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4 x CD |
| 6.600 Ft
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| 1. CD tartalma: |
| 1. | Background Music
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| 2. | You Don't Know What Love Is
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| 3. | April
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| 4. | Kary's Trance
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| 5. | Subconscious Lee
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| 6. | Back Home
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| 7. | Blues by Lester
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| 8. | You Stepped Out of a Dream
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| 9. | Lennie Bird
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| 2. CD tartalma: |
| 1. | Just Friends
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| 2. | Little Willie Leaps
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| 3. | Old Folks
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| 4. | Au Privave
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| 5. | Wow
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| 6. | Kary's Trance
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| 7. | Foolin' Myself
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| 8. | Sound-Lee
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| 9. | Chi-Chi
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| 10. | Two Part Invention No. 1, Allegro
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| 11. | Two Not One
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| 12. | Darn That Dream
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| 3. CD tartalma: |
| 1. | 317 East 32nd. Street
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| 2. | Two Part Invention No. 13 Allegro Tranquillo
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| 3. | April
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| 4. | Everything Happens to Me
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| 5. | Blues In G Flat
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| 6. | After You've Gone
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| 7. | The Song Is You
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| 8. | Lennie Bird
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| 9. | It's You or No One
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| 10. | God Bless the Child
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| 11. | The Way You Look Tonight
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| 12. | Without a Song
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| 13. | Be My Love
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| 4. CD tartalma: |
| 1. | You Don't Know What Love Is
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| 2. | Lennie Bird
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| 3. | Confirmation
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| 4. | I Can't Give You Anything But Love
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| 5. | Without a Song
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| 6. | Just One of Those Things
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| 7. | All The Things You Are
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| 8. | I Should Care
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| 9. | The More I See You
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| 10. | When You're Smiling
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| 11. | Taking a Chance on Love
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| 12. | Little Willie Leaps
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| 13. | Everytime We Say Goodbye
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| 14. | I Want to Be Happy
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Jazz
They played with the Danish musicians Ole Kock Hansen (p) Niels-Henning Orsted Pedersen (b) and Alex Riel (dr) and for the later sessions with Dave Cliff (g) Peter Ind (b)
And Alan Lewitt (dr)
December 1975 was a busy month for Warne Marsh and Lee Konitz. It was Warne Marsh s first visit to Europe.
They played December 3,4 & 5 at the Montmartre in Copenhagen and came back the 27th and played yet another concert at the Montmartre. They were at Rosenberg studio December 28 and 29 for further recordings. All dates were recorded and the result can be heard on this 4 CD box.
It is amazing music from the two Lennie Tristano pupils .
Alun Morgan Liner Notes
Anders Stefansen Set Production
Arnvid Meyer Producer
Art Van Kamhusene Layout
Gorm Valentin Photography
Hans Nielsen Engineer
Ivar Rosenberg Engineer
Warne Marsh
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Oct 26, 1927 in Los Angeles, CA
Died: Dec 18, 1987 in Hollywood, CA
Genre: Jazz
Styles: Cool, Jazz Instrument, Saxophone Jazz
Along with Lee Konitz, Warne Marsh was the most successful "pupil" of Lennie Tristano and, unlike Konitz, Marsh spent most of his career exploring chordal improvisation the Tristano way. The cool-toned tenor played with Hoagy Carmichael's Teenagers during 1944-1945 and then after the Army, he was with Buddy Rich (1948) before working with Lennie Tristano (1949-1952). His recordings with Tristano and Konitz still sound remarkable today with unisons that make the two horns sound like one. Marsh had occasional reunions with Konitz and Tristano through the years, spent periods outside of music, and stayed true to his musical goals. He moved to Los Angeles in 1966 and worked with Supersax during 1972-1977, also filling in time teaching. Marsh, who collapsed and died on stage at the legendary Donte's club in 1987 while playing "Out of Nowhere," is now considered legendary. He recorded as a leader for Xanadu, Imperial, Kapp, Mode (reissued on V.S.O.P.), Atlantic, Wave, Storyville, Revelation, Interplay, Criss Cross, and Hot Club.
--- Scott Yanow, All Music Guide
Lee Konitz
Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: Oct 13, 1927 in Chicago, IL
Genre: Jazz
Styles: Modern Creative, Cool, Post-Bop, Jazz Instrument, Saxophone Jazz, Trumpet Jazz
One of the most individual of all altoists (and one of the few in the 1950s who did not sound like a cousin of Charlie Parker), the cool-toned Lee Konitz has always had a strong musical curiosity that has led him to consistently take chances and stretch himself, usually quite successfully. Early on he studied clarinet, switched to alto, and played with Jerry Wald. Konitz gained some attention for his solos with Claude Thornhill's Orchestra (1947). He began studying with Lennie Tristano, who had a big influence on his conception and approach to improvising. Konitz was with Miles Davis's Birth of the Cool Nonet during their one gig and their Capitol recordings (1948-1950) and recorded with Lennie Tristano's innovative sextet (1949), including the first two free improvisations ever documented. Konitz blended very well with Warne Marsh's tenor (their unisons on "Wow" are miraculous) and would have several reunions with both Tristano and Marsh through the years, but he was also interested in finding his own way; by the early '50s he started breaking away from the Tristano school. Konitz toured Scandinavia (1951), where his cool sound was influential, and he fit in surprisingly well with Stan Kenton's Orchestra (1952-1954), being featured on many charts by Bill Holman and Bill Russo. Konitz was primarily a leader from that point on. He almost retired from music in the early '60s but re-emerged a few years later. His recordings have ranged from cool bop to thoughtful free improvisations, and his Milestone set of Duets (1967) is a classic. In the late '70s Konitz led a notable nonet and in 1992 he won the prestigious Jazzpar Prize. He kept a busy release schedule throughout the '90s and dabbled in the world of classical with 2000's French Impressionist Music from the Turn of the Twentieth Century. The Mark Masters Ensemble joined him for 2004's One Day with Lee. And in 2007 he recorded Portology with the Ohad Talmor Big Band. He has recorded on soprano and tenor but has mostly stuck to his distinctive alto.Konitz has led consistently stimulating sessions for many labels, including Prestige, Dragon, Pacific Jazz, Vogue, Storyville, Atlantic, Verve, Wave, Milestone, MPS, Polydor, Bellaphon, SteepleChase, Sonet, Groove Merchant, Roulette, Progressive, Choice, IAI, Chiaroscuro, Circle, Black Lion, Soul Note, Storyville, Evidence, and Philogy.
--- Scott Yanow, All Music Guide |
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