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The Swinging Giant Volume 2
Tubby Hayes, Tubby Hayes Quintet, The Jazz Couriers
első megjelenés éve: 1957
(2001)

CD
4.492 Ft 

 

IMPORT!
Kosaramba teszem
1.  Ode to Ernie
2.  No, I Woodyn't
3.  Foolin' Myself
4.  Message to the Messengers
5.  Nicole
6.  Hall Hears the Blues
7.  Oh, My!
8.  Plebus
9.  Reunion
10.  A Foggy Day
Jazz / Bop, Hard Bop

Tracks 1-6: Tubby Hayes Quintet
Tracks 7-10: The Jazz Couriers

There are just a few things that can and generally go wrong on a jazz date, but the session that produced this album was a quite remarkable exception. Everything went right from the start. There was a great feeling of co-operation amongst all concerned, and the result is one of the most enjoyably unpretentious albums of British jazz yet recorded. We do all our Tempo session recordings at the Decca studios in Broadhurst Gardens, just round the corner from West Hampstead tube station. This session was due to start at 4.30 p.m. that day. I walked into Studio One to find the boys had been there for 15 minutes and were already running down one of the tunes.



Tubby Hayes

Active Decades: '50s and '60s
Born: Jan 30, 1935 in London, England
Died: Jun 08, 1973 in London, England
Genre: Jazz
Styles: Bop, Hard Bop, Jazz Instrument, Saxophone Jazz

One of England's top jazz musicians of the 1950s and '60s, Tubby Hayes was a fine hard bop stylist on tenor and occasionally vibes and flute. A professional at 15, Hayes played with Kenny Baker and in the big bands of Ambrose, Vic Lewis, and Jack Parnell during 1951-1955. He led his own group after that, and started doubling on vibes in 1956. Hayes co-led the Jazz Couriers with Ronnie Scott (1957-1959), and appeared in the U.S. a few times during 1961-1965. He headed his own big band in London, sat in with Duke Ellington's Orchestra in 1964, and was featured at many European festivals. Heart trouble forced him out of action during 1969-1971, and caused his premature death. Tubby Hayes led sessions for Tempo (1955-1959), London, Jazzland (1959), Fontana, Epic (a 1961 date with Clark Terry and Horace Parlan), Smash (a 1962 album which matched him with James Moody and Roland Kirk), 77, Spotlite, and Mole.
---Scott Yanow, All Music Guide

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