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![](/images/ff/compactdisk.gif) CD |
4.250 Ft
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1. | Wolverine Blues
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2. | Milneburg Joys
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3. | Winin' Boy Blues
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4. | Don't You Leave Me Here
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5. | Buddy Bolden's Blues
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6. | Black Bottom Stomp
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7. | Fingerbreaker
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8. | Kansas City Stomps
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9. | King Porter Stomp
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10. | Someday, Sweetheart
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11. | The Pearls
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12. | Tia Juana
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13. | Sweet Substitute
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14. | New Orleans Joys
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15. | Grandpa's Spells
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16. | Panama
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Jazz
James B. Scott- trumpet Al Barthlow- trombone Tim Laughlin- clarinet Tom McDermott- piano Everett Link- bass Richard Taylor- drums Guest Artist: Danny Barker, guitar and vocals.
This music is infectious. The band plays most of the numbers with a fine, brash, acetic edge. James B. Scott sounds a mean, dirty horn with a sharp and impressive tongue in Black Bottom Stomp. The piano playing of Tom McDermott in Fingerbreaker was exhilarating - such clean articulation and control - I could see the smoke rising as the piano subsided into the stage floor. Watch out for the full tone of Tim Laughlin on clarinet in Sweet Substitute - its always good for a front man to have a trusted and reliable rhythm section; always in safe hands with this lot. Some good style playing from everyone in Tiajuana and Panama showed how well they integrate with each other. ---Ferdinand Maylin- www.jazznow.com
Dukes of Dixieland
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s Born: 1948 Died: 1974 Genre: Jazz Styles: Dixieland, New Orleans Jazz Revival
Trumpeter Frank Assunto (who was also a fine singer) and his brother/trombonist Fred Assunto formed the Dukes of Dixieland in 1948 and won a Horace Heidt talent contest. In 1950, they started a long engagement at the Famous Door in New Orleans. An early member of the group was clarinetist Pete Fountain and the Assunto's father, Papa Jac, joined the band in 1955 on banjo and second trombone. The group's first recordings were for Band Wagon in 1951 and Fountain appeared on their 1955 Vik date, but the Dukes really caught on with a dozen albums cut for Audio Fidelity during 1956-1960. During this period, the Dukes also recorded twice with Louis Armstrong. The band hit its peak with their Columbia records of 1961-1964 (featuring clarinetist Jerry Fuller), particularly an exciting set recorded at Disneyland. Their Decca and Coral dates of 1965-1966, although of some interest, are a step down in quality. Both Fred (1966) and Frank (1974) died of cancer. In the late '70s, a new Dukes of Dixieland was formed but this group is somewhat corny and inferior in quality, having no real connection to the original band. ---Scott Yanow, All Music Guide |
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