  |
|
|
 |
| According to Mr. Roney - Seth Air / Intuition |
| Wallace Roney |
első megjelenés éve: 1997
104 perc |
|
| (1997)
|
|
2 x CD |
| 7.051 Ft
|
|
| 1. CD tartalma: |
| 1. | Melchizedek
|
| 2. | A Breath of Seth Air
|
| 3. | Black People Suffering
|
| 4. | 28, Rue Pigalle
|
| 5. | Lost
|
| 6. | People
|
| 7. | Gone
|
| 8. | Wives and Lovers
|
| |
| 2. CD tartalma: |
| 1. | Intuition
|
| 2. | Opus One Point Five
|
| 3. | Ahead
|
| 4. | Taberah
|
| 5. | Sometimes My Heart Cries
|
| 6. | For Duke
|
| 7. | Float
|
| 8. | Blue in Green
|
Jazz / Post-Bop, Hard Bop
Antoine Roney Sax (Tenor)
Charnett Moffett Bass
Cindy Blackman Drums
Don Sickler Producer
Eric Allen Drums
Gary Thomas Sax (Tenor)
Gene Paul Mastering
Jacky Terrasson Piano
Joe Fields Producer
Kenny Garrett Sax (Alto)
Michael Cuscuna Producer
Mulgrew Miller Piano
Nancy Dwyer Graphic Design
Oliver Wasow Illustrations
Page Simon Graphic Design
Peter Washington Bass
Ron Carter Bass
Rudy Van Gelder Engineer
Tony Williams Drums, Producer
Wallace Roney Trumpet
Wallace Roney
Active Decade: '90s
Born: May 25, 1960 in Philadelphia, PA
Genre: Jazz
Styles: Post-Bop, Hard Bop, Progressive Jazz, Straight-Ahead Jazz, Jazz Instrument, Trumpet Jazz
Wallace Roney's dilemma recalls that of Sonny Stitt in the '50s and '60s: his trumpet tone, timbre, approach, phrasing, and sound so closely mirror that of Miles Davis in his pre-jazzrock phase that he's been savaged in many places for being a clone and unrepentant imitator. Stitt stopped playing alto for years because of his disdain of being labeled a Charlie Parker clone; Roney, on the other hand, played many of Miles Davis' parts on the 1992 tribute to the Birth of the Cool sessions, which was issued in 1993 as Miles Davis and Quincy Jones at Montreaux. Roney even addressed the situation in the publication Jazz Times in 1993, blasting what he saw as unfair critical obsession with his stylistic similarity to Davis. It's a classic no-win situation; he does sound tremendously like Davis and can't be completely absolved from critical charges of imitation. But he's also a fine, evocative player on ballads and can be fiery and explosive on up-tempo tunes. Roney put in his stint in one of the last editions of Art Blakey's Jazz Messengers. He began recording as a leader in the late '80s with several sessions for Muse in primarily a hard bop mode, many pairing him with equally energized saxophonists Gary Thomas or Kenny Garrett. In 2000, Roney took a creative turn toward funk and experimental post-bop with the album No Room for Argument, a direction he has stuck with through several albums, including 2004's Prototype and 2005's Mystikal. He released Jazz in 2007.
--- Ron Wynn, All Music Guide |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
