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| 6.537 Ft
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| 1. | Sweet Georgia Brown
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| 2. | Meditation
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| 3. | That&
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| 4. | Lady Be Good
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| 5. | This Masquerade
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| 6. | Georgia On My Mind
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Jazz / Soul-Jazz
Gene Harris - Piano
Andrew Clyendert Bass
Jim Mullen Guitar
Martin Drew Drums
Lured out of retirement by bassist Ray Brown after taking extensive time off from the road, pianist Gene Harris recorded extensively from the mid-'80s until shortly before his untimely death in early 2000. This is the second Resonance CD to come from a 1996 engagement at London's Pizza Express, features the pianist with a group of European musicians (Scottish guitarist Jim Mullen plus two Englishmen, bassist Andrew Clyendert and drummer Martin Drew, the latter of whom worked extensively with Oscar Peterson). While they had not played together prior to this engagement, they are very much on the same wavelength. "Sweet Georgia Brown" opens softly, with Mullen showing a funky touch, but as the piece develops Harris takes hold with his driving soulful technique. The breezy setting of Antonio Carlos Jobim's bossa nova "Meditation" sounds like the musicians have spent a lot of time in Rio de Janeiro, swinging it with boundless energy. Harris injects a good deal of humor into his bluesy take of the standard "Lady Be Good," with ample use of tremolo. The set closes with a rollicking, blues-drenched interpretation of "Georgia on My Mind" (which Mullen manages to fill with hilarious quotes, including John Philip Souza's "The Stars and Stripes Forever") that must have left the audience begging for more. One can only hope more music from this booking emerges on Resonance in the near future. ~ Ken Dryden, All Music Guide
Gene Harris
Active Decades: '60s, '70s, '80s and '90s
Born: Sep 01, 1933 in Benton Harbor, MI
Died: Jan 16, 2000 in Boise, ID
Genre: Jazz
Styles: Soul Jazz, Post-Bop, Jazz Blues, Mainstream Jazz, Jazz Instrument, Piano Jazz
One of the most accessible of all jazz pianists, Gene Harris' soulful style (influenced by Oscar Peterson and containing the blues-iness of a Junior Mance) was immediately likable and predictably excellent. After playing in an Army band (1951-1954), he formed a trio with bassist Andy Simpkins and drummer Bill Dowdy which was, by 1956, known as the Three Sounds. The group was quite popular, and recorded regularly during 1956-1970 for Blue Note and Verve. Although the personnel changed and the music became more R&B-oriented in the early '70s, Harris retained the Three Sounds name for his later Blue Note sets. He retired to Boise, ID, in 1977, and was largely forgotten when Ray Brown persuaded him to return to the spotlight in the early '80s. Harris worked for a time with the Ray Brown Trio and led his own quartets in the years to follow, recording regularly for Concord and heading the Phillip Morris Superband on a few tours; 1998's Tribute to Count Basie even earned a Grammy nomination. While awaiting a kidney transplant, he died on January 16, 2000, at the age of 66.
---Scott Yanow, All Music Guide |
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