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| Mosaic Select: Denny Zeitlin - The Columbia Studio Trio Sessions |
| Denny Zeitlin |
| első megjelenés éve: 2009 |
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| (2009)
[ LIMITED ]
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3 x CD |
| 19.250 Ft
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| 1. CD tartalma: |
| 1. | Repeat [A]
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| 2. | I-Thou [A]
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| 3. | Stonehenge [A]
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| 4. | Soon [A]
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| 5. | Nica's Tempo [A]
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| 6. | Cathexis [A]
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| 7. | 'Round Midnight [A]
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| 8. | Little Children, Don't Go Near That House [A]
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| 9. | Blue Phoenix: Part 1 [A]
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| 10. | Blue Phoenix : Part 2 [A]
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| 11. | Blue Phoenix : Part 3 [A]
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| 12. | Nica's Dream [A]
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| 13. | Requiem For Lili [A]
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| 14. | I Got Rhythm [B]
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| 2. CD tartalma: |
| 1. | Carole's Garden [B]
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| 2. | We'll Be Together Again [B]
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| 3. | Skippy-ing [B]
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| 4. | Once Upon A Summertime [B]
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| 5. | Carnival [B]
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| 6. | The Boy Next Door [B]
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| 7. | Minority [B]
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| 8. | After The War [B]
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| 9. | All The Things You Are [B]
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| 10. | The Decision [C]
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| 11. | The Journey Home [C]
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| 12. | Later [C]
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| 13. | Labyrinth [C]
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| 3. CD tartalma: |
| 1. | Living Alone [C]
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| 2. | Dormammu [D]
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| 3. | Put Your Little Foot Right Out [D]
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| 4. | The Hyde Street Run [D]
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| 5. | Here's That Rainy Day [D]
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| 6. | I Got Rhythm [D]
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| 7. | Maiden Voyage [D]
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| 8. | Offshore Breeze [C]
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| 9. | Night And Day [D]
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| 10. | Mirage: Part 1 [C]
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| 11. | Mirage: Part 2 [C]
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| 12. | Slipstream [D]
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| 13. | The Bells Of Solitude [D]
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| 14. | Western Thing [D]
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| 15. | Spring Is Here [D]
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Jazz
"Hey play that again...(later.) Yeah! He sounds like a piano player! (hums theme) ...and he can play it; you know what's happening with this one. Yeah, he was on a Bobby Timmons kick. He knows what's happening." - Thelonious Monk, Downbeat Blindfold Test, listening to Denny Zeitlin's LP "Carnival"
[A] CATHEXIS: Denny Zeitlin (p), Cecil McBee (b), Freddie Waits (d)
Columbia 30th Street Studio, NYC February 19, 1964
CO 81277 Nica's Dream unissued
CO 81278 Little Children, Don't Go Near That House CS 8982
CO 81279 Requiem For Lili unissued
CO 81281 Cathexis CS 8982
CO 81282 Nica's Tempo CS 8982
CO 81274 ‘Round Midnight CS 8982
CO 81275 I-Thou CS 8982
Same personnel
Columbia 30th Street Studio, NYC March 6, 1964
CO 81503 Soon CS 8982
CO 81504 Blue Phoenix CS 8982
CO 81280 Stonehenge CS 8982
CO 81276 Repeat CS 8982
[B] CARNIVAL: Denny Zeitlin (p), Charlie Haden (b), Jerry Granelli (d).
Columbia Studio A, LA, October 28, 1964
HCO 72111 Carole's Garden CS 9140
HCO 72112 We'll Be Together Again CS 9140
HCO 72113 All The Things You Are CS 9140
HCO 72114 Skippying CS 9140
Same personnel
Columbia Studio A, LA, October 29, 1964
HCO 72115 After The War CS 9140
HCO 72116 Quiet Now rejected
HCO 72117 The Boy Next Door CS 9140
HCO 72118 Carnival CS 9140
HCO 72119 I Got Rhythm unissued
HCO 72120 Once Upon A Summertime CS 9140
HCO 72121 Minority CS 9140
[C] ZEITGEIST: Denny Zeitlin (p), Charlie Haden (b), Jerry Granelli (d).
Columbia Studio A, LA, April 16, 1966
HCO 87774 Put Your Little Foot Right Out rejected
HCO 87775 Later unissued
HCO 87776 Offshore Breeze CS 9548
HCO 87777 Living Alone unissued
HCO 87778 Mirage CS 9548
Same personnel
Columbia Studio A, LA, April 17, 1966
HCO 87779 Some Other One rejected
HCO 87780 The Decision unissued
HCO 87781 The Journey Home unissued
HCO 87782 The Seven Things rejected
HCO 87783 Labyrinth unissued
[D] ZEITGEIST: Denny Zeitlin (p), Joe Halpin (b), Oliver Johnson (d).
