orchestra, Jimmy Dorsey (1945-1947), and the sadly under-recorded trio Soft Winds. While with Peterson, Ellis was on some Jazz at the Philharmonic tours and had a few opportunities to lead his own dates for Verve, including his personal favorite, Nothing but the Blues (1957). After leaving Peterson, Ellis toured a bit with Ella Fitzgerald; became a studio musician on the West Coast; made sessions with the Dukes of Dixieland, Stuff Smith, and Charlie Byrd; and in the 1970s became much more active in the jazz world. He is on the first three Concord releases, interacting with Joe Pass on the initial two, and toured with the Great Guitars (along with Byrd and Barney Kessel) through much of the 1970s into the '80s. After a long series of Concord albums, Herb Ellis cut a couple of excellent sessions in the 1990s for Justice, as well as 1999's Burnin' on Acoustic Music.
--- Scott Yanow, All Music Guide |
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