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Cheek to Cheek |
Pete Fountain |
első megjelenés éve: 1993 40 perc |
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(1993)
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 CD |
4.331 Ft
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1. | Cheek to Cheek
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2. | Smoke Rings
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3. | Girl of My Dreams
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4. | Sweet and Lovely
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5. | You Must Have Been a Beautiful Baby
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6. | Unforgettable
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7. | Paradise
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8. | 'Deed I Do
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9. | Rose Room
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10. | I Let a Song Go Out of My Heart
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11. | I Can't Believe That You're in Love With Me
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12. | Nobody's Darling But Mine
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Jazz / Dixieland, New Orleans Jazz Revival
Pete Fountain - Clarinet Barry Green Trombone Benny Quinn Mastering Bobby Bradley Engineer Buddy Harman Drums Chris Dunn Trombone Chris McDonald Trombone Ernie Collins Trombone (Bass) Gary Miller Trombone Georgette Cartwright Pre-Production Coordinator, Reproduction James Ferguson Bass Jim Ferguson Bass Owen Bradley Producer, Piano Tom Green Trombone Tom Lundberg Trombone Will Crocker Photography
Pete Fountain
Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s Born: Jul 03, 1930 in New Orleans, LA Genre: Jazz Styles: Dixieland, Dixieland Revival
One of the most famous of all New Orleans jazz clarinetists, Pete Fountain has the ability to play songs that he has performed a countless number of times (such as "Basin Street Blues") with so much enthusiasm that one would swear he had just discovered them. His style and most of his repertoire have remained unchanged since the late '50s, yet he never sounds bored. In 1948, Fountain (who is heavily influenced by Benny Goodman and Irving Fazola) was a member of the Junior Dixieland Band and this was followed by a stint with Phil Zito and an important association with the Basin Street Six (1950-1954), with whom the clarinetist made his first recordings. In 1955, Fountain was a member of the Dukes of Dixieland, but his big breakthrough came when he was featured playing a featured Dixieland number or two on each episode of The Lawrence Welk Show during 1957-1959. After he left, he moved back to New Orleans, opened his own club, and has played there regularly up until retiring from the nightclub business in early 2003. Fountain's finest recordings were a lengthy string for Coral during 1959-1965 (they turned commercial for a period after that). ---Scott Yanow, All Music Guide |
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