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| The Argo, Verve and Impulse Big Band Studio Sessions |
| Oliver Nelson |
| első megjelenés éve: 2006 |
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| (2006)
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6 x CD |
| 16.490 Ft
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| 1. CD tartalma: |
| 1. | Full Nelson
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| 2. | Skokiaan (South African Song)
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| 3. | Miss Fine
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| 4. | Majorca
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| 5. | Cool
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| 6. | Back Woods
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| 7. | Lila's Theme
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| 8. | Ballad for Benny
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| 9. | Hoe Down
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| 10. | Paris Blues
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| 11. | What Kind of Fool Am I
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| 12. | You Love but Once
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| 13. | Hobo Flats
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| 14. | Post No Bills
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| 15. | A Bientot
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| 16. | Three Plus One
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| 17. | Take Me with You
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| 18. | Daylie's Double
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| 19. | Teenie's Blues
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| 20. | Laz-Ie Kate
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| 2. CD tartalma: |
| 1. | St. Louis Blues
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| 2. | I Remember Bird
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| 3. | Ricardo's Dilemma
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| 4. | Patterns for Orchestra
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| 5. | The Sidewalks of New York
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| 6. | Greensleeves
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| 7. | John Brown's Blues
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| 8. | Twelve Tone Blues
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| 9. | A Typical Day in New York
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| 10. | The East Side/the West Side
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| 11. | 125th & Seventh Avenue
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| 12. | A Penthouse Dawn
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| 13. | One for Duke
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| 14. | Complex City
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| 3. CD tartalma: |
| 1. | Roll 'Em
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| 2. | For Dancers Only
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| 3. | Sophisticated Swing
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| 4. | Sometimes I'm Happy
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| 5. | Lined with a Groove
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| 6. | Lazy Theme
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| 7. | Now Hear My Meaning
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| 8. | In a Crowd
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| 9. | Sound Piece for Jazz Orchestra
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| 10. | Flute Salad
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| 11. | The Lady from Girl Talk
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| 4. CD tartalma: |
| 1. | Let the Word Go Forth
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| 2. | A Genuine Peace
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| 3. | The Rights of All
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| 4. | Tolerance
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| 5. | The Artists' Rightful Place
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| 6. | Jacqueline
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| 7. | Day in Dallas
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| 8. | John Kennedy Memory Waltz
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| 9. | Love is Just Around the Corner
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| 10. | This is It
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| 11. | Memories of You
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| 12. | Pee Wee's Blues
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| 13. | The Shadow of Your Smile
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| 14. | Ja-Da
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| 15. | A Good Man is Hard to Find
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| 16. | Bopol
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| 17. | I'm Coming Virginia
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| 18. | Six & Four
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| 5. CD tartalma: |
| 1. | Walk on the Wild Side
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| 2. | Ol' Man River
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| 3. | In a Mellow Tone
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| 4. | Step Right Up
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| 5. | Hobo Flats
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| 6. | Blueberry Hill
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| 7. | Walk Right in
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| 8. | Trouble in Mind
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| 9. | The Preacher
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| 10. | Meditation
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| 11. | I Can't Stop Loving You
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| 12. | Slaughter on Tenth Avenue
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| 13. | Who's Afraid of Virginia Woolf?
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| 14. | Who's Afraid of Virginia Woolf?
