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4.901 Ft
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1. | Broadway
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2. | Farouk
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3. | Telegraph
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4. | Don't Blame Me
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5. | Marie
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6. | A Misty One
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7. | Save Your Love For Me
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8. | Lock-Up
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9. | Street Of Dreams
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10. | Swingin' Until The Girls Come Home
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11. | Jack And Jill (*)
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12. | Bread (*)
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13. | Paradise Squad (*)
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14. | Bootsie (*)
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15. | Blues For The Count And Oscar (*)
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16. | Fancy Meeting You (*)
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17. | Little Pony (*)
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18. | Whirly Bird (*)
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Jazz
Tracks #1-4, 6-7, 9-10 from the 12" album "Count Basie Presents The Eddie Davis Trio + Joe Newman" (Roulete SR-52007). Track #5 from the 12" Roulette/Vogue LDM-30123. Track #8 not in the original album. Tracks #11-15 taken from the 12" album "Paradise Squat" (Verve VE2-2542). Tracks #16-17 from radio broadcast, live at Birdland, New York City. Track #18 from radio broadcast, live at L'Olympia, Paris.
Tracks #1-10: Recorded in New York City, December 17-19, 1957 Eddie “Lockjaw" Davis (ts) Count Basie (p), Shirley Scott (org), Joe Newman (tp), George Duvivier (b) and Butch Ballard (d)
Tracks #11-14 Recorded in New York City, July 22, 1952 [#11-13], July 26, 1952 [#14] Count Basie & His Orchestra featuring Eddie "Lockjaw" Davis: Count Basie (p, org), Eddie "Lockjaw" Davis (ts), Paul Campbell, Joe Newman, Wendell Culley, Reunald Jones (tp), Henry Coker, Benny Powell, Jimmy Wilkins (tb), Marshal Royal (cl, as), Ernie Wilkins (as, ts), Paul Quinichette (ts), Charlie Fowlkes (bs), Freddie Green (g), Jimmy Lewis, Ray Brown (b) and Gus Johnson (d)
Track #15 Recorded in New York City, on July 26, 1952 Count Basie All-Star Septet: Paul Quinichette, Eddie "Lockjaw" Davis (ts), Oscar Peterson (p), Count Basie (org), Ray Brown (b), Freddie Green (g) and Gus Johnson (d)
Tracks #16-17 Live at Birdland, New York City, July 29, 1952 [#16], July 31, 1952 [#17] Count Basie & His Orchestra featuring Eddie "Lockjaw" Davis: Count Basie (p), Eddie "Lockjaw" Davis (ts), Paul Campbell, Joe Newman, Wendell Culley, Reunald Jones (tp), Henry Coker, Benny Powell, Jimmy Wilkins (tb), Marshal Royal (cl, as), Ernie Wilkins (as, ts), Paul Quinichette (ts), Charlie Fowlkes (bs), Freddie Green (g), Jimmy Lewis (b) and Gus Johnson (d)
Track #18 Live at L'Olympia, Paris, November 12, 1957 Count Basie & His Orchestra featuring Eddie "Lockjaw" Davis: Count Basie (p), Eddie "Lockjaw" Davis (ts), Thad Jones, Joe Newman, Snooky Young, Wendell Culley (tp), Henry Coker, Al Grey, Benny Powell (tb), Marshal Royal (as), Frank Wess, Frank Foster (ts), Charlie Fowlkes (bs), Freddie Green (g), Eddie Jones (b) and Sonny Payne (d)
Eddie "Lockjaw" Davis (1922-1985) has always been one of the super top tenor players in jazz. From the beginning he had his unique sound and way to improvise, and an original, immediately identifiable tenor tone. This CD is special for several reasons. The first part is a session that Count Basie produced in 1957 for "Lockjaw" with another Basie alumnus, the great trumpeter Joe Newman. What makes this album unusually interesting is that Basie plays the piano while Shirley Scott plays the organ. To complete this CD, a special compilation has been added eight little-known recordings of tunes when Basie was featuring "Lockjaw" in his big band (1952-1957) which show that the pair were simply destined for each other musically in one of the historic comings-together in jazz.
"After recording extensively for the R&B King label during 1955-57, tenor saxophonist Eddie Lockjaw Davis made a jazz-oriented set for Roulette that was presented by Count Basie. Last put out by the French Vogue label on a 1984 LP, this set features the tough-toned tenor with organist Shirley Scott, bassist George Duvivier, drummer Butch Ballard and (on the majority of the tracks) trumpeter Joe Newman and pianist Count Basie himself. Not too surprisingly, the music swings and the mixture of swing standards (such as "Broadway" and "Street of Dreams") and basic originals bring out the best in these fine players." ---Scott Yanow -All Music Guide
Eddie "Lockjaw" Davis
Active Decades: '40s, '50s, '60s, '70s and '80s Born: Mar 02, 1922 in New York, NY Died: Nov 03, 1986 in Culver City, CA Genre: Jazz Styles: Bop, Hard Bop, Latin Jazz, Soul-Jazz, Swing
Possessor of a cutting and immediately identifiable tough tenor tone, Eddie "Lockjaw" Davis could hold his own in a saxophone battle with anyone. Early on, he picked up experience playing with the bands of Cootie Williams (1942-1944), Lucky Millinder, Andy Kirk (1945-1946), and Louis Armstrong. He began heading his own groups from 1946 and Davis' earliest recordings as a leader tended to be explosive R&B affairs with plenty of screaming from his horn; he matched wits successfully with Fats Navarro on one session. Davis was with Count Basie's Orchestra on several occasional (including 1952-1953, 1957, and 1964-1973) and teamed up with Shirley Scott's trio during 1955-1960. During 1960-1962, he collaborated in some exciting performances and recordings with Johnny Griffin, a fellow tenor who was just as combative as Davis. After temporarily retiring to become a booking agent (1963-1964), Davis rejoined Basie. In his later years, Lockjaw often recorded with Harry "Sweets" Edison and he remained a busy soloist up until his death. Through the decades, he recorded as a leader for many labels, including Savoy, Apollo, Roost, King, Roulette, Prestige/Jazzland/Moodsville, RCA, Storyville, MPS, Black & Blue, Spotlite, SteepleChase, Pablo, Muse, and Enja. ---Scott Yanow, All Music Guide |
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