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 CD |
6.804 Ft
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1. | Statement of Themes on Contra-Alto Clarinet
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2. | The Horizon Exaggerates the Nearness of the Horizon
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3. | Twine: Harmony
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4. | Half Silence
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5. | Only Saved by Poetry
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6. | The Assortment
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7. | Lacuna
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8. | Goodbye Rosario
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Jazz / Avant-Garde Jazz
Ben Goldberg - Cover Art, Clarinet, Producer, Contra-Alto Clarinet, Clarinet (Bass) Allan Tucker Mastering Carla Kihlstedt Violin Ikue Mori Design Jeff Cressman Engineer John Zorn Executive Producer Kazunori Sugiyama Associate Producer Kenny Wollesen Drums Miya Masaoka Koto, ? Rob Sudduth Sax (Tenor), Saxophone Trevor Dunn Bass
Ben Goldberg
Active Decades: '90s and '00s Genre: Jazz Styles: Post-Bop, Klezmer, Progressive Jazz, Avant-Garde Jazz
Clarinetist Ben Goldberg was born and raised in Denver, Colorado, later earning an undergraduate music degree from the University of California, Santa Cruz and a subsequent Master of Arts in Composition from Mills College. A student of Rosario Mazzeo, Steve Lacy and Joe Lovano, Goldberg initially won acclaim as a member of the New Klezmer Trio, debuting in 1991 with Masks and Faces; two years later he won a grant from the National Endowment for the Arts to mount a retrospective series spotlighting the music of key American jazz composers including Thelonious Monk and Herbie Nichols, a project on which he collaborated with the likes of Andrew Hill and Bobby Bradford. After teaming with Kenny Wollesen for the 1993 LP The Relative Value of Things, Goldberg resurfaced two years later with another New Klezmer Trio record, Melt Zonk Rewire; with the group Snorkel, he also contributed to 1996's Live at the Elbo Room. In 1998, Goldberg headlined no less than four new recordings -- Eight Phrases for Jefferson Rubin, Twelve Minor, Here by Now and What Comes Before. ---Jason Ankeny, All Music Guide |
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