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2 x CD |
| 3.726 Ft
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| 1. CD tartalma: |
| 1. | A Jazz Holiday
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| 2. | Wolverine Blues
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| 3. | Jungle Blues
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| 4. | Room 1411
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| 5. | Blue
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| 6. | Shirt Tail Stomp
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| 7. | That&
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| 8. | Clarinetitis
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| 9. | After A While
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| 10. | Muskrat Scramble
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| 11. | I Gotta Right to Sing The Blues
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| 12. | Ain'tcha Glad?
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| 13. | Dr. Heckle And Mr. Jibe
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| 14. | Texas Tea Party
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| 15. | Tappin' The Barrel
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| 16. | Keep On Doin' What You&
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| 17. | Riffin' The Scotch
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| 18. | Love Me Or Leave Me
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| 19. | Why Couldn&
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| 20. | Georgia Jubilee
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| 21. | As Long As I Live
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| 22. | Moon Glow
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| 23. | Breakfast Ball
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| 24. | Take My Word
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| 25. | Bugle Call Rag
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| 2. CD tartalma: |
| 1. | Music Hall Rag
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| 2. | The Dixieland Band
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| 3. | Blue Moon
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| 4. | Japanese Sandman
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| 5. | Always
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| 6. | Get Rhythm In Your Feet [And Music In Your Soul]
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| 7. | Ballad In Blue
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| 8. | Blue Skies
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| 9. | Dear Old Southland
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| 10. | Sometimes I&
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| 11. | King Porter
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| 12. | Sandman
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| 13. | If I Could Be With You [One Hour Tonight]
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| 14. | Stompin' At The Savoy
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| 15. | Goody Goody
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| 16. | Christopher Columbus
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| 17. | House Hop
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| 18. | House Hop
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| 19. | Alexander's Ragtime Band
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| 20. | Swing Low, Sweet Chariot
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| 21. | I Want To Be Happy
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| 22. | Rosetta
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| 23. | Sing, Sing, Sing [Part 1 & 2]
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Jazz
CD 1: Clarinetitis - 73:42 min.
A Jazz Holiday
Wolverine Blues
Chicago, January 23, 1928
Jimmy McPartland (cn), Glenn Miller (tb), Benny Goodman (cl), Vic Breidis (p), Dick Morgan (g), Harry Goodman (bb), Bob Conselman (d)(vib)
Jungle Blues
Room 1411 (Goin' To Town)
Blue
Shirt Tail Stomp
New York, June 4, 1928
Same, except Ben Pollack (d) replaces Conselman, Goodman plays (cn)(cl)(as)(bar), Tommy Dorsey (tb), Fud Livingston (cl)(ts) added
That's A Plenty
Clarinetitis
Chicago, June 13, 1928
Benny Goodman (clarinet solos), Mel Stitzel (p), Bob Conselman (d)
After A While
Muskrat Scramble
Chicago, August 13, 1929
Wingy Manone (tp), Benny Goodman (cl), Bud Freeman (ts), Joe Sullivan (p), Herman Foster (bjo), Harry Goodman (sb), Bob Conselman (d)
I Gotta Right To Sing The Blues
Ain'tcha Glad?
New York, October 18, 1933
Charlie Teagarden (tp)(vcl), Manny Klein (tp), Jack Teagarden (tb)(vcl), Benny Goodman (cl), Art Karle (ts), Joe Sullivan (p), Dick McDonough (g, vcl), Artie Bernstein (sb), Gene Krupa (d), Arthur Schutt (arr)
Dr. Heckle And Mr. Jibe
Texas Tea Party
New York, October 27, 1933
Same, except Frank Froeba (p), replaces Sullivan
Tappin' The Barrel
New York, December 4, 1933
Same
Keep On Doin' What You're Doin'
Riffin' The Scotch
Love Me Or Leave Me
Why Couldn't It Be Poor Little Me?
