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| 8-String Religion [DXD] |
| David Darling |
| első megjelenés éve: 1993 |
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| (2010)
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CD |
| 8.135 Ft
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| 1. | Soft Light
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| 2. | Clouds
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| 3. | Sweet River
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| 4. | Minor Blue
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| 5. | Only One Wish
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| 6. | 8 String Religion
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| 7. | Sojourn
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| 8. | Remember
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Jazz / Post-Bop
8 String Religion features the talents of David Darling on cello and piano. The album combines David's cello, piano and vocal improvisations with sound engineer/producer Mickey Houlihan's nature recordings. The music on this album is considered 'acoustic new age' and features eight nature-oriented pieces that evoke the unity of nature, humanity and music. Mastered using Digital eXtreme Definition (DXD), an audio encoding system that was developed for editing high-resolution recordings, DXD is a PCM-like signal with 24-bit resolution sampled at 352.8 kHz - eight times 44.1 kHz, the sampling frequency of standard CD. The data rate is 11.2896 Mbit/s - four times that of DSD.
8-String Religion is a recording categorized as New Age. Let me be frank with you - that's not my kind of music. There are so many fantastic jazz, classical and rock recording I will never have a chance to listen to, that I surely won't lose time for any crappy music. But sometimes ... Yes, that's the case. Since I received a package from FIM I've listened to this CD four, maybe five times and I still don't have enough of it. I can't even tell you that this one is different from New Age "achievements" - no, it is the same mood, lots of reverb, peace, focus. But this time there is something that makes it the real Music, and not music used as background for everyday activities. And the sound quality… Winston Ma promotes strongly a new format - DXD. Just a reminder - DXD is digital PCM format using 24-bit signal sampled at 352.8kHz. No, it can't be at present released on any medium, but that is how the material from master tapes is saved on a hard drive during mastering and in this form it is processed. Than the signal is downsampled to 16-bit, 44,1 kHz. By shaping noise and using adequate dithering (an intentionally applied form of noise, used to randomize quantization error) they manage to achieve 20-bit resolution on CD! And CDs recorded in this way can sound extraordinary which FIM's releases prove very well. Mr Winston adds a cherry on the top - he uses discs made of 99,9999% silver. This particular CD under review has been released by FIM's daughter company - Lasting Impression Music.
SOUND
As I said I was not a fan of New Age, because songs are simply boring and irritating with lack of concept for the song itself and also for sound production. My interest was caught by Mr Ma's short note stating that he doesn't listen to this kind of music ofter, but this particular recording is one of the very few New Age ones that features emotional depth and a very special sound. I agree with him fully! It's not that I always support Winston's selections but this time I don't have a choice. The space is captured extremely well. And it is not artificially produced, there is real depth, three-dimensional, and the furthest plane is really far away. The attack is slightly rounded just as the contours - but it is perfectly combined with artistic contents, it's just a way it has to be done. David Darling's eight-string cello is incredibly palpable - something we, audiophiles - always chase like a bunny. To be honest I have no idea how they managed to put all those sounds - natural and those from synthesizers - together. And this material was recorded in eight (!) different studios, actually each piece comes from a different place. Most of the credit should go to Daug Sax - "master" of mastering - the man I highly regard. And finally DXD technology - on one hand it is just a way of saving and processing the signal by upsampling it to 352,8 kHz (24-bits are standard), but obviously done by the right people can bring the sound ABOVE the level. This recording sets a New Age standard for me considering both - sound and songs. Gentle, slow, abstracted, but not trivial or boring.
---Sound quality: REFERENCE
David Darling
Active Decades: '80s and '90s
Born: Mar 04, 1941 in Elkhart, IN
Genre: Jazz
Styles: Chamber Jazz, Contemporary Instrumental, Post-Bop, Soundtracks, Film Music, Jazz Instrument, Piano Jazz
Eclectic composer/cellist David Darling incorporates jazz, classical, country, pop, and new age music into his playing and compositions. Starting as a child, Darling displayed facility with many different instruments and styles of music; he began with piano at age four, moved to cello six years later, and played string bass in his high school band (while also serving as bandleader). After finishing his studies in classical cello at Indiana State College in 1965, Darling stayed on as an instructor for four more years.
In the '70s, Darling divided his time between working in Nashville, working as a studio musician with country artists including Johnny Cash, and touring the world with the Paul Winter Consort as a soloist, composer, and singer until 1978. 1979 saw his solo debut as well as the beginning of his collaboration with Ralph Towner, with whom Darling founded the chamber jazz group Gallery.
After Gallery ended in the mid-'80s, Darling went on to work with artists as diverse as Glen Moore, John Clark, Spyro Gyra, and Bobby McFerrin. During those years, he also collaborated with ECM producer Manfred Eicher in a series of dark, introspective works. The '90s found Darling continuing to challenge musical boundaries. His score for the 1992 Wim Wenders movie Until the End of the World drew great acclaim, as did his solo recordings of that decade, including 1993's The Tao of Cello and Dark Wood, which feature Darling's renowned improvisational skills. At the turn of the century, Darling did two albums for Relaxation Music's Musical Massage series: Musical Massage: In Tune and Musical Massage: Balance. He also recorded Cello Blue for Hearts of Space in 2001.
--- Heather Phares, All Music Guide |
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