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Cheek to Cheek
Pete Fountain
első megjelenés éve: 1993
40 perc
(1993)

CD
4.331 Ft 

 

IMPORT!
Kosaramba teszem
1.  Cheek to Cheek
2.  Smoke Rings
3.  Girl of My Dreams
4.  Sweet and Lovely
5.  You Must Have Been a Beautiful Baby
6.  Unforgettable
7.  Paradise
8.  'Deed I Do
9.  Rose Room
10.  I Let a Song Go Out of My Heart
11.  I Can't Believe That You're in Love With Me
12.  Nobody's Darling But Mine
Jazz / Dixieland, New Orleans Jazz Revival

Pete Fountain - Clarinet
Barry Green Trombone
Benny Quinn Mastering
Bobby Bradley Engineer
Buddy Harman Drums
Chris Dunn Trombone
Chris McDonald Trombone
Ernie Collins Trombone (Bass)
Gary Miller Trombone
Georgette Cartwright Pre-Production Coordinator, Reproduction
James Ferguson Bass
Jim Ferguson Bass
Owen Bradley Producer, Piano
Tom Green Trombone
Tom Lundberg Trombone
Will Crocker Photography



Pete Fountain

Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: Jul 03, 1930 in New Orleans, LA
Genre: Jazz
Styles: Dixieland, Dixieland Revival

One of the most famous of all New Orleans jazz clarinetists, Pete Fountain has the ability to play songs that he has performed a countless number of times (such as "Basin Street Blues") with so much enthusiasm that one would swear he had just discovered them. His style and most of his repertoire have remained unchanged since the late '50s, yet he never sounds bored. In 1948, Fountain (who is heavily influenced by Benny Goodman and Irving Fazola) was a member of the Junior Dixieland Band and this was followed by a stint with Phil Zito and an important association with the Basin Street Six (1950-1954), with whom the clarinetist made his first recordings. In 1955, Fountain was a member of the Dukes of Dixieland, but his big breakthrough came when he was featured playing a featured Dixieland number or two on each episode of The Lawrence Welk Show during 1957-1959. After he left, he moved back to New Orleans, opened his own club, and has played there regularly up until retiring from the nightclub business in early 2003. Fountain's finest recordings were a lengthy string for Coral during 1959-1965 (they turned commercial for a period after that).
---Scott Yanow, All Music Guide

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