New York, December 18, 1933
Charlie Teagarden (tp)(vcl), Manny Klein (tp), Jack Teagarden (tb)(vcl), Benny Goodman (cl), Art Karle (ts),
Joe Sullivan (p), Dick McDonough (g)(vcl), Artie Bernstein (sb), Gene Krupa (d), Deane Kincaide (arr), Billie Holiday (vcl)
Georgia Jubilee
New York, February 2, 1934
Benny Goodman (cl)(dir), Manny Klein, Charlie Margulis (tp), Sonny Lee (tb), Coleman Hawkins (ts), Arthur Schutt (p)(arr), Dick McDonough (g), Artie Bernstein (sb), Gene Krupa (d), Mildred Bailey (vcl), George Bassman (arr)
As Long As I Live
Moon Glow
Breakfast Ball
New York, May 14, 1934
Benny Goodman (cl)(dir), Charlie Teagarden, George Thow (tp), Jack Teagarden (tb)(vcl), Hank Ross (ts), Teddy Wilson (p), Benny Martel (g), Artie Bernstein or Harry Goodman (sb), Ray McKinley (d)
Bugle Call Rag
New York, August 16, 1934
Benny Goodman (cl)(dir), Russ Case, Jerry Neary, Sam Shapiro (tp), Red Ballard, Jack Lacey (tb), Hymie Schertzer, Ben Kantor (as), Arthur Rollini (ts), Claude Thornhill (p) George Van Eps (g), Hank Wayland (sb), Sammy Weiss (d), Benny Carter, Will Hudson, Deane Kincaide (arr), Ann Graham (vcl)
CD 2: Sing, Sing, Sing - 70:35 min.
Music Hall Rag
New York, November 26, 1934
Benny Goodman (cl)(dir), Pee Wee Erwin, Jerry Neary, Art Sylvester (tp), Red Ballard, Jack Lacey (tb), Toots Mondello, Hymie Schertzer (as), Arthur Rollini, Dick Clark (ts), Frank Froeba (p), George Van Eps (g), Harry Goodman (sb), Sammy Weiss (d), George Bassman, Jiggs Noble (arr), Helen Ward, Buddy Clark (vcl)
The Dixieland Band
Blue Moon
New York, January 15, 1935
Same, except Ralph Muzillo (tp) replaces Sylvester and Gene Krupa (d) replaces Weiss
Japanese Sandman
Always
New York, April 19, 1935
Benny Goodman (cl)(dir), Pee Wee Erwin, Jerry Neary, Nate Kazebier (tp), Jack Teagarden, Joe Harris (tb), Toots Mondello, Hymie Schertzer (as), Arthur Rollini, Dick Clark (ts), Frank Froeba (p), Allen Reuss (g), Harry Goodman (sb), Gene Krupa (d), Fud Livingston, Deane Kincaide (arr), Helen Ward, Ray Hendricks, Buddy Clark (vcl), Horace Henderson (arr)
Get Rhythm In Your Feet (And Music In Your Soul)
Ballad In Blue
Blue Skies
Dear Old Southland
New York, June 25, 1935
Benny Goodman (cl)(dir), Bunny Berigan, Nate Kazebier, Jerry Neary (tp), Red Ballard, Jack Lacey (tb), Toots Mondello, Hymie Schertzer (as), Arthur Rollini, Dick Clark (ts), Frank Froeba (p), George Van Eps (g), Harry Goodman (sb), Gene Krupa (d), Fletcher Henderson, Horace Henderson, Spud Murphy (arr)
Sometimes I'm Happy
King Porter
New York, July 1, 1935
Same, except Ralph Muzillo (tp) replaces Neary
Sandman
If I Could Be With You (One Hour Tonight)
Hollywood, November 22, 1935
Benny Goodman (cl)(dir), Harry Geller, Nate Kazebier, Ralph Muzillo (tp), Red Ballard (tb), Joe Harris (tb)(vcl), Hymie Schertzer, Bill DePew (as), Arthur Rollini, Dick Clark (ts), Jess Stacy (p), Allan Reuss (g), Harry Goodman (sb), Gene Krupa (d), Jimmy Mundy, Fletcher Henderson, Gordon Jenkins, Spud Murphy (arr), Helen Ward (vcl)
