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2 x CD |
| 4.901 Ft
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| 1. CD tartalma: |
| 1. | Move
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| 2. | Tenderly
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| 3. | Dear Old Stockholm
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| 4. | Bye Bye Blackbird
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| 5. | In A Sentimental Mood
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| 6. | Blue Capers
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| 2. CD tartalma: |
| 1. | Tenderly
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| 2. | Move
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| 3. | Bye Bye Blackbird
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| 4. | In A Sentimental Mood
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| 5. | Blue Capers
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| 6. | Smile *
Ulf Wakenius solo
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| 7. | Interviews with bandmembers *
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Jazz
Recorded and filmed live at Jazzclub Nefertiti, Gothenburg, Sweden December 7, 2007
Scott Hamilton (tenor sax)
Ulf Wakenius (guitar); Jan Lundgren (piano); Jesper Bodilsen (bass); Kristian Leth (drums)
Includes a DVD of the concert as well as the CD.
Disc 1: CD - 59:33 min.
Disc 2: DVD - 73:31 min.
Jazz isn't always about breaking new ground in terms of sound and genre. It's just as important to preserve the music of the masters, and nobody carries the torch of tradition more elegantly than tenor saxophonist Scott Hamilton. His heroes include Ben Webster, Coleman Hawkins and Lester Young-in short, the founding fathers of swing saxophone playing.
Paradoxically, Hamilton was something of a rare bird when he first emerged on the scene back in the seventies because of his emphasis on pre-modern jazz in an age of high-tech fusion. However, Hamilton stuck to his trade and throughout the years, he has steadily released a stream of delightful records on the renowned Concord Records. The release of Live at Nefertiti finds the saxophonist dipping into unknown waters, though not in terms of genre, where he's still swinging as strong as ever, Rather, his new course is in the shape of a new Scandinavian group gathered by Danish drummer Kristian Leth.
The Scandinavian Five features two Swedish aces, pianist Jan Lundgren and guitarist Ulf Wakenius, with Leth and Danish bassist Jesper Bodilsen rounding out the group. They are a stellar team that brings shimmer and depth to the recording whose intimacy is further enhanced by the live setting of the Swedish club Nefertiti.
Denzil Best's "Move" heats things up from the beginning with Hamilton's honking saxophone and a lightning-fast guitar solo from Wakenius, who impresses with his technical skills and melodic invention. But no matter how hard the group is able to swing, Hamilton is, in essence, a ballad-man. This is reflected on the epic renderings of "Dear Old Stockholm" and "Bye Bye Blackbird," which feature the gorgeously romantic harmonizing of Lundgren. Hamilton is not only a storyteller, he is also a listener. In fact, all the musicians in the group listen to each other with great empathy, as can be seen in the DVD that accompanies the CD, an opportunity to experience the full show in sparkling color and sound.
The whole package is hard to beat when it comes to getting an introduction to an important traditionalist who still plays the sounds from the past as fresh as if they were the music of tomorrow.
---Jakob Baekgaard
Scott Hamilton
Active Decades: '70s, '80s, '90s and '00s
Born: Sep 12, 1954 in Providence, RI
Genre: Jazz
Styles: Cool, Swing, Post-Bop, Mainstream Jazz, Standards, Jazz Instrument, Saxophone Jazz
When Scott Hamilton appeared in the mid-'70s fully formed with an appealing swing style on tenor (mixing together Zoot Sims and Ben Webster), he caused a minor sensation, for few other young players during the fusion era were exploring pre-bop jazz at his high level. He began playing when he was 16 and developed quickly, moving to New York in 1976. Hamilton played with Benny Goodman in the late '70s, but he has mostly performed as a leader, sometimes sharing the spotlight with Warren Vache, Ruby Braff, Rosemary Clooney, the Concord Jazz All-Stars, or George Wein's Newport Jazz Festival All-Stars. Other than a few sessions for Famous Door and Progressive, Hamilton has recorded a long string of dates for Concord that are notable for their consistency and solid swing.
--- Scott Yanow, All Music Guide |
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