  |
|
|
 |
| The 75th Birthday Celebration - Live at Montreux 2008 [ ÉLŐ ] |
| Quincy Jones |
első megjelenés éve: 2009
178 perc |
| Jazz |
| (2009)
|
|
Blu-ray disc |
| 5.471 Ft
|
|
| 1. | Introduction by Claude Nobs
|
| 2. | The Good, The Bad, and The Ugly
Herbie Hancock, Patti Austin & Stevie Woods
|
| 3. | Let The Good Times Roll
Rahsaan Patterson & James Moody
|
| 6. | The Television Song
James Moody & John Robinson
|
| 7. | Honeysuckle Rose
Freda Payne & Joe Sample
|
| 8. | Shiny Stockings
Freda Payne & Joe Sample
|
| 10. | If I Ever Lose This Heaven
Ledisi
|
| 11. | Midnight Sun
Al Jarreau & Larry Williams
|
| 12. | One Mint Julep
Petula Clark
|
| 14. | My Ship / Summertime
Franco Ambrosetti
|
| 15. | Smoke Gets In Your Eyes
Nana Mouskouri & James Morrison
|
| 16. | Almost Like Being In Love
Nana Mouskouri & James Morrison
|
| 17. | Miss
Celies Blues Sister Chaka Khan, Patti Austin & Greg Phillin
|
| 19. | Eyes Of Love / Bluesette
Carols Theme Toots Thielemans
|
| 20. | Walking In Space
Chaka Khan & Lee Ritenour
|
| 21. | Strawberry Letter 23
Paolo Nutini & Lee Ritenour
|
| 23. | How Do You Keep The Music Playing
Patti Austin
|
| 24. | The Dude
Al Jarreau
|
| 25. | Billie Jean
Naturally 7
|
| 26. | Wall Of Sound
Naturally 7
|
| 27. | Mama Aifambeni
Angelique Kidjo
|
| 28. | State Of Independence
Angelique Kidjo & Larry Williams
|
| 29. | Everything Must Change
Curtis Stigers
|
| 30. | Cool Joe, Mean Joe
Killer Joe Herbie Hancock
|
| 31. | Ai No Corrida
Patti Austin, Gabi Goldberg, Dorothea Lorene, Stevie Woods,
|
| 32. | Stuff Like That
|
Legendary composer, producer, arranger, and social activist Quincy Jones has been an inspiration for a number of different artists. During the years, he has worked with some of the greatest R&B, jazz, pop, blues, and gospel stars such as Michael Jackson, Chaka Khan, Duke Ellington, Al Jarreau, Herbie Hancock, and Miles Davis. In 1968, together with songwriter Bob Rissel, Jones became the first African-American to be nominated for an Oscar (Best Original Song for Banning). In 2008, Jones was also named an Ambassador at the Grammys, and served as Artistic Advisor for the Olympic Games in Beijing, China.
On July 14th, 2008, a very special event took place at the Stravinsky Auditorium in Montreux, Switzerland. A number of musicians who have had the opportunity to work with Jones during the years gathered to celebrate his 75th birthday. For well over two hours, they sang, played, joked and thanked a living legend.
The actual concert is truly impossible to describe with simple words. Even a quick glance at the names of the musicians who took the stage should immediately reveal to you how incredibly influential Jones has been. In fact, one could argue that many of them have been just as influential as Jones - years from now, people will still talk about Chaka Khan, Herbie Hanckok, Al Jarreau, James Moody, and Toots Thielemans.
While I do not wish to single out any of the performances from Quincy Jones: The 75th Birthday Celebration as they are all absolutely terrific, there are two sets that I just have to mention to you. The first one is by the award-winning septet from New York City, Naturally 7. Their acapella versions of Billie Jean and Wall Of Sound are simply phenomenal. The second set is by Belgian jazz icon Toots Thielemans, who many years ago I was fortunate enough to see playing his harmonica live - at the age of 86, he is still as good as I remember him!
