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| Live in Wels & Chicago [ ÉLŐ ] |
| DKV Trio |
| első megjelenés éve: 2000 |
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| (2000)
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2 x CD |
| 6.201 Ft
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| 1. CD tartalma: |
| 1. | Part 1
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| 2. | Part 2
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| 3. | Part 3
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| 4. | Part 4
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| 5. | Part 5
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| 6. | Memory Sketch
for Don Cherry
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| 2. CD tartalma: |
| 1. | Open Door
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| 2. | Blues for Tomorrow
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| 3. | Burning Sky
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Jazz
Recorded:
Wels CD: “Music Unlimited 98” Festival, November 8, 1998
Chicago CD: Velvet Lounge, Chicago, November 20 & 21, 1998
Disc 1: Wels CD
Disc 2: Chicago CD
Total Time: 43:55 + 73:09 min.
Hamid Drake - drums
Kent Kessler - bass
Ken Vandermark - tenor sax
recorded by: John McCortney
mixed by & mastered by: John McCortney, Airwave Recording Studios, September 23, 1999
produced by: Ken Vandermark & Joe Morris
executive producer: Bruno Johnson
graphic design: L.E. Molnar
photography: Rebecca Gleason
art design: Adrienne Pierluissi
[This] double live set is powerful, especially the Wels disc, recorded at the Music Unlimited Festival, November 8th, 1998. At Wels, the DKV Trio (Hamid Drake on drums, Kent Kessler on bass, and Ken Vandermark on reeds) rips confidently and creatively through "Complete Communion Suite", a forty-four minute tour de force improvised off Don Cherry's joyous "Complete Communion" theme. Excellent recording quality. It’s been a while since a double bass has sounded so muscular and commanding, kudos to Kessler. Drake is stunning on the traps, using sticks and hands to hypnotic and dynamic effect, seeming aligned with higher powers. Vandermark deepens and diversifies his attack to include some restrained melodic interludes along with trademark energy carvings, especially on tenor. The three-quarter hour program vanishes in a blink, culminating in a sensitive denouement, "Memory Sketch (For Don Cherry)". You half-believe the gypsy piper who inspired this music will enter at the end to blow a few last, lingering notes on his pocket trumpet. Essential.
The Chicago disc, recorded less than two weeks after Wels at Fred Anderson's Velvet Lounge, has three extended performances. After the Wels disc’s jubilant triumph, this is more restrained, yet determined in its moods. Hamid Drake is magical on "Open Door". Damn, he’s magical throughout! Less immediate in impact, the Velvet Lounge sets reveals more on further listens. The DKV Trio has, with this two-disc set, become a band worthy of space in any collection of seminal improvised music.
--- Doug Lang, Coda, issue 294 (November/December 2000) |
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