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In Chicago There is Willy
The Exciting Trio
első megjelenés éve: 2004
(2004)

CD
4.881 Ft 

 

IMPORT!
Kosaramba teszem
1.  Bow: M
2.  Remembering Tokyo / The Last Alaskan
3.  At a Place
4.  Scannurz
5.  Nine Years
6.  You've Got a Moustache and Everything
7.  Gramps on the Corner
8.  Nine Years Reprise
9.  Lutrell
Jazz / Modern Creative, Fusion, Progressive Jazz

David Pavkovic (drums)
Griffin Rodriguez (bass)
Matt Schneider (guitar)

In Windy City fashion, The Exciting Trio blur the lines between jazz-improv and indie rock. Drummer David Pavkovic (Toe, Tricolor) bassist Griffin Rodriguez (Bablicon, HiM) with guitarist Matt Schneider.

"No, The Exciting Trio isn't a typical guitar group. On the trio's debut recording, In Chicago There is Willy, the band tends toward dry melodicism, gentle pacing and cool abstraction, touching equally on jazz and post-rock, while lining their music with bits of electronic sound...this CD is a promising start for a young band."
--- Aaron Steinberg, JazzTimes

"The band pursues a modernist like approach, complete with ostinato-based patterns, a fair amount of compositional deconstruction and brisk unison lines. They delve into free jazz, and free form space jams, featuring dissonant chord voicings and softly executed, cosmic meltdowns." ---JazzReview.com



Exciting Trio

Decades Active: 2000
Genre: Jazz
Styles: Fusion, Modern Creative, Progressive Jazz
Moods: Atmospheric, Cerebral, Nocturnal, Provocative, Searching, Insular, Plaintive, Sprawling, Thoughtful, Wistful, Ambitious, Confident, Dramatic, Earnest, Exuberant, Freewheeling, Literate, Poignant, Self-Conscious, Sophisticated, Wry

In Windy City fashion, drummer David Pavkovic (Toe, Tricolor), bassist Griffin Rodriguez (Bablicon, HiM) and guitarist Matt Schneider have created an anything-but-ordinary guitar trio that blurs the lines between jazz, improvised music and instrumental indie rock. The Chicago Reader's Peter Margasak describes Schneider as "using his instrument like a paintbrush, putting it through its paces with careful volume modulation and delightfully jagged note pile-ups."

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