Stompin' At The Savoy
Goody - Goody
Chicago, January 24, 1936
Benny Goodman (cl)(dir), Nate Kazebier, Harry Geller, Ralph Muzillo (tp), Red Ballard (tb), Joe Harris (tb, vcl), Hymie Schertzer, Bill DePew (as), Arthur Rollini, Dick Clark (ts), Jess Stacy (p), Allan Reuss (g), Harry Goodman (sb), Gene Krupa (d), Jimmy Mundy, Fletcher Henderson, David Rose, Edgar Sampson, Henry Woode, Spud Murphy (arr), Helen Ward (vcl)
Christopher Columbus
Chicago, March 20, 1936
Same
House Hop
New York, May 27, 1936
Benny Goodman (cl)(dir), Pee Wee Erwin, Nate Kazebier, Gordon "Chris" Griffin (tp), Red Ballard, Murray
McEachern (tb), Hymie Schertzer, Bill DePew (as), Dick Clark, Arthur Rollini (ts), Jess Stacy (p), Allan Reuss (g), Harry Goodman (sb), Gene Krupa (d), Jimmy Mundy, Fletcher Henderson (arr), Helen Ward (vcl)
House Hop
New York, June 16, 1936
Same
Alexander's Ragtime Band
New York, October 7, 1936
Benny Goodman (cl)(dir), Gordon Griffin, Zeke Zarchy, Ziggy Elman (tp), Red Ballard, Murray McEachern (tb), Hymie Schertzer, Bill DePew (as), Arthur Rollini, Vido Musso (ts), Jess Stacy (p), Allan Reuss (g), Harry Goodman (sb), Gene Krupa (d), Fletcher Henderson, Jimmy Mundy (arr), Helen Ward (vcl)
Swing Low, Sweet Chariot
New York, December 9, 1936
Benny Goodman (cl)(dir), Irving Goodman, Gordon Griffin, Ziggy Elman (tp), Red Ballard, Murray McEachern (tb), Hymie Schertzer, Bill DePew (as), Arthur Rollini, Vido Musso (ts), Jess Stacy (p), Allan Reuss (g), Harry Goodman (sb), Gene Krupa (d), Jimmy Mundy (arr), Helen Ward (vcl)
I Want To Be Happy
Rosetta
New York, January 14, 1937
Benny Goodman (cl)(dir), Harry James, Gordon Griffin, Ziggy Elman (tp), Red Ballard, Murray McEachern (tb), Hymie Schertzer, Bill DePew (as), Arthur Rollini, Vido Musso (ts), Jess Stacy (p), Allan Reuss (g), Harry Goodman (sb), Gene Krupa (d), Fletcher Henderson (arr), Frances Hunt (vcl)
Sing, Sing, Sing (Part 1 & 2)
Hollywood, July 6, 1937
Benny Goodman (cl)(dir), Harry James (tp, vcl, arr), Gordon Griffin, Ziggy Elman (tp), Red Ballard, Murray McEachern (tb), Hymie Schertzer, George Koenig (as), Arthur Rollini, Vido Musso (ts), Jess Stacy (p), Allan Reuss (g), Harry Goodman (sb), Gene Krupa (d), Fletcher Henderson, Jimmy Mundy (arr)
Buchformat 2 CD + 20 page booklet
Benny Goodman's claim to being the founding father of the swing era - the true 'King of Swing' - is based on the fact that he helped this form of jazz become a new music style withe a revolutionary aspect, similar to the rock 'n' roll of the 1950s. The adolescents listening to this music developed their own fashions, dances, jargon and mannerisms, separating them from their conservative parents who rejected this new music as being too loud, vulgar and not 'danceable'. |
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