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2 x CD |
| 4.270 Ft
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| 1. CD tartalma: |
| 1. | This Here
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| 2. | Dizzy's Business
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| 3. | Nardis
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| 4. | Things Are Getting Better
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| 5. | Jive Samba
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| 6. | Star Eyes
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| 7. | African Waltz
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| 8. | Know What I Mean?
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| 9. | Work Song
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| 2. CD tartalma: |
| 1. | Dat Dere [*]
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| 2. | Airegin [*]
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| 3. | Soft Winds [*]
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| 4. | My Foolish Heart [*]
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| 5. | Desafinado [*]
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| 6. | Thermo [*]
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| 7. | Bemsha Swing [*]
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| 8. | Bohemia After Dark [*]
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Jazz / Soul-Jazz, Hard Bop
Cannonball Adderley - Sax (Alto)
Abbey Ann Project Assistant
Arnett Sparrow Trombone
Art Blakey Drums
Arthur Clarke Sax (Baritone)
Bill Belmont Project Assistant
Bill Evans Piano
Blue Mitchell Trumpet
Bobby Timmons Piano
Chris Clough Project Assistant
Clark Terry Trumpet
Connie Kay Drums
Don Butterfield Tuba
Ernie Royal Trumpet
Ernie Wilkins Conductor, Arranger
George Dorsey Flute, Sax (Alto)
George Matthews Trombone
Jamie Putnam Art Direction
Jerome Richardson Sax (Tenor), Flute
Jimmy Cleveland Trombone
Joe Newman Quartet Trumpet
Joe Tarantino Remastering
Joe Zawinul Piano
Louis Hayes Drums
Michael Olatunji African Drums
Milt Jackson Vibraphone
Nat Adderley Cornet, Trumpet
Nick Phillips Compilation Producer
Oliver Nelson Sax (Tenor), Flute
Orrin Keepnews Original Recording Producer
Paul Faulise Trombone
Percy Heath Bass
Philly Joe Jones Drums
Rikka Arnold Project Assistant
Sam "Stovepipe No. 1" Jones Bass
Steve Schapiro Photography
Ted Panken Liner Notes
Victor Feldman Vibraphone
Wendy Nyquist Sherman Design
Wynton Kelly Piano
Yusef Lateef Sax (Tenor)
Riverside Profiles contains previously released tracks taken from the alto saxophonist and bandleader's stint with the label from 1959 to 1963. The nine tracks, aimed at the casual listener, include the classics "This Here," "Dizzy's Business," "Jive Samba," "Work Song," and "African Waltz." Cannonball Adderley is backed by an extraordinary roster of jazz musicians, including cornetist brother Nat Adderley; saxophonists Yusef Lateef and Oliver Nelson; trumpeter Blue Mitchell; pianists Bobby Timmons, Bill Evans, and Barry Harris; bassist Sam Jones; and drummers Art Blakey, Philly Joe Jones, and Louis Hayes. The stellar band lineups and musicianship make this an excellent sampler for the novice. For a limited time, the first pressings in this series include a free bonus compilation CD of Riverside artists. ~ Al Campbell, All Music Guide
Cannonball Adderley
Active Decades: '50s, '60s and '70s
Born: Sep 15, 1928 in Tampa, FL
Died: Aug 08, 1975 in Gary, IN
Genre: Jazz
Styles: Soul-Jazz, Hard Bop
One of the great alto saxophonists, Cannonball Adderley had an exuberant and happy sound that communicated immediately to listeners. His intelligent presentation of his music (often explaining what he and his musicians were going to play) helped make him one of the most popular of all jazzmen.
Adderley already had an established career as a high school band director in Florida when, during a 1955 visit to New York, he was persuaded to sit in with Oscar Pettiford's group at the Cafe Bohemia. His playing created such a sensation that he was soon signed to Savoy and persuaded to play jazz full-time in New York. With his younger brother, cornetist Nat, Cannonball formed a quintet that struggled until its breakup in 1957. Adderley then joined Miles Davis, forming part of his super sextet with John Coltrane and participating on such classic recordings as Milestones and Kind of Blue. Adderley's second attempt to form a quintet with his brother was much more successful for, in 1959, with pianist Bobby Timmons, he had a hit recording of "This Here." From then on, Cannonball always was able to work steadily with his band.
During its Riverside years (1959-1963), the Adderley Quintet primarily played soulful renditions of hard bop and Cannonball really excelled in the straight-ahead settings. During 1962-1963, Yusef Lateef made the group a sextet and pianist Joe Zawinul was an important new member. The collapse of Riverside resulted in Adderley signing with Capitol and his recordings became gradually more commercial. Charles Lloyd was in Lateef's place for a year (with less success) and then with his departure the group went back to being a quintet. Zawinul's 1966 composition "Mercy, Mercy, Mercy" was a huge hit for the group, Adderley started doubling on soprano, and the quintet's later recordings emphasized long melody statements, funky rhythms, and electronics. However, during his last year, Cannonball Adderley was revisiting the past a bit and on Phenix he recorded new versions of many of his earlier numbers. But before he could evolve his music any further, Cannonball Adderley died suddenly from a stroke.
---Scott Yanow, All Music Guide |
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