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| 4.565 Ft
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| 1. | The Way I Hear It
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| 2. | Affable Affair
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| 3. | Bird Behavior
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| 4. | Song for Jeanne Lee
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| 5. | Zimbabwe
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| 6. | Forbidden Places
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| 7. | Double Feature
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| 8. | Quai's Delight
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| 9. | Kendra's Rising
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| 10. | Countn' on the Blues
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| 11. | Tenor Tantrum
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Jazz
Whether playing his drums or marimba, Barker acts as a structuralist, organizer and creator. He's a percussionist/composer of multiple dimensions as nine of the eleven tracks prove. Thurman works in collaboration with pianist Marilyn Crispell on three tracks in a duo setting. In quartet setting he is joined by keyboardist John Medeski and saxophonist John Stubblefield. Maurice McIntyre makes an appearance teaming up with John Stubblefield on Barker's composition Tenor Tantrum. Thurman superbly unleashes the controlled power and inner discipline on the compositions presented here. Originally released in 1999.
An alumnus of the Association for the Advancement of Creative Musicians (AACM), percussionist Thurman Barker moved from Chicago to New York in the '80s, where he expanded his horizons and played with a wide diversity of players. This collection is a bit of a hodgepodge, in which a few unrelated groups are recorded. The most accessible are the ones with tenor saxophonist John Stubblefield and pianist John Medeski, in which Barker fuels some fine inside performances from his colleagues. The three live duets with pianist Marilyn Crispell are a bit more adventurous, although they suffer from less than perfect audio fidelity. The feature for vocalist Thomas Buckner, who is joined by violinist Melvin Gibbs, among others, takes the group to the edges. ~ Steve Loewy, All Music Guide |
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