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| 4.391 Ft
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| 1. | Nymphialiadae
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| 2. | Danadiae
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| 3. | Mexican Yello
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| 4. | Buckeye
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| 5. | Clodius Parnassus
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| 6. | Long Dash Skipper
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| 7. | Tick Talk Flea Mart
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| 8. | Lacewing Invasion of Nova Scotia
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| 9. | Reward
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| 10. | Paris Swallowtail
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| 11. | Danadie
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| 12. | Hesperidae
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| 13. | Papilonidae
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| 14. | Ithomia-Like Metal Mark
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| 15. | Mexican Yello/Tick Talk Flea Mart
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Jazz / Experimental, Art Rock
Ashley "Rider" Adams Double Bass
Brian Ritchie Bass (Acoustic), Guitar (Baritone)
Carla Kihlstedt Violin
Dan Plonsey Sax (Soprano), Stunt Coordinator, Bass (Electric), Clarinet, Sax (Alto), Oboe, Sax (Tenor)
Ellery Eskelin Sax (Tenor)
Garth Powell Percussion
Jacques Palinckx Guitar (Electric)
Jeff Kaiser Euphonium, Trumpet
Jeff Sipe Percussion
Leonid Soybelman Amplifiers, Guitar (Baritone)
Lukas Simonis Guitar (Electric)
Lynn Johnston Contrabass, Clarinet
Rob Mallard Sax (Tenor)
Western Party Performer
Dr. Chadbourne continues his research of the world of insects.
We've had worms, ants and termites, and now we are into butterflies.
Fourteen musicians are running around Dr. Chadbourne's Butterfly Garden waving nets and performing fifteen pieces, recorded and spliced together by the Doctor himself.
Notes by Dr. Chadbourne.
Another in Chadbourne's infamous "insect" series, this may be the jazziest yet of the fine Doctor's work. This recording is actually a compilation of tracks during the span of slightly more than a year. While Chadbourne is the unifying factor, there are an additional 15 musicians (including tenor saxophonist Ellery Eskelin, percussionists Garth Powell and Gino Robair, and saxophonist Dan Plonsey) who pop up from time to time. Chadbourne plays acoustic and electric guitars, Dobro, and five-string banjo, and his jazz roots are clearly evident. Still, as with all his recordings, the results are off-kilter, with overdubs, superimposed excerpts, and turntables adding to the mix. Chadbourne fans should be pleased with the variety, goofiness, genre-bashing, and off-the-wall humor. Others should find this never less than fascinating. ~ Steve Loewy, All Music Guide
Eugene Chadbourne
Active Decades: '70s, '80s, '90s and '00s
Born: Jan 04, 1954 in Mount Vernon, NY
Genre: Avntg
Styles: Fusion, Experimental, Avant-Garde Jazz, Art Rock
A seemingly endless -- and endlessly eclectic -- series of releases made the innovative guitarist Eugene Chadbourne one of the underground community's most well-known and well-regarded eccentrics. Born January 4, 1954 in Mount Vernon, NY, Chadbourne was raised in Boulder, CO, by his mother, a refugee of the Nazi death camps. At the age of 11, the Beatles inspired him to learn guitar; later exposure to Jimi Hendrix prompted him to begin experimenting with distortion pedals and fuzzboxes. Ultimately, however, he became dissatisfied with the conventions of rock and pop, and traded in his electric guitar for an acoustic one, on which he began to learn to play bottleneck blues.
Perhaps Chadbourne's most significant formative discovery was jazz; initially drawn to John Coltrane and Roland Kirk, he later became an acolyte of the avant excursions of Derek Bailey and Anthony Braxton. Despite the huge influence music exerted over his life, however, Chadbourne first studied to become a journalist, but his career was derailed when he fled to Canada rather than fight in Vietnam; only President Jimmy Carter's declaration of amnesty for conscientious objectors allowed the vociferously left-wing Chadbourne to return to the U.S. in 1976, at which time he plunged headlong into the New York downtown music scene. After releasing his 1976 debut, Solo Acoustic Guitar, he began collaborating on purely improvisational music with the visionary saxophonist John Zorn and the acclaimed guitarist Henry Kaiser.
Quickly, Chadbourne carved out a singular style, comprised of equal parts protest music, free improvisation, and avant-garde jazz, topped off with his absurd, squeaky vocals. A complete list of Chadbourne's countless subsequent collaborations and genre workouts is far too lengthy and detailed to exhaustively document, although in the early '80s he garnered some of his first significant attention as the frontman of Shockabilly, a demented rockabilly revisionist outfit which also featured the well-known producer Kramer. Following the group's breakup, Chadbourne turned to his own idiosyncratic brand of country and folk, accurately dubbed LSD C&W on a 1987 release, the same year he joined the members of Camper Van Beethoven for a one-off covers project. In addition, he recorded with artists ranging from Fred Frith and Elliott Sharp to Evan Johns and Jimmy Carl Black, the original drummer in the Mothers of Invention; in between, he continued exploring unique styles inspired by music from the four corners of the globe, all the while issuing a seemingly innumerable string of records, most of them on his own Parachute label.
---Jason Ankeny, All Music Guide |
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