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CD |
| 5.274 Ft
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| 1. | Comin' On
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| 2. | Sho' Nuff Blues
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| 3. | All the Things Your Mother Didn't Tell You
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| 4. | Woman
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| 5. | Bones
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| 6. | Ashes
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| 7. | Ornate
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Jazz / Avant-Garde, Post-Bop, Avant-Garde Jazz
Recorded: Nov 11, 1986
Bobby Bradford - Trumpet
Andrew Brennan Assistant Engineer
Billy Bowker Drums
Frank Sullivan Piano
Garrett Wood Engineer
Gennaro Carone Mastering
Giovanni Bonandrini Executive Producer
Giuliano Crivelli Paintings
John William Hardy Liner Notes
Scott Walton Bass
William Kinnally Producer
A melodic player with a healthy sense of humor who has become more expressive through the years, Bobby Bradford really got a chance to stretch out on this fine session. Although pianist Frank Sullivan is essentially a bop player, he did a good job of keeping up during the more adventurous performances. Bassist Scott Walton (who has learned from the innovations of Charlie Haden) and drummer Billy Bowker were excellent in support. "Ashes" (a calypso version of "I Got Rhythm") and the mysterious "Woman" were the high points of this highly recommended disc. ~ Scott Yanow, Cadence, All Music Guide
Bobby Bradford
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Jul 19, 1934 in Cleveland, MS
Genre: Jazz
Styles: Avant-Garde, Post-Bop, Avant-Garde Jazz
One of the best trumpeters to emerge from the avant-garde, Bobby Bradford largely fulfilled the potential of Don Cherry (whose chops declined through the years due to the amount of time allocated to performing on flute and other instruments). Bradford grew up in Dallas, playing trumpet locally with such local players as Cedar Walton and David Newman. In 1953, he moved to Los Angeles where he met and played with Ornette Coleman and Eric Dolphy. Bradford spent time in the military and in school before becoming Don Cherry's replacement with the Ornette Coleman Quartet in 1961-1963, a period when the group unfortunately rarely worked. After moving to Los Angeles, Bradford became a school teacher and also began a longtime association with clarinetist John Carter; his mellow trumpet blended in well with Carter's dissonant flights. He recorded with Ornette Coleman in 1971, but otherwise is best known for his playing and recordings with Carter. Since the clarinetist's death, Bradford frequently led a quintet (the Mo'tet) featuring Vinny Golia and occasionally Marty Ehrlich. In the '90s, he also performed with John Stevens' Freebop, the David Murray Octet, and Charlie Haden's Liberation Music Orchestra.
---Scott Yanow, All Music Guide |
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