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Jazz Bunker
Han Bennink, Eugene Chadbourne, Toshinori Kondo
első megjelenés éve: 1980
94 perc
(2000)

2 x CD
6.001 Ft 

 

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1. CD tartalma:
1.  Jazz Bunker [Version 1]
 
2. CD tartalma:
1.  Jazz Bunker [Version 2]
Jazz / Free Jazz, Avant-Garde Jazz, Free Improvisation

Recorded in February 1980 at the Jazz Bunker, Rotterdam, Holland.

Han Bennink, drums, piano, tenor saxophone, soprano saxophone, Bb clarinet, trombone, harmonica, voice
Eugene Chadbourne, electric Epiphone guitar, acoustic steel bodied dobro guitar, piano, voice, personal effects
Toshinori Kondo, trumpet, two different Euphoniums, Pignose amplifier, percussion, voice

Design and artwork (front cover reproduced above) by Lora Denis.
Leo Feigin Producer
Lora Denis Artwork, Design
Stan Wijnans Engineer
Tim Morozzo Photography

A double CD recorded live at the Rotterdam's Jazz Bunker in 1980.

This is the first gig that the youngsters Eugene Chadbourne and Toshinori Kondo played with the veteran of the new music scene - Han Bennink - who recorded with Eric Dolphy almost twenty years earlier.

Apart from playing their usual instruments, this CD is a unique opportunity to hear Han Bennink on tenor and soprano saxophones as well as trombone and piano. Eugene Chadbourne tries his hand on piano aswell.

Powerful, crazy, hilarious! They even hit the be-bop once or twice.

The total times are: Disc 1 - 47'13 and Disc 2 - 46'49


Featuring a trio of Dutch drummer Han Bennink, American electric guitarist Eugene Chadbourne, and Japanese trumpeter Toshinori Kondo, this double CD promises a bit more than it delivers. Nonetheless, it is an absolutely fascinating exposition of free jazz. Recorded live in Holland (in less than high fidelity), the three musicians fly high, with more than a dozen different instruments represented. Just the chance to hear Han Bennink play piano, tenor and soprano saxophones, clarinet, trombone, and harmonica is alone worth the price of the CDs. His skills should surprise more than a few of his admirers. Fans of Chadbourne can expect his usual silliness, along with some tasty string work. Kondo adds a couple of euphoniums to his usual virtuoso trumpet work, and the whole conglomeration is outrageously wild. While sometimes it all seems somewhat anarchic, there are nonetheless plenty of rewarding moments. ~ Steven Loewy, All Music Guide

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