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| 6. CD tartalma: |
| 1. | The Bird/The Duck/The Cat/The Grand
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| 2. | Duck Theme/Jimmy & the Duck/Peter'S
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| 3. | Elegy for a Duck
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| 4. | Cat in a Tree
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| 5. | Capture of the Wolf
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| 6. | Finale: Parade/Peter Plays Some Blu
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| 7. | One Mint Julep
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| 8. | Blues & the Abstract Truth
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| 9. | Down by the Riverside
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| 10. | Night Train
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| 11. | 13 (Death March)
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| 12. | Milestones
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| 13. | 'Round Midnight
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Jazz / Post-Bop, Hard Bop
Oliver Nelson - Arranger, Saxophone
Al Cohn Sax (Tenor)
Al Porcino Trumpet
Arthur Hoyle Trumpet
Attila Zoller Guitar
Babe Clark Reeds, Sax (Tenor)
Barry Galbraith Guitar
Ben Tucker Bass
Benny Powell Trombone
Bernie Glow Trumpet
Bill Hinshaw French Horn
Bill Perkins Sax (Tenor), Flute, Flute (Alto), Clarinet (Bass)
Bill Rodriquez Drums
Billy Byers Trombone
Bob Ashton Clarinet, Sax (Tenor)
Bob Brookmeyer Trombone (Valve)
Bob Cranshaw Bass
Bob Northern French Horn
Bobby Bryant Trumpet
Bobby Rosengarden Percussion
Britt Woodman Trombone
Buddy Lucas Harmonica
Burt Collins Trumpet
Clark Terry Trumpet
Danny Bank Clarinet (Bass), Flute, Sax (Baritone)
Dick Hixon Trombone
Dick Leith Trombone, Trombone (Bass)
Dick Noel Trombone
Doc Severinsen Trumpet
Don Butterfield Tuba
Donald Corrado French Horn
Ed Shaughnessy Drums
Eddie Williams Trumpet
Eric Gale Guitar
Ernie Royal Trumpet
Ernie Tack Trombone (Bass)
Frank Wess Sax (Tenor)
Gabe Baltazar Flute (Alto), Clarinet, Sax (Alto)
George Dorsey Clarinet, Sax (Alto), Flute
George Duvivier Bass
George Marge Flute, Clarinet, Sax (Tenor)
Grady Tate Drums
Hank Jones Piano
Harry Brewer Percussion, Marimba, Castanets
Howard Collins Guitar
J.J. Johnson Trombone
Jack Agee Reeds
Jack Nimitz Sax (Baritone), Clarinet (Bass)
James Buffington French Horn
Jerome Richardson Sax (Soprano), Flute, Sax (Baritone), Sax (Tenor), Flute (Alto)
Jerry Dodgion Flute, Clarinet, Sax (Alto)
Jim Hall Guitar
Jimmy Cleveland Trombone
Jimmy Heath Reeds
Jimmy Johnson, Jr. Drums
Jimmy Maxwell Trumpet
Jimmy Nottingham Trumpet
Jimmy Raney Guitar
Jimmy Smith Organ
Joe Newman Quartet Trumpet
Joe Wilder Trumpet
John Audino Trumpet
John Frosk Trumpet
Kenneth Soderblom Flute, Sax (Alto)
Kenny Burrell Guitar
Marvin Stamm Trumpet
Melba Liston Trombone
Mike Barone Trombone
Mike Melvoin Piano
Milt Hinton Bass
Milt Jackson Vibraphone
Nat Adderley Cornet
Ollie Mitchell Trumpet
Osie Johnson Drums
Patti Bown Piano
Paul Faulise Trombone (Bass)
Pee Wee Russell Clarinet
Phil Bodner Reeds, Horn (English)
Phil Kraus Vibraphone, Celeste
Phil Woods Sax (Alto), Clarinet
Plas Johnson Flute, Sax (Tenor), Flute (Alto)
Quentin Jackson Trombone
Ray Alonge French Horn
Ray Barretto Conga
Ray Brown Bass
Ray Copeland Trumpet
Red Callender Tuba
Richard Davis Bass
Richard Gene Williams Trumpet
Richard Perissi French Horn
Rod Levitt Trombone
Romeo Penque Horn (English), Flute, Sax (Tenor)
Seldon Powell Sax (Tenor)
Shelly Manne Drums
Shirley Scott Organ
Snooky Young Trumpet
Sol Schlinger Sax (Baritone), Clarinet (Bass)
Stan Webb Oboe, Horn (English), Sax (Tenor)
Thad Jones Trumpet
Tom McIntosh Trombone
Tom Mitchell Jr. Trombone
Tony Studd Trombone (Bass)
Urbie Green Trombone
Victor Feldman Piano
Wayne Andre Trombone
