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| Talkin' About You |
| Nat Adderley |
első megjelenés éve: 1990
58 perc |
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| (1990)
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CD |
| 4.728 Ft
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| 1. | Talkin' About You, Cannon
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| 2. | I Can't Give You Anything But Love
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| 3. | Arriving Soon
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| 4. | Plum Street
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| 5. | Azule Serape
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| 6. | Ill Wind
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| 7. | Mo's Theme
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| 8. | Big "P"
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Jazz / Soul-Jazz, Hard Bop
Nat Adderley - Cornet, Producer
Nat Adderley Quintet
David Luke Digital Editing
Frank Lindner Photography
George Horn Digital Mastering
Jimmy Cobb Drums
Orrin Keepnews Producer, Liner Notes
Paul Goodman Engineer
Phil Carroll Art Direction, Design
Rob Bargad Piano
Vincent Caro Recording Technician
Vincent Herring Sax (Alto), Saxophone
Walter Booker Bass
This 1990 session found Nat Adderley looking backwards, entering a New York studio with a quintet of the same proportions as Cannonball Adderley's famous groups, some alumni in the rhythm section (Walter Booker on bass, Jimmy Cobb on drums), and straight-and-narrow hard bop on the menu. But Nat is not the crisp, confident cornetist of old; he sounds a bit lost on muted horn in an extended stretch of "I Can't Give You Anything But Love" and sputters on some other tracks, occasionally mustering enough of his optimistic, upward-looking phrasing to give his work a signature. Altoist Vincent Herring has a more forceful presence on the front line, his raw, hard tone and rhythmic sense not resembling Cannonball's in the least, while Rob Bargad offers competent mainstream piano. As a composer, Adderley chips in two worthy pieces; "Talkin' About You, Cannon" is a leisurely gospel-soul-jazz drenched thing, and "Plum Street" is an energetic bopper. The veterans in the rhythm section are just fine -- no frills, nothing fancy, qualities that defined Nat's music at the time. ~ Richard S. Ginell, All Music Guide
Nat Adderley
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Nov 25, 1931 in Tampa, FL
Died: Jan 02, 2000 in Lakeland, FL
Genre: Jazz
Nat Adderley's cornet (which in its early days was strongly influenced by Miles Davis) was always a complementary voice to his brother Cannonball in their popular quintet. His career ran parallel to his older brother for quite some time. Nat took up trumpet in 1946, switched to cornet in 1950, and spent time in the military, playing in an Army band during 1951-1953. After a period with Lionel Hampton (1954-1955), Nat made his recording debut in 1955, joined Cannonball's unsuccessful quintet of 1956-1957, and then spent periods with the groups of J.J. Johnson and Woody Herman before hooking up with Cannonball again in October 1959. This time the group became a major success and Nat remained in the quintet until Cannonball's death in 1975, contributing such originals as "Work Song," "Jive Samba," and "The Old Country" along with many exciting hard bop solos. Nat Adderley, who was at the peak of his powers in the early to mid-'60s and became adept at playing solos that dipped into the subtone register of his horn, led his own quintets after Cannonball's death; his most notable sidemen were altoists Sonny Fortune (in the early '80s) and Vincent Herring. Although his own playing declined somewhat -- Adderley's chops no longer had the endurance of his earlier days -- Nat continued recording worthwhile sessions in the years prior to his death on January 2, 2000. Many but not all of his recordings through the years are currently available (for such labels as Savoy, EmArcy, Riverside, Jazzland, Atlantic, Milestone, A&M, Capitol, Prestige, SteepleChase, Galaxy, Theresa, In & Out, Landmark, Evidence, Enja, Timeless, Jazz Challenge, and Chiaroscuro).
---Scott Yanow, All Music Guide |
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