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Kérjen
árajánlatot! |
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| 1. | Naima
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| 2. | A Little Quiet
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| 3. | Tears of Ole Miss (Anatomy of a Riot)
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Jazz / Post-Bop
John Handy - Sax (Alto), Sax (Tenor)
Albert Stinson Bass
Bobby Hutcherson Vibraphone
Donald Elfman Producer, Reissue Producer, Liner Notes
Doug Sides Drums
Edward T. Graham Engineer
John Hammond, Sr. Producer
Ken Robertson Mixing
Pat Martino Guitar
Russ Payne Engineer
Thomas Molesky Reissue Design, Design
Altoist John Handy's 1967 quintet included vibraphonist Bobby Hutcherson, the up and coming guitarist Pat Martino, bassist Albert Stinson and drummer Doug Sides. They really stretch out on three pieces (John Coltrane's "Naima" and an original), and New View is highlighted by Handy's emotional and episodic "Tears of Ole Miss (Anatomy of a Riot)," which clocks in at 23:45. The inside/outside music is quite picturesque, emotional, and ultimately logical. It is a pity that John Handy did not make more of an impact on the mainstream of jazz, but his three Columbia studio albums still sound fresh decades later. ~ Scott Yanow, All Music Guide
John Handy
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Feb 03, 1933 in Dallas, TX
Genre: Jazz
Styles: Crossover Jazz, Indian Folk, Modal Music, Post-Bop, World Fusion
A talented and adventurous altoist whose career has gone through several phases, John Handy started playing alto in 1949. After moving to New York in 1958, he had a fiery period with Charles Mingus (1958-1959) that resulted in several passionate recordings that show off his originality; he also recorded several dates as a leader for Roulette. Handy led his own bands during 1959-1964, and played with Mingus at the 1964 Monterey Jazz Festival, but it was at the following year's festival that he was a major hit, stretching out with his quintet (which included violinist Michael White and guitarist Jerry Hahn) on two long originals. Soon, Handy was signed to Columbia, where he recorded his finest work (three excellent albums) during 1966-1968. Since that time, he has performed world music with Ali Akbar Khan, recorded the R&B hit "Hard Work" for Impulse in 1976, gigged and recorded with Mingus Dynasty, and in the late '80s led a group (called Class) featuring three female violinists who sing. John Handy (no relation to the Dixieland altoist Capt. John Handy) remains a strong soloist who can hit high notes way above his horn's normal register with ease, but he has mostly maintained a low profile, teaching in the San Francisco Bay Area.
---Scott Yanow, All Music Guide |
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