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| 5.580 Ft
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| 1. | Wwelcome
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| 2. | Alexandria
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| 3. | Upwards Onwards
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| 4. | Back to the Circle
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| 5. | Huff
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| 6. | Clockwise
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| 7. | Fast Cars
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Jazz
Recorded February 2004, 3030 by Michael Armstrong
Dave Rempis - alto/tenor/baritone saxophone
Tim Daisy - drums
Cover Design by Dave Rempis
Mixed 8/04 @ 3030 by Armstrong / Daisy / Rempis
Dave Rempis and Tim Daisy are two musicians whose work has helped to define a new generation of Chicago improvisers. Having performed together since they both hit the Chicago scene in the fall of 1997, these two have played literally hundreds of concerts together with groups including Triage, The Vandermark Five, the Dave Rempis Quartet, The Rempis Percussion Quartet, The Chicago Improvisers, and countless other ad hoc groupings.
Their duo grouping has a similarly long history and capitalizes on these many joint performances to produce an almost telepathic interaction. Focusing on both compositions and free-improvisation, the duo has a wide sonic range upon which to draw. Never willing to settle into comfortable territory, though, the two continue to push each other into new sonic realms. In September of 2005, after years of focusing on other groups and recording projects, they finally released a duo cd entitled "Back To The Circle" on the Okkadisk label.
Dave Rempis
Decades Active: 1990,2000
Genre: Jazz
Styles: Avant-Garde Jazz, Modern Creative, Jazz Instrument, Saxophone Jazz
Critics have called Dave Rempis "one of the busiest and most versatile jazz musicians in Chicago" (Peter Margasak, Chicago Reader), "a ferocious virtuoso improviser" (Marc Meyers, AllAboutJazz.com) and "a young veteran of Chicago's experimental music scene who has been establishing a vividly recognizable voice of his own" (Howard Reich, Chicago Tribune). In addition to his well documented sideman work, he leads/co-leads groups such as Triage, The Engines, The Rempis/Daisy Duo, and The Dave Rempis Quartet. Founded in April 2004, The Rempis Percussion Quartet draws on a wide range of influences, including West African and Latin American rhythms, funk and free jazz, to create spontaneous music driven by unrestrained energy and a focus on ensemble motion. |
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