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| New New Orleans Jazz 1953 & 1955 |
| Wilbur de Paris, Sidney de Paris, Doc Cheatham, Omer Simeon, Don Kirkpatrick, Sonny White, Eddie Gibbs, Lee Blair, Nat Woodley, Wendell Marshall, Zutty Singleton, George Foster |
| első megjelenés éve: 2009 |
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| (2009)
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CD |
| 4.616 Ft
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| 1. | Madagascar
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| 2. | March of the Charcoal Grays
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| 3. | Mardi Gras Rag
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| 4. | Are You from Dixie
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| 5. | Hot Lips
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| 6. | Yama Yama Man
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| 7. | Flow Gently Sweet Afton
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| 8. | Milneberg Joys
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| 9. | I've Found a New Baby
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| 10. | The World Is Waiting for the Sunrise
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| 11. | Change of Key Boogie
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| 12. | In a Persian Market
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| 13. | Waiting for the Robert E. Lee
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| 14. | Bourbon Street Parade
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| 15. | Frankie and Johnny
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Jazz
Anne Bennett - Artwork
Charles Fox - Liner Notes
Doc Cheatham - Trumpet
Eddie Gibbs - Banjo
Lee Blair - Banjo
Liz Biddle - Executive Producer
Nathan Woodley - Bass
Omer Simeon - Clarinet
Sonny White - Piano
Wendell Marshall - Bass
Zutty Singleton - Drums
Two original LPs on one CD
Wilbur DeParis
Active Decades: '20s, '30s, '40s, '50s and '60s
Born: Jan 11, 1900 in Crawfordsville, IN
Died: Jan 03, 1973 in New York, NY
Genre: Jazz
Styles: Dixieland
Wilbur DeParis, an adequate soloist, was an excellent ensemble player and an important bandleader who helped keep New Orleans jazz alive in the 1950s. He started out on alto horn and in 1922 played C-melody sax while working with A.J. Piron before switching permanently to trombone. In 1925, DeParis led a band in Philadelphia and then had stints in the orchestras of Leroy Smith (1928), Dave Nelson, Noble Sissle, Edgar Hayes, Teddy Hill (1936-1937), the Mills Blue Rhythm Band, and Louis Armstrong (1937-1940). Not as well-known as his brother, the talented trumpet soloist Sidney DeParis, Wilbur was with Roy Eldridge's big band and Duke Ellington (1945-1947) and recorded with Sidney Bechet during 1949-1950. However, it was in 1951 when he put together a band to play at Ryan's that included his brother and clarinetist Omer Simeon that he found his niche. Wilbur DeParis' New New Orleans Jazz Band did not just play Dixieland standards but marches, pop tunes, and hymns, all turned into swinging and spirited jazz. Throughout the 1950s, the group recorded consistently exciting sets for Atlantic (all of which are unfortunately long out of print) and they were the resident band at Ryan's during 1951-1962, touring Africa in 1957. DeParis continued leading bands up until his death, but his last recordings were in 1961.
---Scott Yanow, All Music Guide |
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