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| 6.211 Ft
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| 1. | Live & Remix 1
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| 2. | Live 1
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| 3. | Live & Remix 2
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| 4. | Live & Remix 3
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| 5. | Live & Remix 4
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| 6. | Live 2
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| 7. | Live & Remix 5
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Jazz
Recorded live at Central House of Artists, Moscow on November 5, 1996
Kenny Millions (a.k.a. Keshavan Maslak): sax, clarinet, miniature guitar, voice
Otomo Yoshihide: turntables, electronics, samplers
All music by Kenny Millions and Otomo Yoshihide
Edited and Remixed by Otomo Yoshihide at A-102 Studio, Tokyo in February and March 1998
Mastered by Sergey Zagni in Moscow, April 1998
Design: Igor Gurovich
Produced by Nick Dmitriev
Includes liner notes in English and Russian by Nick Dmitriev and Kenny Millions
Otomo Yoshihide
Active Decades: '90s and '00s
Born: Aug 01, 1959 in Yokohama, Japan
Genre: Avntg
Styles: Ambient, Avant-Garde Jazz, Electronica, Experimental, Free Improvisation, Japanese Rock, Microsound, Noise, Opera, Sound Art, Structured Improvisation
Improvisational guitarist, turntablist and composer Otomo Yoshihide was born August 1, 1959 in Yokohama, Japan; the son of an engineer, as a child he built his own radio and electronic oscillator, and as a teen began creating sound collages by means of open-reel tape recorders. During high school, Yoshihide performed in a local rock band before moving on to free jazz, influenced primarily by saxophonist Kaoru Abe and guitarist Masayuki Takayanagi; while a university student, he also became fascinated with ethnic music, and in 1981 traveled to Hainan, China to research the area's musical culture. Upon returning to Tokyo, Yoshihide began regularly performing free improvisation sets at the local Goodman club, although he maintained a relatively low profile until 1987, when he appeared in a duo with saxophonist Junji Hirose in addition to concurrent stints in the bands No Problem and ORT. In 1990, Yoshihide joined bassist Kato Hideki's group Player Piano and also formed his own noise rock group, Ground Zero. From 1992 to 1994, he also led the Double Unit Orchestra. Other Yoshihide-helmed groups of the period included Mosquito Paper and Sampling Virus Project; following the 1998 dissolution of Ground Zero, his work moved increasingly towards minimalism in projects including I.S.O. and Filament.
---Jason Ankeny, All Music Guide |
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