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The Emarcy Master Takes (4CD)
Clifford Brown
első megjelenés éve: 2009
(2010)   [ LIMITED ]

4 x CD
13.420 Ft 

 

Raktáron
Kosaramba teszem
1. CD tartalma:
1.  Delilah
2.  Darn That Dream
3.  Parisian Thoroughfare
4.  Jordu
5.  Sweet Clifford
6.  I Don't Stand A Ghost of A Chance
7.  Stompin' At The Savoy
8.  I Get A Kick Out Of You
9.  I'll String Along With You
10.  Joy Spring
11.  Mildama
12.  These Foolish Things
13.  Daahoud
 
2. CD tartalma:
1.  Coronado
2.  You Go To My Head
3.  Caravan
4.  Autumn in New York
 
3. CD tartalma:
1.  Portrait of Jenny
2.  What's New
3.  Yesterdays Where Or When
4.  Can't Help Lovin' Dat Man
5.  Smoke Gets In Your Eyes
6.  Laura
7.  Memories of You
8.  Embraceable You
9.  Blue Moon
10.  Willow Weep For Me
11.  Stardust
12.  Gerkin for Perkin
13.  Take the "A" Train
14.  Land's End
15.  Swingin'
16.  George's Dilemma
17.  If I Love Again
18.  The Blues Walk
 
4. CD tartalma:
1.  What Am I Here For
2.  Cherokee
3.  Jacqui
4.  Sandu
5.  Gertrude's Bounce
6.  Step Lightly (Junior's Arrival)
7.  Powell's Prances
8.  I'll Remember April
9.  Time
10.  The Scene Is Clean
11.  Flossie Lou
12.  What Is This Thing Called Love
13.  Love Is A Many Splendored Thing
Jazz

Tin Case, with book

CD Edition limited to 6000 copies

"The name of Clifford Brown will always remain synonymous with the very essence of musical and moral maturity. This name will stand as a symbol of the very ideas every young jazz musician should strive to attain." ¬ - Quincy Jones, Down Beat magazine, August 22, 1956

Clifford Brown, the jazz trumpeter affectionately known as "Brownie," partnered with drummer Max Roach in a memorable quintet in the mid-1950s. Over a few short years he quickly rose from astonishing prodigy to pioneering master - a stunning trajectory cut short when Brownie died tragically at age 25 in 1956.

Clifford Brown: The Emarcy Master Takes includes the 49 master takes the Brown-Roach Quintet recorded for the EmArcy label, an 18-month collaboration that resulted in some of the most enduring jazz of all time. This Verve Select limited edition 4-CD set contains, in chronological order of recording, all of the tracks that made up the classic albums Clifford Brown and Max Roach, Clifford Brown With Strings, Brown and Roach Incorporated, Study In Brown, Best Coast Jazz, and At Basin Street, as well as tracks featured on several posthumous releases, from Caravan to More Study In Brown and others.

Playing with Brown and Roach are regular members of their quintet - Harold Land (tenor saxophone), Richie Powell (piano), George Morrow (bass) and Sonny Rollins, who replaced Land - plus a slew of other star players, as well as a Los Angeles string section beautifully arranged and conducted by Neal Hefti. EmArcy's Bob Shad produced the sessions. (Further sessions with vocalists Dinah Washington, Sarah Vaughan and Helen Merrill will be presented on a second multi-disc volume of master takes.)

Grammy-winning author Francis Davis further illuminates Brownie's story in a 5,000-word essay that's included in a 64-page book, which also has many rare photographs, a fold-out poster with reproductions of the quintet's LP and EP cover art, a set of four Brownie postcards, and detailed session annotations; it's all housed in a high-end collector's tin - the same format as Verve's award-winning Master Takes sets from Billie Holiday and Charlie Parker. All tracks have been newly remastered, many of them for the first time since their late 1980s CD reissue.



Clifford Brown

Active Decade: '50s
Born: Oct 30, 1930 in Wilmington, DE
Died: Jun 26, 1956 in Pa
Genre: Jazz
Styles: Bop, Hard Bop, Jazz Instrument, Trumpet Jazz

Clifford Brown's death in a car accident at the age of 25 was one of the great tragedies in jazz history. Already ranking with Dizzy Gillespie and Miles Davis as one of the top trumpeters in jazz, Brownie was still improving in 1956. Plus he was a clean liver and was not even driving; the up-and-coming pianist Richie Powell and his wife (who was driving) also perished in the crash.
Clifford Brown accomplished a great deal in the short time he had. He started on trumpet when he was 15, and by 1948 was playing regularly in Philadelphia. Fats Navarro, who was his main influence, encouraged Brown, as did Charlie Parker and Dizzy Gillespie. After a year at Maryland State University, he was in a serious car accident in June 1950 that put him out of action for a year. In 1952, Brown made his recording debut with Chris Powell's Blue Flames (an R&B group). The following year, he spent some time with Tadd Dameron, and from August to December was with Lionel Hampton's band, touring Europe and leading some recording sessions. In early 1954, he recorded some brilliant solos at Birdland with Art Blakey's quintet (a band that directly preceded the Jazz Messengers) and by mid-year had formed a quintet with Max Roach. Considered one of the premiere hard bop bands, the group lasted until Brown's death, featuring Harold Land (and later Sonny Rollins) on tenor and recording several superb sets for Emarcy. Just hours before his death, Brownie appeared at a Philadelphia jam session that was miraculously recorded, and played some of the finest music of his short life.
Clifford Brown had a fat warm tone, a bop-ish style quite reminiscent of the equally ill-fated Fats Navarro, and a mature improvising approach; he was as inventive on melodic ballads as he was on rapid jams. Amazingly enough, a filmed appearance of him playing two songs in 1955 on a Soupy Sales variety show turned up after being lost for 40 years, the only known footage of the great trumpeter. Fortunately, virtually all of his recordings are currently available, including his Prestige dates (in the OJC series), his work for Blue Note and Pacific Jazz (on a four-CD set), and his many Emarcy sessions (reissued on a magnificent ten-disc set). But the one to pick up first is Columbia's The Beginning and the End, which has Brown's first and last recordings.
---Scott Yanow, All Music Guide

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