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| Glancing Backwards - The Dawn Anthology |
| John Surman |
angol
első megjelenés éve: 2006 |
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| (2006)
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3 x CD |
| 6.164 Ft
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| 1. CD tartalma: |
| 1. | Oh Dear
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| 2. | Dousing Rod
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| 3. | Silver Cloud
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| 4. | Incantation
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| 5. | Caractacus
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| 6. | Let's Stand
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| 7. | Foyer Hall
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| 8. | Porte Des Lilas
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| 9. | Veritably
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| 10. | In Between
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| 11. | Sixes And Sevens
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| 12. | Green Walnut
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| 2. CD tartalma: |
| 1. | Billie The Kid
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| 2. | Dee Tune
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| 3. | Centering
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| 4. | Joachim
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| 5. | Drum
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| 6. | Conflagration
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| 7. | Malachite
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| 8. | Nuts
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| 9. | Sixes And Sevens
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| 10. | B
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| 11. | Afore The Morrow
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| 3. CD tartalma: |
| 1. | Glancing Backwards (for Junior)
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| 2. | Earth Bound Hearts
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| 3. | Where Fortune Smiles
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| 4. | New Place Old Place
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| 5. | Hope
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| 6. | Harry Lovett (live) (Man Without A Country)
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| 7. | Are You Positive You're Negative (live)
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| 8. | Wrested In Mustard (live)
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| 9. | Professor Goodly's Implosion Machine (live)
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| 10. | Master Of Disaster (live)
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| 11. | Don't Leave Me Like This (live)
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Jazz
A Key Figure on the British Free Jazz Scene Over the Lastforty Years, Saxophonist John Surman Recorded Withsuch Rock-oriented Performers as Alexis Korner and Thenice in the Late 1960s Before Forming Jazz Outfit the Trioin 1969 with the Aid of Exiled Americans Barre Phillips (Bass) and Stu Martin (Drums). This Comprehensive 3-CD Anthology Assembles Surman's Fascinating, Highlyacclaimed Body of Work for the Dawn Label: Two Albums(The First a Double) with the Trio, his Spellbindingcollaboration with Guitarist John Mclaughlin, Wherefortune Smiles, and a Subsequent Reunion Album Withstu Martin That, Appropriately Enough, Turned Out to Bethe Last Recording Issued by Dawn Before the Label'scollapse in Early 1976.
John Surman
Active Decades: '60s, '70s, '80s, '90s and '00s
Born: Aug 30, 1944 in Tavistock, England
Genre: Jazz
Styles: Post-Bop, Modern Composition, Jazz Blues, Jazz-Rock, Avant-Garde Jazz
John Surman was one of the very few saxmen in England to find a significant audience in rock during the late '60s, playing gigs regularly at venues like the Marquee Club in London. Also a clarinetist of some renown, and no slouch on keyboards either, the atmospheric sounds that Surman creates on his horns has been a major asset to the ECM label ever since the late '70s; but, before that, he was an extremely prolific artist on Deram, Futura, Dawn, and Island, cutting seven solo albums between 1968 and 1974 on those mainstream pop-oriented labels, as well as recording with Morning Glory on Island. One of England's top jazz players of the past several decades, Surman is particularly strong on the baritone. Surman played in jazz workshops while still in high school. He studied at the London College of Music and London University Institute of Education in the mid-'60s, played with Alexis Korner and Mike Westbrook until the late '60s, and recorded with the latter until the mid-'70s. He was voted best soloist at the 1968 Montreux Festival while heading his band. Surman worked with Graham Collier, Mike Gibbs, Dave Holland, Chris McGregor, and John McLaughlin in the '60s, and toured Europe with the Kenny ClarkeFrancy Boland big band in 1970. Surman toured and recorded with Barre Phillips and Stu Martin in the late '60s and early '70s, and again in the late '70s, adding Albert Mangelsdorff to the group. They called themselves the Trio, then Mumps. Surman played with Mike Osborne and Alan Skidmore in the sax trio SOS in the mid-'70s. He also collaborated with the Carolyn Carlson dance company at the Paris Opera through the mid- and late '70s. Surman recorded with Stan Tracey and Karin Krog, while working with Miroslav Vitous and Azimuth. He led the Brass Project in the early '80s, and played in Collier's big band and Gil Evans' British orchestra. Surman toured with Evans again in the late '80s. He began recording as a leader for Pye in the early '70s, and did sessions for Ogun and ECM. Surman continued recording in the '80s, mostly for ECM. He worked with Terje Rypdal, Jack DeJohnette, Pierre Favre, Bengt Hallberg, Archie Shepp, Warne Marsh, and Red Mitchell, among others. Surman has made many recordings for ECM, spanning from free form to mood music, and he remains one of the label's most consistently stimulating artists.
---Ronn Wynn & Bruce Eder, All Music Guide |
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