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| 1. | Fafca
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| 2. | Balu
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| 3. | Malic
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| 4. | Mama and Daddy
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Jazz / Avant-Garde, Free Jazz, Avant-Garde Jazz
Muhal Richard Abrams - Synthesizer, Producer, Piano
Andrew Cyrille Percussion
Baikida Carroll Trumpet, Flugelhorn
Bob Stewart Tuba, Trombone
Brian Smith Bass
George Lewis Trombone
Gigi Barbieri Artwork
Giovanni Bonandrini Executive Producer
Leroy Jenkins Violin
Peggi Abrams Producer
Thurman Barker Drums, Percussion, Marimba
Vincent Chancey French Horn
Wallace McMillan Conga, Sax (Tenor), Flute, Sax (Alto)
This was a first-rate big band/large group session from 1980, with Muhal Richard Abrams' compositions being played by a masterful ensemble which included French horn and tuba in its instrumental mix. There were wonderful solos, dashing arrangements and fiery rhythm support from Thurman Barker on drums, marimba and percussion, with Andrew Cyrille adding additional percussive assistance. The group also featured Baikida Carroll on trumpet and flugelhorn, Wallace McMillan on various reeds, violinist Leroy Jenkins, bassist Brian Smith, Abrams on keyboards, trombonist George Lewis, Bob Stewart on tuba and Vincent Chancey on French horn. They presented adventurous, disciplined, frequently exciting music. ~ All Music Guide, All Music Guide
Muhal Richard Abrams
Active Decades: '60s, '70s, '80s, '90s and '00s
Born: Sep 19, 1930 in Chicago, IL
Genre: Jazz
Styles: Modern Creative, Progressive Big Band, Early Creative, Free Jazz, Progressive Jazz, Avant-Garde Jazz
Composer, arranger, and pianist Muhal Richard Abrams is largely a self-taught musician who was deeply influenced by the bop innovations of the late Bud Powell. Abrams has been a beacon in the jazz community as a co-founder (and first president), in 1965, of Chicago's legendary vanguard music institution, the Association for the Advancement of Creative Musicians (AACM). While Abrams is well-known as a mentor to three generations of younger musicians -- born in 1930 he was a decade older than his closest peer in the AACM -- as a bandleader and professor at the Banff Center, Columbia University, Syracuse University, and the BMI Composers' Workshop, he is not always recognized for his substantial contribution as a player and recording artist. Abrams' first gigs were playing the blues, R&B, and hard bop circuit in Chicago and working as a sideman with everyone from Dexter Gordon and Max Roach to Ruth Brown and Woody Shaw. But Abrams' own recordings reveal his strength as an innovator. His 1967 debut, Levels and Degrees of Light on Chicago's Delmark label, set the course for his own career and that of many of his AACM contemporaries, including Henry Threadgill, the Art Ensemble of Chicago, Leo Smith, and Anthony Braxton. Abrams is also a conduit for the tradition. Though his music is noted for its vanguard edginess, he nonetheless bridges everything in his playing from boogie-woogie to bebop to free improv, as evidenced by Sightsong and Rejoicing With the Light, both on the Black Saint label. Abrams has been a composer that moves through the classical tradition as well. Novi, his first symphony for orchestra and jazz quartet, has been performed at various festivals, and the Kronos Quartet performed his String Quartet, No. 2.
--- Thom Jurek, All Music Guide |
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