Wes Montgomery Guitar
Willie Dennis Trombone
Willie Ruff French Horn
Oliver Nelson was one of the more distinctive arrangers to be active in jazz, the studios, and popular music of the '60s. While most Nelson reissues focus on his always-excellent saxophone playing (whether on tenor or alto), this six-CD set, Argo, Verve and Impulse Big Band Studio Sessions, focuses on Oliver Nelson the arranger-composer-bandleader. He does take solos on some of these dates on tenor, alto,and soprano (his only recorded solos on that instrument), but it his writing that takes center stage. Included are his albums Full Nelson, Fantabulous, Jazzhattan Suite (which finds the ensemble called the Jazz Interactions Orchestra), Sound Pieces, and his unusual and reverent tribute set Musical Tribute to JFK: The Kennedy Dream. In addition, Nelson's writing for Leonard Feather's -Encyclopedia of Jazz All Stars is here, plus his contributions (usually just part of each record) for sets by organist Shirley Scott (Roll 'Em), a group co-led by Ray Brown and Milt Jackson, and clarinetist Pee Wee Russell (The Spirit of '67). Topping off this well-conceived box are all of the music for organist Jimmy Smith's Hobo Flats, Peter and the Wolf (a classic jazz version), and Smith's first collaboration with guitarist Wes Montgomery, plus a few numbers from Smith's Bashin', Who's Afraid of Virginia Woolf, and Hootchie Coochie Man. In addition to the playing of Jimmy Smith (who was really at his peak during this period), Wes Montgomery, Shirley Scott, and Pee Wee Russell, the most memorable soloists are altoist Phil Woods, cornetist Nat Adderley (on the Feather date), and flugelhornist Clark Terry plus Nelson himself. There is plenty of classic material here (such as the Smith/Montgomery blues jamming on "Down by the Riverside") which, even when the big-band writing is secondary, serves as a superior tribute to the underrated Oliver Nelson. ~ Scott Yanow, All Music Guide
Oliver Nelson
Active Decades: '50s, '60s and '70s
Born: Jun 04, 1932 in St. Louis, MO
Died: Oct 27, 1975 in Los Angeles, CA
Genre: Jazz
Styles: Soul-Jazz, Fusion, Post-Bop, Hard Bop, Modern Big Band, Mainstream Jazz, Soundtracks, Film Music
Oliver Nelson was a distinctive soloist on alto, tenor, and even soprano, but his writing eventually overshadowed his playing skills. He became a professional early on in 1947, playing with the Jeter-Pillars Orchestra and with St. Louis big bands headed by George Hudson and Nat Towles. In 1951, he arranged and played second alto for Louis Jordan's big band, and followed with a period in the Navy and four years at a university. After moving to New York, Nelson worked briefly with Erskine Hawkins, Wild Bill Davis, and Louie Bellson (the latter on the West Coast). In addition to playing with Quincy Jones' orchestra (1960-1961), between 1959-1961 Nelson recorded six small-group albums and a big band date; those gave him a lot of recognition and respect in the jazz world. Blues and the Abstract Truth (from 1961) is considered a classic and helped to popularize a song that Nelson had included on a slightly earlier Eddie "Lockjaw" Davis session, "Stolen Moments." He also fearlessly matched wits effectively with the explosive Eric Dolphy on a pair of quintet sessions. But good as his playing was, Nelson was in greater demand as an arranger, writing for big band dates of Jimmy Smith, Wes Montgomery, and Billy Taylor, among others. By 1967, when he moved to Los Angeles, Nelson was working hard in the studios, writing for television and movies. He occasionally appeared with a big band, wrote a few ambitious works, and recorded jazz on an infrequent basis, but Oliver Nelson was largely lost to jazz a few years before his unexpected death at age 43 from a heart attack.
---Scott Yanow, All Music Guide |
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