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| Hi-Fi Party |
| James Moody |
első megjelenés éve: 1955
47 perc |
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| (1991)
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CD |
Kérjen
árajánlatot! |
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| 1. | There Will Never Be Another You
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| 2. | Hard to Get
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| 3. | Disappointed
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| 4. | Big Ben
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| 5. | Little Ricky
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| 6. | Show Eyes
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| 7. | Little John
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| 8. | And You Called My Name
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| 9. | Jammin' With James [*]
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Jazz / Bop, Hard Bop
James Moody - Sax (Alto), Sax (Tenor)
Bob Parent Cover Design
Bob Weinstock Supervisor, Photography
Clarence Johnson - Drums
Dave Burns - Trumpet
Eddie Jefferson - Vocals
Ira Gitler Liner Notes
Jimmy Boyd Piano
John Lathan Bass
Numa Moore - Brass, Sax (Baritone)
Phil DeLancie Remastering, Digital Remastering
Ross Russell Liner Notes
Rudy Van Gelder Engineer
William Shepherd - Trombone
For a period in the mid-'50s, tenor saxophonist James Moody (who doubled on alto) was able to keep together a swinging septet that played bop in a fairly accessible way. On this CD reissue of two 1955 sessions, Moody and his group (which includes the fine trumpeter Dave Burns, trombonist William Shepherd, baritone Pee Wee Moore, pianist Jimmy Boyd, bassist John Lathan, and drummer Clarence Johnson) perform swinging versions of fairly obscure originals including the lengthy "Jammin' With James" (which has a long tradeoff between Moody and Burns), Benny Golson's "Big Ben," and "There Will Never Be Another You." The highpoint is Eddie Jefferson's one appearance, singing his alternate lyrics to Charlie Parker's famous solo on "Lady Be Good" which he renamed "Disappointed." ~ Scott Yanow, All Music Guide
James Moody
Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: Mar 26, 1925 in Savannah, GA
Genre: Jazz
Styles: Bop, Hard Bop, Mainstream Jazz, Vocal Jazz
James Moody has been an institution in jazz since the late '40s, whether on tenor, flute, occasional alto, or yodelling his way through his "Moody's Mood for Love." After serving in the Air Force (1943-1946), he joined Dizzy Gillespie's bebop orchestra and began a lifelong friendship with the trumpeter. Moody toured Europe with Gillespie and then stayed overseas for several years, working with Miles Davis, Max Roach, and top European players. His 1949 recording of "I'm in the Mood for Love" in 1952 became a hit under the title of "Moody's Mood for Love" with classic vocalese lyrics written by Eddie Jefferson and a best-selling recording by King Pleasure. After returning to the U.S., Moody formed a septet that lasted for five years, recorded extensively for Prestige and Argo, took up the flute, and then from 1963-1968, was a member of Dizzy Gillespie's quintet. He worked in Las Vegas show bands during much of the 1970s before returning to jazz, playing occasionally with Gillespie, mostly working as a leader and recording with Lionel Hampton's Golden Men of Jazz. Moody, who has alternated between tenor (which he prefers) and alto throughout his career, has an original sound on both horns. He is also one of the best flutists in jazz. James Moody has recorded as a leader for Blue Note, Xanadu, Vogue, Prestige, EmArcy, Mercury, Argo, DJM, Milestone, Perception, MPS, Muse, Vanguard, and Novus.
---Scott Yanow, All Music Guide |
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