Columbia Studio A, LA, March 18, 1967
CO 94618 Night And Day CS 9548
CO 94619 Maiden Voyage CS 9548
CO 94620 Put Your Little Foot Right Out CS 9548
CO 94621 Western Thing unissued
CO 94622 Slipstream unissued
CO 94624 Dormammu CS 9548
CO 94625 Put Your Little Foot Right Out (short version) rejected
CO 94626 The Hyde Street Run CS 9548
CO 94640 I Got Rhythm CS 9548
CO 94641 The Bells Of Solitude unissued
CO 94642 Here's That Rainy Day CS 9548
CO 94643 Spring Is Here (solo) unissued
Original sessions produced by John Hammond
Original recording engineer for session A: Fred Plaut
Produced for release by Richard Seidel and Denny Zeitlin
Executive producer: Michael Cuscuna
Remixed and mastered in 24 bit by Mark Wilder
Extraordianry Imagination And Technique
Remarkably, whether he's playing an impressionistic ballad, a hard bop classic or a free original, Denny Zeitlin sounds like no other. He has the technique and harmonic knowledge to execute anything his fertile imagination conjures up. His music resonates with joy and honesty.
Denny Zeitlin's first album, Cathexis, recorded in 1964 with Cecil McBee and Freddie Waits was an instant critical and commercial success with Zeitlin hailed as a new and original voice of the piano. Later in 1964, Denny assembled another amazing trio with Charlie Haden and Jerry Granelli and released the album Carnival. Zeitgeist was recorded over 1966 and '67 and documented the end of the trio with Haden and Granelli and the beginning of one with Joe Halpin and Oliver Johnson, two brilliant musicians who died young.
These three magnificent studio albums have been gathered into one Mosaic Select with 12 previously unissued tunes from the sessions. Denny flew to New York to select the unissued material and remix all the music from the original 3- and 4-track tapes with Mark Wilder. The sonic results are a dramatic improvement over the original LPs.
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"The Zeitlin trio...a stunning display of instrumental virtuosity, emotional depth, and musicality...Zeitlin's piano is impeccable...introspective, filled with joy, bitingly mocking, always intelligent and emotional." - Downbeat
"...among the few contemporary jazz pianists who have the imagination, discipline, and technique to rise above the competent but routine level that most of them appear willing to settle for." New York Times, John S. Wilson:
"(at the Monterey Jazz Festival) Denny Zeitlin topped his Newport triumph...pianist of the year...the most versatile young pianist to come to prominence in the early 1960's." Leonard Feather
"...I was again astounded by the breadth and depth of his imagination and expressiveness...Zeitlin is creating some of the most stimulating jazz of our time." San Francisco Examiner, Phillip Elwood
Denny Zeitlin
Active Decades: '60s, '70s, '80s, '90s and '00s
Born: Apr 10, 1938 in Chicago, IL
Genre: Jazz
Styles: Hard Bop, Post-Bop
Zeitlin has one of the more unusual "day gigs" for a jazz musician: he's a psychiatrist. Zeitlin's parents were involved in both music and medicine. They started him on the piano at age two; he continued to study classical music while in elementary school, then began playing jazz in high school. Zeitlin began playing professionally in and around his hometown of Chicago as a teenager. In college, he studied composition and theory with George Russell, Alexander Tcherepnin, and Robert Muczynski while simultaneously pursuing studies in medicine. While a student at Columbia University in New York City, Zeitlin auditioned for the legendary producer/talent scout John Hammond; Hammond was sufficiently impressed to produce several records by Zeitlin in the '60s.
After receiving his M.D. from Johns Hopkins University in 1964, Zeitlin relocated to the San Francisco Bay Area, where he worked as both a psychiatrist and musician; one of his trios in the mid-'60s included the bassist Charlie Haden. Zeitlin began experimenting with the prepared piano in the late '60s, which led to an interest in electronic keyboards. He quit playing in public for a time while developing his music further, re-emerging in the '70s playing a style that combined electronics with elements of jazz, classical, and rock. Zeitlin would go on to compose for film and television. His most notable soundtrack was written for director Philip Kaufman's 1978 remake of the sci-fi classic, Invasion of the Body Snatchers; he's also written original music for the children's program Sesame Street. Zeitlin has played with a great many prominent musicians, including Herbie Hancock, Pat Metheny, David Grisman, Paul Winter, and Joe Henderson. Zeitlin has recorded for Concord Records as part of their Live at Maybeck Recital Hall series of solo and duo performances. His albums are also available on the Intuition and Summit labels. Zeitlin has combined his professional interests in the form of a lecture-demonstration entitled "Unlocking the Creative Impulse: the Psychology of Improvisation," which he's presented across the U.S. and Europe.
---Chris Kelsey, All Music Guide |
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