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Kérjen
árajánlatot! |
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| 1. | Definitely
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| 2. | Brother Arnold's
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| 3. | Red & White Striped Tent
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| 4. | Daughter of the Fireplace
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| 5. | Will The Christians Wait 5 Minutes
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| 6. | Angel Easy
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The music that the Man band performed however was very much removed from the pop sensibilities of The Bystanders and more in keeping with the West Coast sound of American bands such as The Quicksilver Messenger Service. The band would record two albums for the Pye records progressive rock label Dawn (Revelation and 2ozs Of Plastic With A Hole In The Middle) before leaving the label to sign with the more progressively minded Liberty records in 1970 and were to remain with the label until 1976 when they signed with MCA.
The seventies would be an interesting time for the band that saw many comings and goings of various members including the departure and return of key members Clive John, Deke Leonard and Martin Ace all at various points in fact at one point the only original member left in the band was Mickey Jones. The music of course never suffered and in a particularly fertile period the band managed to record and release, no less than seven studio albums. They also performed many wonderful concerts which even took the band to America where their particular brand of rock music found particular favour with audiences on the "West Coast".
Following the deal with MCA the band released just one more studio album (The Welsh Connection) before announcing their decision to call it a day going out for one more tour that would be recorded and finally be released as All's Well That Ends Well which at the time would have seemed to be it as far as the Man band were concerned.
In the wake of the split the various members all concentrated on solo projects including bands like the Flying Aces (Martin Ace) and The Flying Pigs (Mickey Jones) Drummer Terry Williams probably had the highest profile during this time playing first with fellow Welsh man Dave Edmunds and former Brinsley Schwarz bassist Nick Lowe in Rockpile. From there he went on to massive success as a member of Dire Straits and played on the multi million selling Brothers In Arms album. In 1983 however the band decided to re form and head out on the well trodden road. With a few line up changes over the years that is where they still are making albums and playing concerts.,
The footage contained on this DVD comes from German television performances in the seventies. Germany was a fertile ground for Man and the band regularly made the trip to Germany for both concerts and television performances. The earliest performance here features the line up of Mickey Jones, Martin Ace, Clive John, Jeff Jones and Ray Williams. The opening track 2:30 Definitely was not only a one off but an impromptu performance by the band featuring Martin Ace on harmonica. Basically the band had been asked to fill while the opening credits of the show were shown and the time they had to fill was two minutes thirty seconds. The second track Brother Arnold's Red and White Striped Tent originally came from the bands second album 2ozs of Plastic With A Hole In The Middle and comes from the same session that produced 2:30 Definitely. Both pieces were filmed in November 1969 and probably represent the earliest film of Man.
The next clip moves forward to April 1971 when the line up consisted of Mickey Jones, Martin Ace, Deke Leonard, Terry Williams and Clive John. This line up saw the return to the fold of Deke Leonard and the arrival of Terry Williams on drums who joined in October 1970. This time we are treated to full colour performances of two tracks, Daughter Of The Fireplace and , which had originally appeared on the self titled Man album which, was the bands first album for Liberty/United Artists and had been released just the month before this performance was filmed. Both tracks ably illustrate just how tight the band was as a performing unit and how their almost instinctive jamming style had gelled into something quite special.
The final track featured on this DVD comes from a German television session filmed in November 1971. By this time Clive John had departed and both Deke Leonard and Martin Ace were not far behind both leaving in January 1972, Martin of his own choice and Deke? Well let's just say Deke thinks he was sacked and neither Micky Jones nor Terry Williams tend to disagree with him. The performance captured here is Angel Easy one of the shorter tracks Man recorded at the time. The track was the opening track of the bands most recent studio album, released the week the band performed here before the cameras. The album was entitled Do You Like It Here Now, Are You Settling In.
Man would not return to German television screens until April 1975 when the band played a live concert in the studio to promote their Slow Motion album. These television clips then represent some of the earliest film of Man live in the studio and are now being released officially for the first time in their own right.
Man
Active Decades: '70s and '90s
Born: 1969 in Swansea, Wales
Died: 1977
Genre: Rock
Styles: Hard Rock, Prog-Rock, Psychedelic, Heavy Metal, Pub Rock
Man were one of the most promising rock bands to come out of Wales in the early '70s. Along with Brinsley Schwarz, they helped establish the core of the pub rock sound, but they played louder and also had a progressive component to their work that separated them from many of their rivals. The group originated as a Four Seasons-cum-Beach Boys vocal outfit, based in Swansea, Wales, called the Bystanders, who began experimenting with a tougher, more progressive sound on-stage. They were encouraged to pursue this direction, and Man were formed -- Micky Jones (lead guitar, vocals), Deke Leonard (guitar, vocals), Clive John (guitar, keyboards, vocals), Ray Williams (bass), and Jeff Jones (drums).
Their first release, Revelation, issued in 1969 on Pye, was a concept album that yielded a successful European single, "Erotica," which contained the sound of an orgasm and thus failed to chart in England. Their second album, 2 Ozs. of Plastic with a Hole in the Middle, showed a slightly new direction for the band, with a nearly live-in-the-studio sound and more creative interplay between the guitars, that some critics compared to early Quicksilver Messenger Service and other West Coast bands. Deke Leonard, in particular, whose playing was heavily influenced by Mick Green of the Pirates, became the star of the group by popular acclaim. When their contract with Pye Records ended in 1969, the group signed with United Artists-Liberty, with a new rhythm section consisting of Terry Williams on drums and vocals and Martin Ace playing bass. Their third album, Man, was a critical success, and their follow-up, 1971's Do You Like It Here, Are You Settling In, yielded several popular concert numbers.
In February 1972, the group appeared at the Greasy Truckers' Ball, a benefit concert held in London that was taped for posterity, alongside Brinsley Schwarz and Hawkwind. Their performance was so impressive that United Artists chief Andrew Lauder (who was also responsible for helping the post-Roy Loney Flamin' Groovies get their sound together) encouraged them to do a full live album. The result was Live at the Padget Rooms, Penarth, the band's breakthrough album, even though it was originally released in a limited-edition pressing of 8,000 copies. The album became a much sought-after collector's item in England, and suddenly the group had the attention of most of the record-buying public.
Unfortunately, it was at after the release of that album that Deke Leonard decided to exit the lineup to pursue a solo career, which he launched with the successful album Iceberg. Man were making a reputation for themselves and their next album, Be Good to Yourself at Least Once a Day, yielded some good songs (including "Bananas"). At that point, Pye released a retrospective of their first two albums, while the group's current lineup began shifting again -- Deke Leonard was back for Rhinos, Winos and Lunatics, and Slow Motion led to the group's first American tour. They followed this up with their first serious misstep, a hookup with Quicksilver's John Cippolina as producer for what proved to be a disappointing album, Maximum Darkness. The Welsh Connection, released by MCA in 1976, marked the end of the original group's history, although the band did get one more album out, entitled All's Well That Ends Well.
During the 1980s, Micky Jones reunited the group and those interested members (including Deke Leonard) and found a steady living on the pub rock circuit. Meanwhile, Terry Williams went on to join Rockpile and Dire Straits. Interest in Man was strong enough to justify the release of a compilation, Perfect Timing: The UA Years, in 1991. In the mid-'90s, Beat Goes On began reissuing Man's individual albums and Deke Leonard's solo work on compact disc.
---Bruce Eder, All Music Guide |
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