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Kérjen
árajánlatot! |
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| 1. | See You
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| 2. | In Between the Sheets
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| 3. | I'm in the Mood
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| 4. | Dance the Blues Away
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| 5. | Cottonbay
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| 6. | Kloenk
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| 7. | Blowing
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| 8. | Slow Man
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| 9. | Urbanstring
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Jazz / Rock, Funk, Jazz-Funk, Fusion, Jazz-Rock, Smooth Jazz, Jazz Instrument, Guitar Jazz
Jan Akkerman Guitar
Michel Van Schie Programming, Drums
Wilbrand Meischke Bass
ROLAND MOLENDIJK
JEROEN RIETBERGEN
JAN AKKERMAN needs no introduction as to his legions of fans that have enjoyed his work and music since the days of FOCUS they have followed his career which now spans some 40 years in the music business.
About to commence a UK tour during June 2004 Angel Air is proud to release his first solo album in 4 years which contains 9 new tracks some of which have become live favourites over the years.
There is no doubt "C.U." is a guitar album and highlights the variety of guitars that Jan used in the making of this album which can only be described as "soulful and very fresh".
On his first outing since 2000, Amsterdam's best-known guitarist, Jan Akkerman, issues a smooth electric jazz date full of twists and turns with material that ranges from a slinky funk cover of the Isley Brothers' "In Between the Sheets" to the full-on house music of "Urbanstring." It's an unfocused batch of tunes to be sure, but the thing that holds them together is Akkerman's trademark spare, single-string style that never gets in the way of the groove. It's hard to point out what might have compelled him to make this record, but fans will delight in it nonetheless. ~ Thom Jurek, All Music Guide
Jan Akkerman
Active Decades: '70s, '80s, '90s and '00s
Born: Dec 24, 1946 in Amsterdam, The Netherlands
Genre: Rock
Styles: Jazz Instrument, Guitar Jazz, Piano Jazz, Art Rock
A musician of nearly legendary prowess, Jan Akkerman for a time eclipsed Eric Clapton, Jimmy Page, and Jeff Beck among reader polls in England as the top guitarist in the world. Akkerman was born in Amsterdam, Holland, and showed his musical inclinations early, taking up the guitar while still in grade school. His taste and interests were extraordinarily wide-ranging, from pop/rock to classical, with room for blues, Latin, and other influences. He joined his first band, Johnny & His Cellar Rockers, in 1958, at age 11, which included his boyhood friend Pierre van der Linden on drums. Later on, the two were members of the Hunters, an instrumental group whose sound was heavily influenced by that of the Shadows. He acquired a special interest in the lute while on a visit to England during the mid-'60s, during which he saw a performance by legendary classical guitarist Julian Bream, whose repertoire of medieval works also fascinated Akkerman. This interest, which broadened to embrace a fixation on medieval England and its countryside, later manifested itself in such works as "Elspeth of Nottingham" from Focus III.
During the late '60s, Akkerman, van der Linden, bassist Bert Ruiter, and singer Kaz Lux formed Brainbox, who were good enough to get a recording contract with Parlophone Records. He was involved with an early incarnation of the group Focus, founded by conservatory-trained flutist Thijs Van Leer, but didn't join until after that group had issued its unsuccessful debut album -- he took Van der Linden with him from Brainbox and, with Van Leer and bassist Cyril Havermans (later succeeded by Ruiter) from the original Focus, formed a new group of that name. With Akkerman's virtuoso guitar work and arrangements coupled to Van Leer's classical influence (and his yodeling on their breakthrough hit, "Hocus Pocus"), the new group found a large international audience beginning in 1972, which transformed Akkerman into a superstar guitarist.
His solo career actually dated from 1968, though his attempt at a solo album, later titled Guitar for Sale -- containing his covers of numbers such as "What'd I Say," "Ode to Billy Joe," and "Green Onions" -- was so primitive by the standards of the time that it was deemed unreleasable until Akkerman started topping reader surveys in the mid-'70s. Profile, released in 1972 after he'd begun making some headway with his reputation, also dated from 1969 and his days with Brainbox. Akkerman's first real solo album reflecting his music and interests at the time appeared in 1974, in the form of Tabernakel, which was recorded during the summer of that year at Atlantic Recording Studios in New York -- having finally acquired a medieval lute of his own, he taught himself to play it and the results comprise more than half of this LP, made up of authentic medieval music and originals composed in a medieval mode. It was certainly the most unusual record ever to feature the playing of Tim Bogart (bass) and Carmine Appice (drums), as well as soul drummer Ray Lucas.
After leaving Focus in 1976, Akkerman began releasing a stream of solo albums, which frequently embraced classical, jazz, and blues, and started leading his own bands. Much of his work during the 1980s wasn't released officially outside of Holland, but his periodic recordings with Van Leer, coupled with efforts to revive Focus with its two major stars, kept his name circulating in international music circles. The only problem that Akkerman faces derives from the sheer eclecticism of his work, which makes him very difficult to categorize -- two different branches of Tower Records in the same city listed him as a jazz and a rock artist, respectively, but one could just as easily make a claim for him as a classical artist.
---Bruce Eder, All Music Guide |
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