Recorded Live on July 14th, 2008 at the Stravinsky Auditorium, Montreux Music & Convention Centre, in Switzerland, Quincy Jones: The 75th Birthday Celebration looks solid. Contrast is very good, clarity consistently pleasing and detail excellent. The actual show has been recorded with multiple, strategically positioned, cameras allowing the viewer not only to follow the musicians and singers on the stage, but also to follow the reactions of the audience and Mr. Jones himself. This being said, motion-judder is not a serious issue of concern with this transfer. On the contrary, Quincy Jones: The 75th Birthday Celebration looks smooth and stable. Digital noise is not an issue of concern either. Additionally, there are no disturbing shadow effects that I detected. Also, there are no image deteriorations to report in this review. To sum it all up, this is a very strong presentation that will undoubtedly impress even the most demanding amongst you. (Note: This is a Region-Free Blu-ray disc. Therefore, you will be able to play it on your PS3 or SA regardless of your geographical location).
---Dr. Svet Atanasov
When an artist of the stature of Quincy Jones celebrates his 75th birthday you can be sure it's going to be quite a party. The show took place on July 14th 2008 at the legendary Montreux Jazz Festival, an event with which Quincy Jones has a long and rich history, and the cream of musical talent turned up to serenade "Q" on this very special occasion. The main concert lasted over two and a half hours and the musicians then spilled out into the bars and cafes of Montreux with the music still going strong as the sun was coming up the next morning! Backing on all tracks provided by the Montreux In The House Band: Greg Phillinganes (keyboards), David Delhomme (keyboards), Paul Jackson Jr. (guitar), Nathan East (bass), John Robinson (drums), Paulinho da Costa (percussion) Accompanied by the Swiss Army Big Band conducted by Pepe Lienhard.
Track 32: Monty Alexander, Patti Austin, Petula Clark, Billy Cobham, Herbie Hancock, Chaka Khan, Angelique Kidjo, Beverley Knight, Nils Landgren, Ledisi, James Moody, James Morrison, Nana Mouskouri, Naturally 7, Rahsaan Patterson, Freda Payne, Patrice Rushen, Joe Sample, Curtis Stigers & Larry Williams
Video codec: MPEG-4 AVC
Audio
Music: DTS-HD Master Audio 5.1
Music: Dolby Digital 5.1
Music: LPCM 2.0
Quincy Jones
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Mar 14, 1933 in Chicago, IL
Genre: Jazz
Styles: Big Band, Urban, Bop, Swing, Pop, Jazz-Pop, Crossover Jazz, Traditional Pop
In a musical career that has spanned six decades, Quincy Jones has earned his reputation as a renaissance man of American music. Jones has distinguished himself as a bandleader, a solo artist, a sideman, a songwriter, a producer, an arranger, a film composer, and a record label executive, and outside of music, he's also written books, produced major motion pictures, and helped create television series. And a quick look at a few of the artists Jones has worked with suggests the remarkable diversity of his career -- Miles Davis, Frank Sinatra, Count Basie, Lesley Gore, Michael Jackson, Peggy Lee, Ray Charles, Paul Simon, and Aretha Franklin.
Jones was born in Chicago, IL, on March 14, 1933. When he was still a youngster, his family moved to Seattle, WA, and he soon developed an interest in music. In his early teens, Jones began learning the trumpet, and started singing with a local gospel group. By the time he graduated from high school in 1950, Jones had displayed enough promise to win a scholarship to Boston-based music school Schillinger House (which later became known as the Berklee School of Music). After a year at Schillinger, Jones relocated to New York City, where he found work as an arranger, writing charts for Count Basie, Cannonball Adderley, Tommy Dorsey, and Dinah Washington, among others. In 1953, Jones scored his first big break as a performer; he was added to the brass section of Lionel Hampton's orchestra, where he found himself playing alongside jazz legends Art Farmer and Clifford Brown. Three years later, Dizzy Gillespie tapped Jones to play in his band, and later in 1956, when Gillespie was invited to put together a big band of outstanding international musicians, Diz chose Quincy to lead the ensemble. Jones also released his first album under his own name that year, a set for ABC-Paramount appropriately entitled This Is How I Feel About Jazz.
