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*Super Audio CD* |
Kérjen
árajánlatot! |
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| 1. | Blue Bossa
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| 2. | La Mesha
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| 3. | Homestretch
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| 4. | Recorda Me
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| 5. | Jinrikisha
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| 6. | Out of the Night
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Jazz / Hard Bop
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on June 3, 1963
Joe Henderson - Sax (Tenor)
Butch Warren - Bass
Alfred Lion Producer
Bob Blumenthal Liner Notes
Francis Wolff Cover Photo, Photography
Kenny Dorham Trumpet, Liner Notes
McCoy Tyner Piano
Michael Cuscuna Reissue
Pete La Roca Drums
Reid Miles Cover Design, Design
Rudy Van Gelder Remastering, Engineer, Digital Remastering
Page One introduced the jazz world to the unusually mature and original tenor saxophonist, Joe Henderson. 'Recorda Me' and 'Blue Bossa' have become jazz classics for their mix of Brazilian rhythms with hard bop muscle. Featured artists include Kenny Dorham (trumpet), Pete La Roca (drums), McCoy Tyner (piano) and Butch Warren (bass).
Tenor saxophonist Joe Henderson's debut as a leader is a particularly strong and historic effort. With major contributions made by trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Butch Warren, and drummer Pete La Roca, Henderson (who already had a strikingly original sound and a viable inside/outside style) performs six generally memorable compositions on this CD reissue. Highlights include the original versions of Dorham's "Blue Bossa" and Henderson's "Recorda Me." It's highly recommended. ~ Scott Yanow, All Music Guide
Joe Henderson
Active Decades: '60s, '70s, '80s and '90s
Born: Apr 24, 1937 in Lima, OH
Died: Jun 30, 2001 in San Francisco, CA
Genre: Jazz
Styles: Ballads, Soul-Jazz, Fusion, Bossa Nova, Post-Bop, Hard Bop, Mainstream Jazz
Joe Henderson is proof that jazz can sell without watering down the music; it just takes creative marketing. Although his sound and style were virtually unchanged from the mid-'60s, Joe Henderson's signing with Verve in 1992 was treated as a major news event by the label (even though he had already recorded many memorable sessions for other companies). His Verve recordings had easy-to-market themes (tributes to Billy Strayhorn, Miles Davis, and Antonio Carlos Jobim) and, as a result, he became a national celebrity and a constant poll winner while still sounding the same as when he was in obscurity in the 1970s.
The general feeling is that it couldn't have happened to a more deserving jazz musician. After studying at Kentucky State College and Wayne State University, Joe Henderson played locally in Detroit before spending time in the military (1960-1962). He played briefly with Jack McDuff and then gained recognition for his work with Kenny Dorham (1962-1963), a veteran bop trumpeter who championed him and helped Henderson get signed to Blue Note. Henderson appeared on many Blue Note sessions both as a leader and as a sideman, spent 1964-1966 with Horace Silver's Quintet, and during 1969-1970 was in Herbie Hancock's band. From the start, he had a very distinctive sound and style which, although influenced a bit by both Sonny Rollins and John Coltrane, also contained a lot of brand new phrases and ideas. Henderson had long been able to improvise in both inside and outside settings, from hard bop to freeform. In the 1970s, he recorded frequently for Milestone and lived in San Francisco, but was somewhat taken for granted. The second half of the 1980s found him continuing his freelancing and teaching while recording for Blue Note, but it was when he hooked up with Verve that he suddenly became famous. Virtually all of his recordings are currently in print on CD, including a massive collection of his neglected (but generally rewarding) Milestone dates. On June 30, 2001, Joe Henderson passed away due to heart failure after a long battle with emphysema.
---Scott Yanow, All Music Guide |
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