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| 2.976 Ft
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| 1. | It Should Be You
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| 2. | Biff'ly Blues
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| 3. | Feeling Drowsy
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| 4. | Swing Out
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| 5. | Jersey Lightning
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| 6. | Doctor Blues
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| 7. | Dancing Dave
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| 8. | Louisiana Swing
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| 9. | Patrol Wagon Blues
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| 10. | Panama
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| 11. | Stingaree Blues
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| 12. | Bugle Call Rag
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| 13. | Firebird
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| 14. | King Porter Stomp
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| 15. | Hocus Pocus
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| 16. | There's a House in Harlem for Sale
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| 17. | Rug Cutter Swing
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| 18. | Down South Camp Meeting
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| 19. | Wrappin' It Up
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| 20. | Believe It, Beloved
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| 21. | Body and Soul
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| 22. | Roll Along, Prairie Moon
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| 23. | Truckin'
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Jazz / Dixieland, Swing, New Orleans Jazz, Jazz Instrument, Trumpet Jazz
Al Morgan Bass
Albert Nicholas Sax (Alto), Clarinet
Arthur Taylor Banjo
Ben Webster Sax (Tenor)
Bernard Addison Guitar
Bill Coleman Trumpet
Bobby Stark Trumpet
Buster Bailey Clarinet
Cecil Scott Clarinet, Sax (Tenor)
Charles Frazier Sax (Tenor)
Charlie Holmes Sax (Soprano), Sax (Alto), Clarinet
Chu Berry Sax (Tenor)
Claude Jones Trombone
Coleman Hawkins Sax (Tenor), Clarinet
Colin Brown Producer, Compilation Producer
Dave Nelson Trumpet
Dicky Wells Trombone
Eddie Condon Banjo
Elmer James Bass
Ernest "Bass" Hill Bass
Fletcher Henderson Leader
Fletcher Henderson & His Orchestra Performer
Freddie Moore Drums
George Stafford Drums
George Washington Trombone
Glyn Pacque Sax (Alto)
Greely Walton Sax (Tenor)
Henry "Red" Allen Trumpet, Vocals
Henry Allen & His Orchestra Performer
Henry Duncan Piano
Hilton Jefferson Sax (Alto), Clarinet
Horace Henderson Piano
Irving "Mouse" Randolph Trumpet
J.C. Higginbotham Trombone
Jack Bland Guitar
Jimmy Archey Trombone
Joe Sullivan Piano
Joe Thomas Trumpet
John Kirby Bass
Joseph "Kaiser" Marshall Drums
Keg Johnson Trombone
King Oliver Performer, Trumpet
Lawrence Lucie Guitar
Luis Russell Celeste, Piano, Performer
Otis Johnson Trumpet
Paul Barbarin Vibraphone, Drums
Pee Wee Erwin Trumpet
Pee Wee Russell Sax (Tenor), Clarinet
Pops Foster Bass
Russell Procope Clarinet, Sax (Alto)
Russell Smith Trumpet
Sandy Williams Trombone
Teddy Hill Sax (Tenor), Clarinet
Thornton Blue Clarinet, Sax (Alto)
Tony Watts Liner Notes, Producer, Compilation Producer
Vic Engle Drums
Walter Johnson Drums
Will Johnson Guitar, Banjo
Zutty Singleton Drums
Henry "Red" Allen
Active Decades: '20s, '30s, '40s, '50s and '60s
Born: Jan 07, 1908 in New Orleans, LA
Died: Apr 17, 1967 in New York, NY
Genre: Jazz
Styles: Dixieland, Jazz Instrument, New Orleans Jazz, Swing, Trumpet Jazz
One of the last great New Orleans trumpeters to emerge during the post-Louis Armstrong era, Henry "Red" Allen has long been overshadowed by Satch and his successors but actually had a fresh new approach of his own to offer. Allen sounded modern no matter what the setting and the rhythmic freedom he achieved made his solos consistently unpredictable and exciting. The son of Henry Allen, Sr. (a famous New Orleans brass band leader), he learned trumpet early on and played in his father's parade band along with other local groups. After working on the riverboats with Fate Marable and Fats Pichon the following year, Allen joined King Oliver in Chicago. He recorded in New York with Oliver and Clarence Williams, and then Red Allen joined Luis Russell's superb orchestra and began his own solo recording career. Signed by Victor as an alternative to Okeh's Louis Armstrong, Allen's solos were original and brilliant from the start (particularly "It Should Be You"); throughout the 1930s his trumpet and gruff vocals would be heard on dozens of recordings and, even when the material was indifferent, Allen was usually able to uplift the music. After notable stints with Luis Russell (1929-1932), Fletcher Henderson (1933-1934), and the Mills Blue Rhythm Band (1934-1937), Allen became part of Louis Armstrong's backup band for three years, secure but somewhat anonymous work. However, starting in 1940, Red Allen led a series of impressive combos that were Dixieland-based but also open to certain aspects of rhythm & blues. Trombonist J.C. Higginbotham (a lifelong friend) and altoist Dan Stovall were on many of his recordings. From 1954-1965, Allen's frequently riotous group played regularly at New York's Metropole (Coleman Hawkins was occasionally among his sidemen), he visited Europe several times (including in 1959 with Kid Ory's band), and Allen was one of the most memorable participants in the December 1957 CBS TV special The Sound of Jazz. Red Allen remained very active up until his death, and in the 1960s was proclaimed by Don Ellis as "the most creative and avant-garde trumpeter in New York." The European Classics label documents his recordings of the 1930s, and many (but not all) of his later performances are also available on CD.
--- Scott Yanow, All Music Guide |
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