In 1957, Jones moved to Paris in order to study with Nadia Boulanger, an expatriate American composer with a stellar track record in educating composers and bandleaders. During his sojourn in France, Jones took a job with the French record label Barclay, where he produced and arranged sessions for Jacques Brel and Charles Aznavour, as well as traveling American artists, including Billy Eckstine and Sarah Vaughan. Jones' work for Barclay impressed the management at Mercury Records, a American label affiliated with the French imprint, and in 1961, he was named a vice president for Mercury, the first time an African-American had been hired as an upper-level executive by a major U.S. recording company. Jones scored one of his first major pop successes when he produced and arranged "It's My Party" for teenage vocalist Lesley Gore, which marked his first significant step away from jazz into the larger world of popular music. (Jones also freelanced for other labels on the side, including arranging a number of memorable Atlantic sides for Ray Charles.) In 1963, Jones began exploring what would become a fruitful medium for him when he composed his first film score for Sidney Lumet's controversial drama The Pawnbroker; he would go on to write music for 33 feature films, including In Cold Blood, In the Heat of the Night, Bob & Carol & Ted & Alice, and The Getaway. In 1964, Jones's work with Count Basie led him to arrange and conduct sessions for Frank Sinatra's album It Might as Well Be Swing, recorded in collaboration with Basie and his orchestra; he also worked with Sinatra and Basie again as an arranger for the award-winning Sinatra at the Sands set, and would produce and arrange one of Sinatra's last albums, L.A. Is My Lady, in 1984.
While Jones maintained a busy schedule as a composer, producer, and arranger through the 1960s, he also re-emerged as a recording artist in 1969 with the album Walking in Space, which found Jones recasting his big-band influences within the framework of the budding fusion movement and the influences of contemporary rock, pop, and R&B sounds. The album was a commercial and critical success, and kick started Jones's career as a recording artist. At the same time, he began working more closely with contemporary pop artists, producing sessions for Aretha Franklin and arranging strings for Paul Simon's There Goes Rhymin' Simon, and while Jones continued to work with jazz artists, many hard-and-fast jazz fans began to accuse Jones of turning his back on the genre, though Jones always contended his greatest allegiance was to African-American musical culture rather than any specific style. (Jones did, however, make one major jazz gesture in 1991, when he persuaded Miles Davis to revisit the classic Gil Evans arrangements from Miles Ahead, Sketches of Spain, and Porgy and Bess for that year's Montreux Jazz Festival; Jones coordinated the concert and led the orchestra, and it proved to be one of the last major events for the ailing Davis, who passed on a few months later.) In 1974, Jones suffered a life-threatening brain aneurysm, and while he made a full recovery, he also made a decision to cut back on his schedule to spend more time with his family. While Jones may have had fewer projects on his plate in the late '70s and early '80s, they tended to be higher profile from this point on; he produced major chart hits for the Brothers Johnson, Rufus and Chaka Khan, and his own albums grew into all-star productions in which Jones orchestrated top players and singers in elaborate pop-R&B confections on sets like Body Heat, Sounds...And Stuff Like That!!, and The Dude. Jones' biggest mainstream success, however, came with his work with Michael Jackson; Jones produced his breakout solo album, Off the Wall, in 1979, and in 1982 they teamed up again for Thriller, which went on to become the biggest-selling album of all time. Jones was also on hand for Thriller's follow-up, 1987's Bad, the celebrated USA for Africa session which produced the benefit single "We Are the World" (written by Jackson and Lionel Richie), and he produced a rare album in which Jackson narrated the story of the film E.T.: The Extra-Terrestrial.
Having risen to the heights of the recording industry, in 1985 Jones moved from scoring films to producing them; his first screen project was the screen adaptation of Alice Walker's novel -The Color Purple, which was directed by Steven Spielberg and starred Whoopi Goldberg. 1991 found him moving into television production with the situation comedy The Fresh Prince of Bel Air, which gave Will Smith his first starring role. Jones' production company also launched several other successful shows, including In the House and Mad TV. He also produced a massive concert to help commemorate the 1993 inauguration of president Bill Clinton, and at the 1995 Academy Awards won the Jean Hersholt Humanitarian Award, a prize that doubtless found its place beside Quincy's 26 Grammy Awards.
---Mark Deming, All Music Guide |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
[ NTSC ] (1080i)