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| What Comes After |
| Terje Rypdal |
| első megjelenés éve: 1973 |
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| (1989)
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CD |
Kérjen
árajánlatot! |
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| 1. | Bend It
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| 2. | Yearning
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| 3. | Icing
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| 4. | What Comes After
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| 5. | Séjours
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| 6. | Back Of J.
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Jazz / Avant-Garde, Fusion, Post-Bop
Recorded August 1973
Terje Rypdal guitars, flute
Barre Phillips basses
Jon Christensen percussion, organ
Erik Niord Larsen oboe, English horn
Sveinung Hovensjo electric bass
Terje Rypdal
Active Decades: '70s, '80s, '90s and '00s
Born: Aug 23, 1947 in Oslo, Norway
Genre: Jazz
Styles: Avant-Garde, Avant-Garde Jazz, Classical Crossover, Continental Jazz, Euro-Rock, European Folk, Fusion, Modern Composition, Modern Creative, Post-Bop
Terje Rypdal has long had an unusual style, mixing together elements more commonly found in new age and rock than in jazz; yet he is also an adventurous improviser. Associated with the ECM label since the early '70s, Rypdal's playing is definitely an acquired taste, using space and dense sounds in an unusual manner. Classically trained as a pianist, Rypdal was largely self-taught on guitar and originally most influenced by Jimi Hendrix. He attended Oslo University, where he was taught the Lydian chromatic concept of tonal organization by its author, George Russell. Rypdal played with Russell for a time and started an association with Jan Garbarek in the late '60s. He formed the group Odyssey in 1972, and has led various small groups since the mid-'70s. An important guitarist and composer in Norway, Terje Rypdal gained a cult following in the United States. He recorded steadily for ECM since 1972 (using such sidemen at times as Garbarek, pianist Bobo Stenson, trumpeter Palle Mikkelborg, bassist Miroslav Vitous, drummer Jack DeJohnette, and cellist David Darling). His two earlier sessions (for the Karusell label in 1968, and a notable 1969 Baden-Baden, Germany, concert put out by MPS) are more difficult to find.
---Scott Yanow, All Music Guide |
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