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| Another Bag [Japan version] |
| James Moody |
japán
első megjelenés éve: 1962 |
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| (2005)
[ LIMITED ]
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CD |
| 8.458 Ft
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| 1. | The Day After
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| 2. | Sassy Lady
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| 3. | Ally, Pt. 1 & 2
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| 4. | Pleyel d' Jaime
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| 5. | Spastic
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| 6. | Menuet in C
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| 7. | Cup Bearers
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Jazz / Hard Bop
James Moody - Sax (Tenor), Sax (Alto), Flute
Another Bag vaults tenor saxophonist James Moody even further past his bop roots. Another in a series of collaborations with arranger and composer Tom McIntosh, its rich, deep sound is both fiercely cerebral and nakedly emotional. Paired with a superb group including pianist Kenny Barron, trumpeter Paul Serrano, trombonist John Avant, bassist Ernest Outlaw, and drummer Marshall Thompson, Moody creates a thoughtful interpretation of the emerging soul-jazz idiom that is both consciously hip yet surprisingly introspective. The music is both angular and accessible, bolstered by a clutch of clever, dynamic McIntosh melodies. ~ Jason Ankeny, All Music Guide
James Moody
Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: Mar 26, 1925 in Savannah, GA
Genre: Jazz
Styles: Bop, Hard Bop, Mainstream Jazz, Vocal Jazz
James Moody has been an institution in jazz since the late '40s, whether on tenor, flute, occasional alto, or yodelling his way through his "Moody's Mood for Love." After serving in the Air Force (1943-1946), he joined Dizzy Gillespie's bebop orchestra and began a lifelong friendship with the trumpeter. Moody toured Europe with Gillespie and then stayed overseas for several years, working with Miles Davis, Max Roach, and top European players. His 1949 recording of "I'm in the Mood for Love" in 1952 became a hit under the title of "Moody's Mood for Love" with classic vocalese lyrics written by Eddie Jefferson and a best-selling recording by King Pleasure. After returning to the U.S., Moody formed a septet that lasted for five years, recorded extensively for Prestige and Argo, took up the flute, and then from 1963-1968, was a member of Dizzy Gillespie's quintet. He worked in Las Vegas show bands during much of the 1970s before returning to jazz, playing occasionally with Gillespie, mostly working as a leader and recording with Lionel Hampton's Golden Men of Jazz. Moody, who has alternated between tenor (which he prefers) and alto throughout his career, has an original sound on both horns. He is also one of the best flutists in jazz. James Moody has recorded as a leader for Blue Note, Xanadu, Vogue, Prestige, EmArcy, Mercury, Argo, DJM, Milestone, Perception, MPS, Muse, Vanguard, and Novus.
---Scott Yanow, All Music Guide |
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